All music written and recorded
© September 30 2018 by Lo-fi Galaxie

Scared Of The Sun

Music by Lone Arrivals and Mike Brosco
Check out Lone Arrivals here: @tiny_wytch
Photo By Sydney Rinehart

The Glass Garden [Brosco / Lone Arrivals Collaboration]

weaved into this composition by Filmy Ghost https://soundcloud.com/myrhyum/filmy-ghost-myrh-cassilda-the-queen-of-carcosa?in=myrhyum/sets/on-every-street-corner-2

On The Train

Track 1 on my new Music Cassette.
https://djdeppenhorst.bandcamp.com/album/15-trivial-miniatures

Music Cassette

A01 - Release the Electronic Ponies

shedding

A little town in northeastern California used to be a mill town with a prison.  Today, the mill stands still. The towers remain a reminder of a much different time. 
Thanks To Logan Blackard for drums
Lyrics;
There's visions of ghosts 
at the old mill tower
In the old saw mill
The blades of the saws
Once hot from the cut
sit cold and still

mountains surround
A small valley town 
At the foot of the hills
A small lonely place
With the never sweat pace
of Susanville 


The cold winter days pass 
into warm summer nights 
The Old town shines on the Main Street 
in bold neon light
The  bitter brush covers a dry desert land 
to the tree covered hills
An old lumber town that's hardly renowned called Susanville 

Roll the lumber
We're cutting for grade
Logs rolling in set for the cut
Is how our money is made

Roll the lumber
We're cutting for grade
Logs rolling in set for the cut
Is how our money is made

New Industry grows 
time served for crime
Jobs to be filled
The cops and the cons 
Face off behind walls 
The state pays the bill

The old mill still stands
holding it's ground 
In hope of living again
Lost spirits are found
in this High Desert town
Called Susanville

Roll the lumber
We're cutting for grade
Logs rolling in set for the cut
Is how our money is made

Roll the lumber
We're cutting for grade
Logs rolling in set for the cut
Is how our money was made

Susanville

Buy at Bandcamp

Look at the Other End

Music, mixing and production by https://soundcloud.com/p-e-n-i-n-s-o-l-a-r
Please check on Bandcamp the full album with various  collaborations: https://peninsolar.bandcamp.com/album/in-between-obfuscate-coordinates

My sonopoem 'Coordinates' refers to the book 'Objective Becoming' by Bradford Skow, prof of Philosophy at MIT on the comparison of different theories of time, spacetime, robust passage and experiences.

'Coordinates
Time does not pass, we pass through time
In stages or blocks and become
Spatially and temporally scattered we 
Have experiences at other places
Inaccessible to us here and
At other times unavailable to us now
Yours and my P1 and P2 positions extend
How fast do we pass?
Can we reminisce about the things to come?
Flashes in between coordinates
Perhaps glitches in the protocol or
Ultra-rational diagrams
Have been and not yet spiral and interchange.
Time-biased preferences are falsifiable
One life is better than another if and only if
The total amount of pleasure minus
the total amount of pain in the first life
Is greater than the corresponding quantity
In the second one.
Can sacrifice change the perspective?
And if I live with you n latitudes and
Longitudes, simultaneous instants
Pre and post my vertebral consumption
In between we will rest
Wherever you are, whenever you happen to be
Stay put'

In Between Obfuscate Coordinates - P è n i n ș o l a r & Ilaria Boffa

This is a slight reworking of Illuminate, featuring a change of instrumentation and changes to the rhythmic bass timing and velocities. I shifted the arp down by an octave and altered the note lengths used by the choir (originally the ACE part).

The idea for this re-working occurred to me after watching a relatively recent movie.

Sophism

Illuminate2 (I'll Tuck in the Children)

ulrich langenbach/michael göring - "someone else's biography"

Desktop

Flying over an ancient temple

Poetry, Field recording and the More-Than-Human Human

'I use this space to offer an experience of Sonopoetry, the voice of verses combined with field/sound recording.
Writing and composition marked the passage from pre-history to history for human beings. I firmly believe that writing&listening (active care/empathy and full attention to each and every sound from each and every living and non living being) could inform, guide and represent the Posthuman era that I'll call MoreThanHuman Human era -from sapiens sapiens to MoreThanHuman Human.
The contemporary alliance between the disciplines of Art, Science and Philosophy elicits the conceptualisation of the Posthuman that to me also implies the transition from the Anthropocene to the Age of Art as a driver of thought and vision. I advocate the responsibility to assign a 'more than human' meaning to the Posthuman concept, that's why More-Than-Human Human, in order to emphasise the human core and the genetic connection to bio and non-bio diversity as per the Biophilia Hypothesis.
Are we listening?'

Born 6 January 1972, Ilaria Boffa is an Italian poet and sound recordist. 
She has published four poetry collections and she is one of the eight authors included in the North East American Association publication ‘Writing in a Different Language’ Vol XL 2018.
Over the last years, she has been experimenting with field recording, blending her spoken word with sound.
Publications:
Beginnings & Other tragedies/Inizi e Altre Tragedie, 2023, book of poems (Eng/Ita)
https://www.valleypressuk.com/shop/p/beginnings-tragedies

About Sounds About Us/Di Suoni e di Noi, 2019, book of poems (Eng/Ita)
http://www.samueleeditore.it/about-sounds-about-us-ilaria-boffa/

Writing in A Different Language, volume XL NeMLA publications (Northeast Modern Language Association), College of New Jersey, 2018
http://www.buffalo.edu/nemla/publications/nis/past/volume-xl.html

The Bliss of Hush and Wires/Periferie, 2016, book of poems (Eng/Ita)
http://www.samueleeditore.it/periferie-the-bliss-of-hush-and-wires-ilaria-boffa-2/