Tapes

World has slowed down. 
Hidden beneath a skin of fear.

All Silver was created during the first days of the Corona shutdown.
Made with passion and modular synths.

Sound and artwork by Thomas Breuer

All Silver

all silver

Resurrection Sunday

SEIZURES - Orchids

UNPREDICTABLE FACTOR

From https://peteswinton.bandcamp.com/album/orpheus-and-eurydice

Theme For Orpheus

Music, mixing and production by https://soundcloud.com/p-e-n-i-n-s-o-l-a-r
Please check on Bandcamp the full album with various  collaborations: https://peninsolar.bandcamp.com/album/in-between-obfuscate-coordinates

My sonopoem 'Coordinates' refers to the book 'Objective Becoming' by Bradford Skow, prof of Philosophy at MIT on the comparison of different theories of time, spacetime, robust passage and experiences.

'Coordinates
Time does not pass, we pass through time
In stages or blocks and become
Spatially and temporally scattered we 
Have experiences at other places
Inaccessible to us here and
At other times unavailable to us now
Yours and my P1 and P2 positions extend
How fast do we pass?
Can we reminisce about the things to come?
Flashes in between coordinates
Perhaps glitches in the protocol or
Ultra-rational diagrams
Have been and not yet spiral and interchange.
Time-biased preferences are falsifiable
One life is better than another if and only if
The total amount of pleasure minus
the total amount of pain in the first life
Is greater than the corresponding quantity
In the second one.
Can sacrifice change the perspective?
And if I live with you n latitudes and
Longitudes, simultaneous instants
Pre and post my vertebral consumption
In between we will rest
Wherever you are, whenever you happen to be
Stay put'

In Between Obfuscate Coordinates - P è n i n ș o l a r & Ilaria Boffa

illusion. never.

https://soundcloud.com/mechanicalwitch/nozzlin-the-ariel-phenomenon-mechanical-witch-remix

just for lulz

ラミニウス

My mother likes religion . Retual  1, 2 and 3

You're such a generous host-- I almost wish this were symbiotic

Poetry, Field recording and the More-Than-Human Human

'I use this space to offer an experience of Sonopoetry, the voice of verses combined with field/sound recording and music collaborations.
Writing and composition marked the passage from pre-history to history for human beings. I firmly believe that writing&listening (active care/empathy and full attention to each and every sound from each and every living and non living being) could inform, guide and represent the Posthuman era that I'll call Human Human era -from sapiens sapiens to human human.
The contemporary alliance between the disciplines of Art, Science and Philosophy elicits the conceptualisation of the Posthuman that to me also implies the transition from the Anthropocene to the Age of Art as a driver of thought and vision. I advocate the responsibility to assign a 'more than human' meaning to the Posthuman concept, that's why More-Than-Human Human, in order to emphasise the human core, the genetic connection to bio and non-bio diversity as per the Biophilia Hypothesis.
Are we listening?'

Born 6 January 1972, Ilaria Boffa is an Italian poet and sound recordist. 
She has published four poetry collections and she is one of the eight authors included in the North East American Association publication ‘Writing in a Different Language’ Vol XL 2018.
Over the last years, she has been experimenting with field recording, blending her spoken word with sound.
Publications:
Beginnings & Other tragedies/Inizi e Altre Tragedie, 2023, book of poems (Eng/Ita)
https://www.valleypressuk.com/shop/p/beginnings-tragedies

About Sounds About Us/Di Suoni e di Noi, 2019, book of poems (Eng/Ita)
http://www.samueleeditore.it/about-sounds-about-us-ilaria-boffa/

Writing in A Different Language, volume XL NeMLA publications (Northeast Modern Language Association), College of New Jersey, 2018
http://www.buffalo.edu/nemla/publications/nis/past/volume-xl.html

The Bliss of Hush and Wires/Periferie, 2016, book of poems (Eng/Ita)
http://www.samueleeditore.it/periferie-the-bliss-of-hush-and-wires-ilaria-boffa-2/