Missy Elliott - She's A B**ch (UN*DEUX Remix)
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Tealer Records 2015
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Missy Elliott - She's A B**ch (UN*DEUX Remix)

Exploring Ukraine's Underground Rave Revolution | CXEMA
https://www.youtube.com/watch?v=P4G1r2u8m9g
After the i-D movie about Схема my mailbox was tottaly crashed. I have received a lot of messages asking me to release this track. For two years I waited until one rather famous label fooling my head and as a result - it simply did not release my record.
Today I decided to release this track through my bandcamp.
So, the track that you have been waiting for
 https://koloah.bandcamp.com/track/amplification

Amplification

Buy On iTunes

S P A C E

Cuijk-based Anthony Mena represents a complex intersection of cultures and influences, bringing together a personal history of African musics with on-the-cusp contemporary dance forms and club culture. Born in Luanda, Mena’s musical roots go deep, starting with his father’s love for reggae and moving on to hip hop before becoming engrossed in the four-on-the-floor canon in all of its glory. Now an aspiring artist in the Amsterdam dance music world, Mena brings a full-bodied approach to DJing and production, undertaking each with a verve and tenacity that belies the cool natured spirit of his sonic output.

Touching on a wide range of sounds, including percussive afrohouse, soulful deep house and chunky, floor-ready tech house, Mena’s sound comes across as an effortless synthesis, respectful to his forebears while unrelentingly looking forward. Having already played out at venues like Chicago Social Club (Amsterdam) and Metaxa Bar (Berlin) and co-founded his own club night called Nachtwerk, Mena has begun to craft a space, both physical and abstract, for his music to exist in.

Functioning as both Anthony Mena’s first official effort and the inaugural release from the Los Angeles-based Makehood label, “Ortega” is an essential house track that is as accessibly graceful as it is full of tiny artistic flourishes. Built around a propulsive four-to-the-floor kick pattern, Mena crafts a lush narrative on “Ortega”, weaving blissful choral vocals, a resolutely funky bassline and an array of deeply textural synth lines that simultaneously effuse feelings of hope and melancholy. At just over five minutes long, “Ortega” infuses a number of house music traditions into its run time, touching on the subtle mutations of classic deep house, the polyrhythmic churn of afrohouse and even a slight nod to Chicago’s jacking action. It’s the rare track with the potential to bring a dancefloor to its feet in the early stages of a night, maintain the energy at peak time and bring an exhausted crowd to an elated finale and it's clear that Mena has a unique grasp of the music’s lineage.

Cover Art: Garrett DeRossett 
Mastering: Conor Dalton @ CALYX Mastering

Anthony Mena
SC: @anthonymena
FB: facebook.com/Anthonymenamusic
Twitter: twitter.com/anthonymena100

Anthony Mena - Ortega (MH 001)

Batu Ozer - Libertà(e)

Facebook : @AmberMarkMusic
Twitter : @amb3rmark
Instagram : @Instagramber

iTunes

Amber Mark - Monsoon (Feat Mia Mark)

PREMIERE > inverted-audio.com/premiere-bjarki-here-it-comes-can-you-feel-it-92-hoover-2

Today we are proud to present the premiere of Icelandic producer @bjarki “Here It Comes Can You Feel It 92 Hoover 2” @triprecordings - a track that is thunderous, mysterious and constantly keeps the listener in the dark until it damn well pleases.

Bjarki - Here It Comes Can You Feel It 92 Hoover 2 [трип]

Hey my friends ,here is my debut dj mix for Zulu (Ep) promotion.
Listen , Share , Repost & Like .
You can purchase Zulu (Ep) on :
http://www.makehood.com/zulu   .

Hailing from Odessa, Ukraine, The Stoosie is a true music devotee, spending the better part of the past decade cultivating a deep love for the confluence of natural and synthetic sounds while producing, writing and mixing music for fellow Ukrainian artists. A self-taught drummer and keyboardist, he was never satisfied with providing background assistance though so the obvious next step was to strike out on his own as The Stoosie, a project that fits neatly at the intersection of a number of dancefloor-focused sounds without being too devout to any in particular.

Arriving on Los Angeles label Makehood, The Stoosie’s musical output comes into focus, a practice built around ineffable grooves and enigmatic melodies, built for dancefloors, but with a distinct songwriting voice. The Stoosie doesn’t make club tools by any means, although his bass-y productions are clearly ready to tear down floors the world over. With a three track debut coming on Makehood, years of behind the scenes work will come into focus and The Stoosie’s conscientious approach will enter the public eye.

Totem  (Dj Mix 01)

The debut release from Ukrainian artist The Stoosie arrives on the Los Angeles-based Makehood label this Fall. Three tracks of masterful drum programming, indomitable basslines and enough creative samples to keep dancefloors afloat and home listeners willfully engaged. With each effort coming in at around seven minutes, The Stoosie’s club proclivities are obvious, but each song on Zulu is far more than the average tool, instead comrpised of rising and falling movements and an unwillingness to kowtow to dance music convention.

Opening up Zulu is the commanding eponymous track, a gorgeous balancing act of spacious sound design, a forceful bassline and sparkling synth and effect work, all coming in at a loping pace that demands full body immersion. “Khalifa” is centered around a transportative female vocal sample, the mysterious voice weaving its way through muscular kicks, a quick, earworm melody and crescendoing blips and effects that take the track to dizzying heights. Zulu is closed out by “Maartkare”, the most stripped back track on the EP and an effort that puts its funky, hip shaking bassline fully forward in the mix.

As an opening statement, Zulu puts The Stoosie in a category of producers focused on transcendent sounds as much as dancefloor efficacy, to write fully fledged songs as much as he thinks about club spaces. Only the second release on Makehood (after Anthony Mena’s “Ortega” single), Zulu represents a willingness to look outside of the box and to unite artists from disparate backgrounds and geographies. 

Side A
A1. Zulu

Side B
B1. Khalifa
B2. Maatkare

Exclusively distributed by Halcyon Records.

The Stoosie - Zulu EP Snippets (MH 002)

Monophonic - Flute

Hailing from Odessa, Ukraine, The Stoosie is a true music devotee, spending the better part of the past decade cultivating a deep love for the confluence of natural and synthetic sounds while producing, writing and mixing music for fellow Ukrainian artists. A self-taught drummer and keyboardist, he was never satisfied with providing background assistance though so the obvious next step was to strike out on his own as The Stoosie, a project that fits neatly at the intersection of a number of dancefloor-focused sounds without being too devout to any in particular. The decision to strike out on his own was liberating for the Ukrainian artist and with the goal of approaching major themes, ranging from the history of electronic forms to the metaphysics of dance music itself, its clear that The Stoosie project is also a cathartic exercise.
Arriving on Los Angeles label Makehood, The Stoosie’s musical output comes into focus, a practice built around ineffable grooves and enigmatic melodies, built for dancefloors, but with a distinct songwriting voice. The Stoosie doesn’t make club tools by any means, although his bass-y productions are clearly ready to tear down floors the world over, instead drafting full songs that provide a range of emotions, from freewheeling menace to more delicate notions of love and loss. With a three track debut coming on Makehood, years of behind the scenes work will come into focus and The Stoosie’s conscientious approach will enter the public eye.

Totem (Dj Mix 01)

The Stoosie

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