Bro i used to be so obbessed with this song omg 😭😭😫😫

There is no classified data, there is only freedom of speech.

love this song its sooooo awesome i wonder how they wrote this song

I was obsessed w this like 2 years ago and I dont see it

Remix by @WoodysProduce

The Debut Album ‘Language & Perspective’ Out Now!

Watch the official video for "Salt"
http://smarturl.it/BSsaltvideo

Buy/Stream On:
iTunes: http://smarturl.it/languageperspective
Amazon: http://smarturl.it/languageperspectiveA
Store: http://smarturl.it/badsunsstore
Spotify: http://smarturl.it/badsunsspotify
Rdio: http://smarturl.it/badsunsrdio
Google Play: http://smarturl.it/badsunsgplay
Beats: http://smarturl.it/badsunsbeats

Download on iTunes

Bad Suns - Cardiac Arrest (WoodysProduce Remix)

Habits Of My Heart EP Available Now
http://smarturl.it/habitsofmyheart

Sample: Sufjan Stevens "Concerning the UFO Sighting Near Highland, Illinois"

Produced by Jaymes Young
facebook.com/jaymesyoungmusic
twitter.com/jaymesyng

Habits of My Heart

Habits of My Heart (EP Version)

Buy 

"1965" released both digitally and on limited edition 7" clear vinyl on April 7, 2014 via B3SCI Records. Get it here: b3scirecords.bigcartel.com/product/b3s…phelia-1965

Follow Zella on Twitter - http://twitter.com/zelladay
Like Zella on Facebook: http://www.facebook.com/zelladay

Follow IYES on Twitter: https://twitter.com/weareiyes
Like IYES on Facebook: https://www.facebook.com/weareiyes
Listen to IYES on Soundcloud: https://soundcloud.com/weareiyes

The sound of strumming guitars; the feel of soft, wet clay; the scent of fresh brewed coffee: this was Zella Day’s childhood. Secluded in the quaint mountain town of Pinetop, Arizona, Zella’s creativity flourished with the forest at her doorstep. High above Phoenix Valley, Pinetop holds a population of 7,000, and Zella's family-owned Mor Mor Coffee House was an only sanctuary for artists. Surrounding herself with local musicians, Zella was inspired to pick up the guitar at a young age. Before long, the blossoming chanteuse started performing sets including Bob Dylan and Elvis songs - selections inspired by her coffee house family. The native Arizonan had found a calling in music and used it as a form of self-realization, penning her experiences and discovering herself through the intricacies of song. She drew inspiration from the serene Arizona mountains and turned to Clint Eastwood, old Western films, and cowboy rebel culture to help shape the attitude behind her music. The result is a raw, organic sound unconfined by the boundaries of genre. It effortlessly floats between the tonalities of female frontier-maker Stevie Nicks and art pop songbird Lana Del Rey while invoking imagery painted by Old Arizona and a free-spirited perspective.

To date, Zella Day’s music has barely crossed paths with the outside world; however, her short series of self-released demos and collaborations caught fire throughout the indie community. One such supporter of her undeniable talent was the boutique music press outlet B3SCI. Having recently formed a singles record imprint, B3SCI was undoubtedly the natural home for the songwriter's first official offering to the world.

The upcoming two-track single leads with “Sweet Ophelia,” a blending of personal encounters in an eerie resemblance to that of Hamlet’s Ophelia. Crunching drum machines and menacing electronics juxtapose Zella’s airy croons as she sings about the sanctity of physical connection, powerfully portraying both the majesty and fragility of letting love consume you. The B-side, “1965,” takes a more straightforward approach, showcasing Zella’s strong voice atop soft, pattering drums and fluttering guitars. The lyrics tell a story about finding a genuine connection among a sea of inauthenticity. Moreover, the track celebrates its title - the year that a generation united despite a delusive society.

On April 7th, B3SCI Records will release 'Sweet Ophelia / 1965' on limited edition 7-inch clear vinyl. The tracks were brought to life at Los Angeles's WAX LTD. Studios with the production and mixing prowess of Xandy Barry and Wally Gagel. This debut collection showcases a young songstress’ visceral visions and liberated mentality, while foreshadowing the depth of a long career that's yet to come.

Artwork by Brock Lefferts.


Zella Day - 1965 (IYES Refix)

Download on iTunes: http://smarturl.it/TheFool?IQid=rynsc
Google Play: http://smarturl.it/TheFoolGP?IQid=rynsc
Amazon: http://smarturl.it/TheFoolAmz?IQid=rynsc

Get limited-edition 'The Fool' album bundles: http://smarturl.it/TheFoolBundles?IQid=rynsc

lost in the cracks of the landslide
you saw me slipping on my blind side
i'm feeling lost, feeling tongue-tied
and now i'm frozen in your headlights

deep in the haze of your love high
i used to soar on the live wire
i'm coming down from your supply
and i don't know if you can make right

I can't take it
from the day i saw my heart start breaking
no one saved me
I can't take it
can't believe I went and lost you baby
earth keeps shaking
all around,
oh, you let me down and
I can't take it
from the day i saw my heart start breaking
no one saved me

shot through the cracks of the earthquake
my body's moving into retrograde
i'm feeling loose, feeling untamed...
and you're the dynamite in my chains

deep in the trench of the crossfire 
you shot me down from the live wire
tossed to the loss in your love game
you beat me cheating, and now I can't play

I can't take it
from the day i saw my heart start breaking
no one saved me
I can't take it
can't believe I went and lost you baby
earth keeps shaking
all around,
oh, you let me down and
I can't take it
from the day i saw my heart start breaking
no one saved me

hit the ground running up from you
baby you know I don't want to, no I want you
but there's nothing left to say
lost in the riddle you gave me
caught in the middle, you played me; see so plainly
but there's nothing left to say... I should've known. I should've known

I can't take it
from the day i saw my heart start breaking
no one saved me
I can't take it
can't believe I went and lost you baby
earth keeps shaking
all around,
oh, you let me down and
I can't take it
from the day i saw my heart start breaking
no one saved me

Buy on iTunes

OctaHate

Lucy (Hurt People Hurt People)

BUY THE TRACK: http://smarturl.it/Trndsttr
WATCH THE OFFICIAL MUSIC VIDEO: https://goo.gl/vAA4Mh

www.facebook.com/blackcoastofficial
www.blackcoastmusic.com
twitter.com/blackcoast_
stan.blackcoast@gmail.com

M. MAGGIE:
soundcloud: MMaggieMiller
twitter.com/MMaggieMiller
mmaggiemiller.tumblr.com
m.maggiemiller@gmail.com 


Written by: Stan Rapoport & M Maggie Miller
Producer: Stan Rapoport
Lyrics: M Maggie Miller
Recording Engineer: Joseph Arroyo
Vocal production: M Maggie Miller
Mixed + Mastered by Mike Kalajian (telegraphrecording.com)

Cops Came - Em Harriss

ImageIz

Recent comments

solivagant24

egtravis

Hey Yes

Olivia Laidlaw

Related tracks