Real Trap Samples Vol.3 : https://bit.ly/3HzAPNx
Real Trap Samples Vol.2 : https://bit.ly/3trlQ38
Real Trap Samples Vol.1 : https://bit.ly/3thh87W

Management: mouna@kompassmg.com
Booking (USA): alex@abtouring.com & brian@abtouring.com
Booking (AUS/NZ/ASIA) : alex@fatcatmusicgroup.com

French-born, UZ stands out as one of the pioneering figures and most forward-thinking innovators in electronic trap music, sharing the spotlight with icons Baauer and Flosstradamus. With an impressive portfolio of just over 250 releases, he remains an influential tastemaker, continuously shaping the trap genre through his groundbreaking original compositions and his trendsetting label, Quality Goods Records.

UZ made his mark on SoundCloud in 2012 with the groundbreaking "Trap Shit" series, a collection of 25 genre-defining trap classics. His influence extends beyond SoundCloud, with heavyweight projects like the "BallTrap Muzic Vol.1" compilation commissioned by Redbull Studios and his 2017 debut album "Layers," which soared to #24 on the Billboard charts. His discography boasts numerous albums and collaborations with major pop, rap, and electronic artists, including T-Pain, Ice Cube, DJ Shadow, and many more.

UZ's electrifying live performances draw dedicated fans worldwide, exploring the newest sounds and artists in trap, rap, bass, and beyond. His presence has graced every major global music festival stage, including Coachella, Sonar, and Ultra Music Festival, among others. Beyond festivals, his headline tours have rocked top clubs and venues across continents, from North America, Australia, Canada, Asia, Europe, South America and Africa.

Celebrating over a decade of UZ's pioneering contributions to the global bass scene, his impact resonates through his dynamic live sets and his forward-thinking electronic music label, Quality Goods Records. UZ has been at the forefront of discovering and nurturing the next generation of bass acts. Since its launch in 2016, the label has been instrumental in propelling breakout artists into the spotlight, headlining shows worldwide. UZ's legacy continues to shape the future of electronic music worldwide.

Bookings:
jmoss@teamwass.com

Management:
sunsetent@icloud.com

T-R-O-Y-B-O-I

Ö.N.E WORLDWIDE • mgmt@stookisound.com

NastyNasty & So What

ALL CAPS SINCE 2006

Record Label Est. 2017-2023
What are genres? Can we eat them?
#slugwifeyforlifey

Thank you all for your support 🖤💚

Morgan and Fletcher from Australia 🇦🇺

FOLLOW US ON INSTA

Contact Us:
slumberjackaus@gmail.com

BOOKINGS
joel@seismictalent.com

The Lifestyle podcasts of the Sideshow Network

Please email management@gangwarily.art to book Smasheltooth for parties and events.


OTHER MIXES FOR DOWNLOAD NOT AVAILABLE ON SOUNDCLOUD:
Silent Frisco on WestCliff, Santa Cruz: http://www.mediafire.com/listen/b1081bgd3ofxnog/Silent_Frisco_Smasheltooth.mp3
Year of the Smasheltooth Tiger: http://www.mediafire.com/?8bzz2neqi4n2afh
Too Hard for the Fucking Raindance: http://www.mediafire.com/?glfuj53ze80vj94
Too Hard for the Fucking Radio: http://www.mediafire.com/?8e2hbif9wq5ek11

Smasheltooth Sightings:
Please visit www.smasheltooth.com for event info

There once was a dreamy-eyed lass and only punk rock and hardcore could make her shake her ass. One day she was walking around the block when she heard a boombox play hip hop. She started dancing and yelling YAAAAY but fell over and landed in a pile of dancehall-reggae. Reggae covered her eyes and face when she meandered into a basement playing drum and bass. This music made her dance and shake her back until she thought she'd have a heart attack. Then an unknown mysteriously deep bass sound led her into a secret room where dubstep was abound. Deciding she'd already fallen in love with enough musics in this one day, she finally went home and had dreams of getting thizz faced and riding the whip with Mac Dre. 

Going stoopid doo-doo dumb on the stage with the likes of Too Short, E-40, Mistah F.A.B., Rappin 4 Tay, Girl Talk, Freestyle Fellowship, and more, Smasheltooth intends to integrate inner-city raps with privileged producer slaps and spread musical butter over rumps across the globe in the name of Furl! Yadadaholla?

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