DO I HAVE THE WORDS
AS A MAGIC POTION
TO TRY AND HEAL THE WORLD
WHAT A SILLY QUESTION
ME I
FEED THE BIRDS
PROVIDE THEM WITH SEEDS
ON THE GROUND
OR IN THE REEDS
I DO
I DO

DREAMING MIGHT BE HEARD
AS THE ONE SOLUTION
BUT FEEDING THE BIRDS
IS ANOTHER OPTION
YOU TRY
THEN YOU TELL YOUR FRIENDS AROUND
IN THE MEANTIME IT’S MY ROUND
HMM 
HMM

FEED THE BIRDS MAN
FEED THE BIRDS
AND ALL YOUR PROBLEMS WILL BE SOLVED
HEAL THE WORLD LOVE
BEND THE CURVE
FEED AN  EAGLE OR A DOVE


PICK UP ANY TREE
ADORN IT WITH A FEEDER
AND SOON YOU WILL SEE
BIRDIES OF A FEATHER
DROP BY
IN THE SUN OR IN THE SNOW
AND THAT’S ALL  YOU HAVE TO KNOW
BY NOW

FEED THE BIRDS MAN
FEED THE BIRDS
AND ALL YOUR PROBLEMS WILL BE SOLVED
HEAL THE WORLD LOVE
BEND THE CURVE
FEED THE ANGELS FROM ABOVE

FEED THE BIRDS (Lyrics)

Composer/Songwriter. Proficient performer of piano, bass guitar, double bass, cello, 6 string , 12 string , drums, triangle (shall I include tambourine too?🤣), vocals, lyrics. 99% of the tracks on this page are original songs. None of my performances on any of my tracks, whether solo work, or collaboration, have any editing whatsoever. Effects and equalization? Of course! But no editing, no software, etc. Quite a substantial amount of these tracks are with The Eclectic Collective. We are like family and have been playing together on a daily basis since approximately March of 2022 as the Eclectic Collective. Before the band bore it's name Eclectic Collective; Josh, Ken, Stephen, Tez, and  CG Maness were doing some occasional collabs. At any given time we are all simultaneously working on about 15 different songs. And when we feel they are done cooking in the oven we release them.  We release a song every week on Fridays at 4AM UTC

Members of The Eclectic Collective :
The Beautiful Dark 
Entheogenic Psychonaught (Josh Clary)
J.J. Terrell
Llanpsych
K2 and the Three [and the Four]
TexMex Shaman
Mistermark
CG Maness

Craig is a singer-songwriter and keyboardist whose varied mix of songs range from quirky to touching.

...just a tiny bit of fading noise...

ex-drummer, ukulele player, sometimes guitar player, keyboard tinkerer and harmonica player. Love to listen to and create music...

Songs from the edge of somewhere. Bluesy, soulful rock with roots in folk and blues, shaped by years of traveling and chasing sound.

My debut album Strange Part of the Country earned ★★★★ from Q Magazine, a Blues Matters cover feature, and reached #3 on the U.S. Alternative Radio Chart, with airplay on BBC Radio 2, WWOZ New Orleans, and KROQ Los Angeles. Peter Green (Fleetwood Mac), Marc Ribot, and Danny Thompson have all been part of the journey.

I’m now finishing a new album with Marc Ribot, Tchad Blake, and Danny Thompson — music that digs deep, raw and real.


I am drawn to folk, blues, soft rock, and country music, new and old. I love songs that tell a story, especially the Irish, English, and Scottish ballads of long ago because their stories are often timeless, and most everyone at any time can relate to. 
 
I also am a pastel painter and find being able to express universal emotions through my art, as well as writing lyrics and putting them to music that I can sing and play on my guitar or ukelele so rewarding and comforting.

Memories of people, places, and events throughout my life influence the songs I write.





D'autres pièces finalisées ou non, mes mises à jour et mes remerciements.
Téléchargement libre pour collaboration future !
Other pieces finalized or not, my updates and my thanks.
Free download for future collaboration!

JIM ANDERS streamen : https://open.spotify.com/album/3ZhBPR6FFdNbfwH0E3JWAp?utm_source=SendGrid&utm_medium=Email+&utm_campaign=website

Während Max Mustermann sein mustergültiges Dasein fristet, tanzt Jim Anders gerne mal aus der Reihe. Der Berliner Künstler Jim Anders steht für tanzbare elektronische Sounds und Texte am Puls der Zeit. Beeinflusst von vielseitigen urbanen Musikstilen, kreiert er einen ganz eigenen mitreißenden Sound. Seine Texte mit Tiefgang geben dabei Raum zur Reflektion. Wo energetische Beats auf modernen Elektropop treffen, wird der Großstadtdschungel zur Leinwand und der Rausch im Club tanzbar.



Als Soundtüftler und Sänger führte ihn sein breites musikalisches Interesse auf Ausflüge in Elektro Duos, Rap- und Avantgarde Projekte, wodurch er sein Talent entwickelt hat, unterschiedliche Stilrichtungen neu zu denken und sie zu etwas Einzigartigem zu mixen. Das Ergebnis ist die 1. veröffentlichte Jim Anders EP Lauf!, die in Eigenregie im heimischen Studio bei BaumSoundBerlin entstanden ist und mit 6 kraftvollen Tracks aufwartet. Moderne Musik kann auch anders - reinhören, aufdrehen, abgehen!

#StartTheNextWave - New Wave. Post Punk. Art Pop Experimentor. New songs always in the works. Stay tuned.

I am overjoyed to partake in sounds beautiful:
https://youtu.be/1TnalFltP_Q?si=VidMVZ9VDKGZiNUm  by Dan and
https://stonerjazz.bandcamp.com/album/up-up-out by Jeff.

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

On his bandcamp page, Jeff points out: "This is the page where you can give some monetary support to me and the StonerJazz experiment."

.... and here is my own test account:
https://sonicstructuresandsilentstretches.bandcamp.com/track/eliza

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

FEED THE BIRDS (Lyrics)

IMRE LODBROG