Sebo’s followers describe his sounds with words such as ‘Smoooothe', ‘Jujujuju', ‘Woooohohoho’, ‘Kraaaankes teil', ‘Megaaaaa’, ‘Uuuuuh’ and ‘Ojee'.

Floating on the strobe lights, smoke machines and sunrises you can feel the Jujujuju. Part time hippies say it feels the way love tastes; others just keep dancing. At German festivals such as Fusion, Garbicz and Sonne Mond & Sterne, people explode with feelings of Woooohohoho. You forget to take your beer when you’re lost in the Woo, but it’s a nice place to be lost — and Sebo takes you there. However, in the many club venues around Europe and the world; the old Bar 25, the new Katerblau and Watergate of Berlin, Frieda’s Büxe of Zurich, Maxim’s of Paris and Kloster in Istanbul, he’s all hypnotic trips of Smoooothe — you’re stuck in the groove with your moves. 

Brazilians mostly use the word Megaaaaa to describe his sets. In countries like this, Sebo uses the nature to regenerate. Coconut water diets cleanse his sensitive aura with fresh Ojee and Jujujuju; enough to spread through every DJ set he plays and every track he releases on the very Kraaaankes teil label ‘URSL Records’ — the joint custody child he conceived with Madmotormiquel and Soukie & Windish.  

Sebo is a guy filled with a super Smoooothe Woooohohoho that’s had people on clouds of Uuuuuh since before these words were words. Feel the Ojee, smell the Jujujuju.

CONTACT: rob@robosonic.cc
BOOKING : Ben King | Radius Agency
Tel:  +44 (0) 208 5499735
E:    ben@radiusartists.com
W:   www.radiusartists.com

AUSTRALIA : mike@thickasthieves.com.au

mixed & mastered music welcome here : promo@robosonic.cc

OUTTAKES Records: rob@robosonic.cc

CORD LABUHN [Robosonic | Outtakes | Punchi] 

Cartoon life - At six years old, CORD LABUHN had his first real career aspiration : becoming an ‘inventor’. Or space traveller. At least working in some kind of laboratory. Hence he became a producer of beats, tunes, records, imagery & merch - and toured the whole planet to play music for the most spaced out...
Earlier, when the ghost of Jimi Hendrix jumped out of his parents record collection and passionately promoted the guitar as the weapon of choice for a leftist punk, folk, if not eurodance infected teenager of the 90s, the piano and his sister’s drumset would have to step back for a while. 

A few years later when TV was still the thing and gaming consoles like PS1 were battling N64, Cord the Beatmaker was rather staring at tiny AKAI S2000, MPC and CRT displays, head-nodding, turning the jogwheels, dreaming of a second turntable to complete his DJ setup - the true school, golden age hiphop way. Next mission - still as a school kid - was a self-released vinyl record with international distribution through a self-founded label – learning everything from scratch, only a few years before DJing went 99,9% digital, crazy fast and globalised anyway. 
Arriving in Berlin and founding the mashup label „BROKEN BOOTLEGS“ (with Exploited’s Shir Khan and Andy Szankay) was good sparring for more delinquent ventures in professional sampling culture. Musical diversion had found an anarchic playground, genre-bending seemed to be a welcome concept for a radical open mind.

To date, his longest running project is ROBOSONIC, which was originally formed as a DJ-producer duo together with Sacha Robotti more than 10 years ago. Over the course of time it became Cords solo moniker in the dance music game, since his former partner had emigrated to the US for a fresh personal start. 
A while after the unconventional, free-spirited debut album „Sturm und Drang“ (2007) Robosonic took the world by storm with a string of popular tunes and remixes that went into the crates of tens of thousands of DJs worldwide and made it to top spots in the infamous Beatport charts (“Worst Love”, “The Edge” 2012, “La Fique” 2013, “House Music” 2015, “Rise” 2016). With releases on labels like Defected, Toolroom, Get Physical, Diynamic, Stil vor Talent, Deep Dish’s Yoshitoshi, Nervous, Crew Love, Kittball or Mother Recordings, ROBOSONIC became an authentic figurehead for something dubbed “Golden Era House” (Juice Magazine). Not only because Cord was convincing real rap icons like Masta Ace, Jeru the Damaja and KRS-One to collaborate on house tracks, but also because ROBOSONIC remixed true legends like Todd Terry, Arthur Baker, Kerri Chandler and Eddie Amador.
The house & techno driven sets and records under the R°° flag are internationally recognised and performances in 45+ countries (and counting) reflect the universal appeal of a trademark sound Robosonic unleashed into the world. North & South America, most European countries, South East Asia, China and Russia, Egypt down to South Africa, Dubai to Australia, Lebanon and Israel. Cord Labuhn has seen and pleased hundreds of stages, clubs and crowds over the last years. And with the string of new Robosonic releases through Defected, Kittball, Mother Recordings and more it becomes clear that he won’t stop shedding club sweat and tears.

http://gigs.gigatools.com/user/Madmotormiquel
and
http://gigs.gigatools.com/user/Sebo

Booking / Press requests:
dummejungs@gmail.com

Illyrian is following