Name: Phasing Wurli WIP by Incertezza Inc.
Duration: 5 min 15 s
Description: This track is inspired by Hainbachs recent YT-vid on phasing. thank you!

So moody. I love the warm minimalism of this. Great reverb too

this just played next after someone's january jamn, I totally missed this before! I love it, so vibey

And now for some delicious raw homemade monotony... Bon appétit

Violin-bow on electric guitar, electric piano, effect-pedals, voice, unsynchronized loops, two tube amps. All sounds, mixing and production: Velvet Something Superdark. Image: Tempelhofer Feld, Berlin (photo: VSS)

One To Eight

Inspired by the Naviar Records haiku challenge #564 by Natsume Sōseki

Fog clears away:
the waterfall shows up
bit by bit.

This haiku made me think of a quote by artist Cecil Collins, 
“I see a shape complete in itself I search it with my mind and heart and then it begins to extend and I see in the half darkness that it is part of a colossal structure whose parts are covered in mists and darkness, sections appear and disappear; how many years has it taken me to realize that those mists, clouds, and darkness are in myself, and in the body given to me by the fatal powers of the world; that in Reality everything exists as a whole; a vision, a harmony, a joy.”

Cascade Rhythms [naviarhaiku 564]

Resplendent
the kite soaring up above
the shanty town

Among the four great masters of Japanese haiku, Kobayashi Issa was the most prolific: during his lifetime he wrote over 20,000 haiku, hundreds of tanka, and several haibun. If you want to find out more about this prolific author I suggest you check out this database of his haiku.

Haiku by Kobayashi Issa

Picture by Ben Collins

Resplendent (NaviarHaiku569)

Peche (Demo)

This track is inspired by Hainbachs recent YT-vid on phasing. thank you!

Phasing Wurli WIP

Arc hole  (disquiet0675)

https://www.beatport.com/artist/xfa/589219

MMXXIIIIIIXVIIXTRVGNT

This is my 50th Disquiet Junto contribution of the year!

The final Disquiet Junto prompt of the year invited us to make a short audio journal of the music and sounds that we've made in 2024. Once again I took liberties with some of the specific instructions but I knew that I needed to make it this way.

Features synthetic vocals as well as excerpt from the following songs:

* "Making Ice at Home May Seem Overwhelming" (Coraline Ada Ehmke)
* "Someone (or Something)" (Coraline Ada Ehmke)
* "Black Rainbow" (Sudre's Violin)
* "The Whirlwind" (Sudre's Violin)
* "Darker Layter" (Sudre's Violin)
* "The Mod" (Coraline Ada Ehmke)
* "Theme for A People's History of Tech" (Coraline Ada Ehmke)
* "Byzantine Valentine" (Coraline Ada Ehmke)
* "Perilous Overtones" (Sudre's Violin)
* "Why Can't You Fly?" (Sudre's Violin)
* "The Untimely Death of JF Sebastian" (The Disaster Society)

More about this week's Disquiet Junto: https://disquiet.com/0678

Audio Journal 2024 (disquiet0678)

Recorded, mixed & mastered on 28/29 Apr 2023 & 11 Jan 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

Yesterday, thinking of this week's Haiku and Junto, I had an idea to go back to 2 days in 2023 to start a new album (second start today) & use the two tracks for this week as a starter. This would be similar to my work elsewhere where I have a long stretch of material to chop up into different tracks.

The original material is a bit of mystery to me - Ceclia, FL Studio, PaulXStretch, Reason, Thor, Fracture. I had something that was not close to being anything I wanted tonight. I changed direction and started two new MIDI tracks to run a metallic Collision and a Massive X bass. Then I went back to the first two tracks and applied Fragments and it gelled for me. 

Artwork/Photography - Jim Lemanowicz, Massapequa, NY, USA - 19 Nov 2017

©2025 Jim Lemanowicz

This original version of “Gleaming Greasy” was submitted as part of Disquiet Junto Project 0680: Reverse Resolution. The Assignment: Finish something (musical) you started last year.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 680th weekly Disquiet Junto project, Reverse Resolution — The Assignment: Finish something (musical) you started last year — at https://disquiet.com/0680/

Gleaming Greasy (disquiet0680)

LIve recording from premiere at the Festiwal Muzyczny Trzy-Czte-Ry. Konteksty. Kontrasty. Konfrontacje – 19.11.2024 / Studio Koncertowe Polskiego Radia im. Witolda Lutosławskiego  w Warszawie

Andrzej Karalow – Some whispers of mists and water above, hidden in the rocks (2024) for clarinet, violin, cello and piano

The work is inspired by japanese poetry dedicated to landscapes, nature and its atmosphere and it reflects the sound and mood of constantly flowing water. In the steadiness of the subtle wall of sound, I try to integrate and mix timbres of all of the instruments. This composition can be connected to ambiental sounds, to static structures, which are slowly fluctuating or evolving over time. It can be also connected to water flowing through the waterfall.

Andrzej Ciepliński – clarinet
Małgorzata Wasiucionek-Potera – violin
Marcel Markowski – cello
Andrzej Karałow – piano

Phasing Wurli WIP

Incertezza Inc.

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