Showreel video: http://www.youtube.com/watch?v=JvBLIYIiPIM

The foundation of Biscuit Reality dates back in history to two workmates both with a solid background in food manufacture. After sharing the same office for almost a decade at a legendary confectionery manufacturer, they suddenly realised they had something curious in common. Not only did they walk around the same bit of carpet every day, they also seemed to share a secret obsession for biscuit production. Satisfying their passion and hunger for biscuits soon made them one of the most talked-about workers at the company, which they put down to hard work, others to stealing biscuits from the company warehouse. After being made redundant - a direct result to a scandalous incident involving excessive consumption of alcohol, drugs, and biscuits - they took yet another step towards the creation of Biscuit Reality. Getting left by their wives enabled them to contemplate the idea of sharing a flat, which completed the ingredient-list to launching their own biscuit manufacturing business from their flatshare. Unfortunately though, due to financial issues and the fact that they had no technical equipment other than a personal computer, they decided to get into music-making instead.
    
To their own amazement, they soon found their tunes picked up by labels like  Mothership, Resopal Schallware, Chi Recordings, ... check back here for new pieces of biscuits!

We intend to release quality music that goes beyond the standard genre sounds, that thinks outside the box. 

Demo & all label inquiries, please contact;
keepitpuremusic@gmail.com

Taking off in 2011, Keepitpure’s roots span from genre to genre. Its sound carries an edgy electronic aesthetic, and its vision embodies a musical journey we would like to embark on with you.

With a focus on individuality, each release features unique pieces of sound. Keepitpure Music aims to keep the sound simple. To keep it pure.

Founded in 2011, Melbourne based label focusing on House, Techno and everything in between. #findtheloophole

Raw Aquatic Records stepped out in to the Bass & Garage scene in 2011, masterminded by label boss Jamie Scott aka Myndst8. With a strong focus on creating deep and emotive vibes, merging electronic genres and staying loyal to simple drum programming, the label picked up some serious heat from the likes of DJ EZ, The Widboys, Kion, Whistla, Lejal Genes, Mr Brainz and gaining support on Kiss.fm, Ministry Of sound Radio, Sub.fm and Rinse.fm. 

Having also been recognised by our distributors as new up and comers, we have had help from Trackitdown with a front-page feature and also included in a compilation made and distributed by the Label Worx team.

We feel very privileged for the progress and support over our first year and continue to work hard on making fresh beats and making sure our connection with our fans and audience are meeting their expectations. 2013 is already shaping up nicely with brand new artists joining the roster and brand new material back from the mastering house. 2013, here we come…

Myndst8
Davi C
Flare
Dynamat


Also subscribe to our weekly podcast Here on itunes, Mixed and Presented by MYNDST8

http://itunes.apple.com/gb/podcast/jamie-scotts-podcast/id509880682

Massive thanks for listening, more to come...  

Email: jamie@rawaquatic.com

website: www.rawaquatic.com

DJ & Producer https://soundcloud.com/ro-caractere (Hypertone Records/Consumed Music/Vandalism Music Group/Alboratory records)

Contact: ro.caractere@gmail.com

https://open.spotify.com/artist/0VDOnOBpJ9hf0YbYvjabNB

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Bookings. jamesreidsonetmusic@yahoo.com 

Productions released on
Micronica - Juuz Records - Phonic House 1  - Mandorla - Mobra Records - Outpunkt - Whoyostro -  Zingiber Audio  .

Sonet Music Label Owner

https://jamesreidsonetmusic.bandcamp.com/ 

Career Highlights 2016 Space Ibiza, 2nd of August  2016 at Carl Cox,s Revolution night for the Midnight Social label party. 
2018 Space Ibiza on tour Greenwood Sydney.
2019 Space Ibiza on Tour Greenwood Sydney.
2019 Electric Gardens After Party Sydney. 
2019 Sash Home Sydney.
2020 Sash Greenwood Sydney.
2022 Bupapest Playground. 
2023 Sonet Music label Event Distrikt Leeds


https://juuzrecords.bandcamp.com/track/b2-james-reid-absence
https://outpunkt.bandcamp.com/track/ison
https://juuzrecords.bandcamp.com/track/james-reid-apese
https://phonichouse1.bandcamp.com/track/pnhspec009-james-reid-aura
https://phonichouse1.bandcamp.com/track/pnhspec009-james-reid-ascend
https://www.deejay.de/Various_Artists_VA_JUUZ003_JUUZ003_Vinyl__1023990
Bandcamp Productions
https://mobrarecords.bandcamp.com/track/james-reid-twisted-schene
outpunkt.bandcamp.com/track/ison
juuzrecords.bandcamp.com/track/james-reid-apese
phonichouse1.bandcamp.com/track/pnh3yr…-stan-eleven
jambutek.bandcamp.com/track/fourier-original-mix
dp-6.bandcamp.com/album/day-twelve
expmentalrecords.bandcamp.com/track/tall…iginal-mix
expmentalrecords.bandcamp.com/track/form…iginal-mix
concept8.bandcamp.com/track/james-reid-circule

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