Name: #318 - L’Orange & Namir Blade, Rosso Polare, Spooky-J & Ekhe, Numa Gama, Rob St John by Independent Music Podcast
Duration: 1 h 12 min 55 s
Description: Even by the usual standards of the Independent Music Podcast, this show reaches into the more extraordinary reaches of experimental sounds. From chopped up club bangers, through Brazilian field recordings, via techno abstraction and Russian trap/free jazz, this show gives your ears a really solid workout.

Even by the usual standards of the Independent Music Podcast, this show reaches into the more extraordinary reaches of experimental sounds. From chopped up club bangers, through Brazilian field recordings, via techno abstraction and Russian trap/free jazz, this show gives your ears a really solid workout.

#318 - L’Orange & Namir Blade, Rosso Polare, Spooky-J & Ekhe, Numa Gama, Rob St John

Scurlage

Blakers Loop

From the bim3 album (orange and black vinyl)
https://musiconlocation.bandcamp.com/album/born-into-madness-31
Grab it now (It's on sale )

Born Into Madness 3

Ettore Sottbass

Enter a sonic metropolis with Syntakt – the 12 track drum computer and synthesizer that fuses digital and analog synthesis together in one music megabox. Syntakt is a drum specialist, full of percussive possibilities, but its four analog and eight digital tracks can be used for melody, harmony, and bass sounds too, giving you a musical melting pot with dozens of machines at your disposal. Experience epic sounds from the past, while pulling others into existence from the future.

Affect the sound of each machine with the intuitive and playful graphics. Add analog distortion and filtering to your mix or separate tracks, using the FX block. Run wild and free with the four expressive modifiers. Access a variety of different scales via the keyboard mode. And create dynamic soundscapes with its phenomenal sequencer.

The streets of Syntakt are never-ending, the neon lights are never-dimming, its underground is fathomless. Discover worlds within worlds. Adore now. Explore forever: https://bit.ly/384dF5S

Hyperpace Café

Live from the Partikasaal of the RSH Düsseldorf, June 15th, 2022. (As guests in the concert of the composition class of Prof. Oliver Schneller
http://www.oliverschneller.net
https://soundcloud.com/osmusik )

Joaquim Simoes, guitar (https://soundcloud.com/joaquim-simoes)
Claudio Huerta Honores, accordion (https://soundcloud.com/claudioahh)
Hubertus Dreyer, piano (https://soundcloud.com/hdathome)
Luis Küffner, live electronics (https://soundcloud.com/phalanxeu)

Clash!

Life and death appeared to me ideal bounds, which I should first break through, and pour a torrent of light into our dark world (Mary Shelley, Frankenstein, 1818)

A Torrent of Light  (do you hear the storm?)

Free download.

Watch the video here:

https://www.youtube.com/watch?v=UdRAN7TTqLc&t=3s&ab_channel=Concretism

Written and produced by Chris Sharp.

Pork

Playlist and other information available at: https://www.freeformfreakout.com/fffoxy-podcast-216/

FFFoxy Podcast #216

A bass-heavy warm sound long time listeners of mine should find familiar.

Goth Tropicale

04- Ya Mum (Never Left)

Wet and muted
I breathe the air
heavy like rain
we sit quietly
feeling the timbre
of echoes
and the fragrance
of atmospheres
before they were clouds
I look into the stream

For piano and tape:

Lerkenfeldt explores minimalist structures with stillness and intensity. Her imaginative process is poetic and precise; distilling new registers in the field of consciousness through electroacoustic composition, like a torchlight in the dark.

Alongside classical instrumentation, she augments abandoned technologies into new hybrid forms through handcraft, digitisation and experimental digital processing. Flickering piano, tape systems and their spatialised distortions unfold in repetitive motifs on With Water Up To Her Knees. In Before They Were Clouds, multi-layered acoustic refractions speculate on atmospheric systems.

With Water Up To Her Knees is produced by Shelter Press in small series cassette single edition and digital with a limited pullout poster and poem by the artist. The work has its world premiere at eminent electronic arts centre The Substation, Melbourne on 24-25 November 2022, with a hybrid performance in collaboration with filmmaker Tristan Jalleh.

Written and recorded on unceded Wurundjeri and Boon Wurrung country, Summer 2022.

“I love the sound of mechanical failure, when the sophisticated machine collapses into itself.” 

Credits:
Released November 22, 2022

Music and poetry by Lisa Lerkenfeldt
Mastered by Joe Talia
Photograph by Traianos Pakioufakis

With Water Up To Her Knees

Before They Were Clouds

White Trashing

The Independent Music Podcast is a weekly show that brings you ten new tracks from artists from across the world. In over 200 episodes we have promoted more than 3,500 independent artists and record labels and reach thousands of pairs of ears every week.

We cover every genre conceivable, whether it’s abstract techno, mutated dancehall, dark metal, Chinese bin lid music, trad. folk, or something else – if it’s been recorded outside of the major label system, we’re up for playing it.

You’ll find music you love, music you hate, music you don’t understand, and music that’ll change your life. The music you love on the podcast will be different to the music someone else loves on the podcast, and it’s that individual connection to wonderful recorded sounds that we want to help facilitate.

#318 - L’Orange & Namir Blade, Rosso Polare, Spooky-J & Ekhe, Numa Gama, Rob St John

Independent Music Podcast

Related tracks