es pimmelt so schön im bassbereich. und die schnarrtrommel ist gar vorzüglich flott

from the album 'Interreferences' on Room40 (Australia)

formed & recorded 2018-2020 by Richard Chartier 
mastered by Lawrence English at Negative Space 

cover: Untitled, 2018 by Linn Meyers (courtesy of the artist) based on a lithograph printed & published by the Tamarind Institute, NM 
design by Richard Chartier

Interreferences

Interreference.4

from a companion EP to full length album 'Interreferences' released March 29, 2021 by Room40 (Australia)available for download/purchase exclusively on Bandcamp


released May 7, 2021 

formed & recorded 2019-2020 by Richard Chartier 
mastered by Lawrence English at Negative Space 

cover: excerpt from Untitled, 2018 by Linn Meyers (courtesy of the artist) based on a lithograph printed & published by the Tamarind Institute, NM 
design by Richard Chartier 

thank you to L.English, L.Meyers 
headphone listening suggested 

published by Touch Music/Fairwood Music UK Ltd 
3particles29

Interreferences II

Interreference.2

On Room40, Australia (RM4188) 
CD / matte varnish + embossed sleeve with 8 page insert
out May 27, 2022

A decade has passed since Pinkcourtesyphone's unexpected debut album 'Foley Folly Folio' (LINE)... time does fly in face of expectations, since expectations are just future resentments. 'All Intensive Purposes' is a lush compliment to Pinkcourtesyphone's previous outing for Room40 'Leaving Everything To Be Desired' 

Immured within the deep deep pink velvet lining of their sonic smudge satchel ooze forth the obsessions and peculiar delicacies that have captivated both Pinkcourtesyphone and audiences alike. Moody glowering, ghostly utterances re-situated, hissy, distant and sad, all the while light and tender. It is that Sound that is at the fluffy heart of a long string of successful though surprisingly varied albums. A new sparkling jewel that already gathers cloudiness in its facets. This album can be best characterized by one word — charm, well, maybe two words — questionable charm. 

"I could listen to it for hours" — a possible proclamation for these inconsistent consistencies. 

Theoretical A and B sides makes one long for the warmth of antiquated plastic possibilities, if only for a moment to distill the gnawing hungry need for consumption within. Seven "songs" lilt and wallow, indefinable, intangible, yet always... there. 

This is "catastrophe muzak", the sound of sympathy amplified, leaving the room. 

Here is a collection of moods which we anticipate and enjoy with no misgivings. A long trail of evening debris awaits your ears' pleasure. Let it procure that pleasure for you, let it devour you. 

I can’t imagine... you will.

All Intensive Purposes

drained by the very nearness

Love Dynamite (2015 Studio)

The Sign

Will I Ever

Walking To You

Are We All Alone?

The Sound Of Love

Parametric Eclecticism by ADME v0.7

Uppercase;

Like all noise music subgenres discovered accidentally, attempted lowercase but failed at getting the very essence of lowercase: lowercase. Resulted in parametric MATLAB danger synth 'ADME' (just google it). Potentially suited for post-experimental/-industrial music, featuring any-file to musical key conversion, abrasive brushing with lasers and forces, no sh*t, but most importantly atmospheric, unforeheard, chaotic, annoying micro-/nano-/atonal sounds.

© 2020 Mara Peters
℗ 2020 Nanotheory Records

ADME - Parametric Eclecticism

Wael Meskini - Personnal jesus (Depeche Mode cover)

ALL MY MUSIC NOW UNDER:
>> https://antonhoyer.com/music <<
>> https://imperfektionist.bandcamp.com <<

ADME - Parametric Eclecticism

Imperfektionist

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