HATE exclusive premiere.
Full streaming of the EP soon on our HATE Youtube channel.

Support the label, buy it here:
https://asec.bandcamp.com/music
https://www.deejay.de/ASEC_ASEC004_ASEC004_Vinyl__970846

Artist: ASEC
Title: ASEC004
Label: ASEC
Catalogue: ASEC004
Format: 12" Vinyl
Genre: Electronic
Style: #Techno
Release date: April 2, 2021

Tracklist:
A1:    Small Collisions
A2:    High Tool
A3:    F Brexit
B1:    Small Collisions (Kwartz Remix)
B2:    High Tool (Temudo Remix)

ASEC is back on his self-titled imprint with five mesmerising techno cuts featuring remixes from PoleGroup’s Kwartz and Soma’s Temudo.

ASEC is a Berlin-based artist and label project centred around raw, yet hypnotic dancefloor-oriented electronic music. To Berlin via Manchester, ASEC’s productions focus on tension and release with tracks that build momentum and intensity. As a Producer, Live Act and DJ, ASEC delivers his driving and expansive electronic music vision, consisting of dark textures, idiosyncratic melodies and dynamic drum sounds. With releases exclusively on his label, ASEC’s tracks have acquired support from household names like Marcel Dettmann, Slam, Henning Baer and SNTS resulting in a live show debut at Tresor in 2020.

‘Small Collisions’ kicks off with elastic synths shimmering off the resounding kicks and crunchy modulations before ‘High Tool’ maneuverers between hypnotic atmospheres and dark, ominous textures balanced with ghostly pads and thudding percussion with emphatic frequencies. Up next, Looping transcendental rhythms, gloopy fx and entrancing leads peppered with undulating minimalism takes focus in the ‘F Brexit’.

Madrid-based artist and PoleGroup, Mord, Semantica and Warm Up affiliate Kwartz delivers a pounding remix of ‘Small Collisions’ as the carnivorous percussion bounces with the raw oscillations, fizzing, industrial components and dramatic machine sonics. Temudo is part of a new generation of techno artists with releases on Soma, Modularz, Clergy, Synewave and more, rounds off in exquisite style with a swinging interpretation of ‘High Tool’ fusing ripping rhythms, frazzled soundscapes and penetrating textures.

Follow #ASEC here:
https://soundcloud.com/asec_music
https://www.instagram.com/asecmusic/
https://www.facebook.com/asecmusic.bln

___
DISCLAIMER: All tracks are uploaded in a low quality for promotional purposes only and with buy links to respect label and artists.

CONTACT EMAIL: hatemusic1@gmail.com

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ASEC004

Small Collisions

Premiere: ASEC - Small Collisions [ASEC004]

Hessler continues to explore his apparent love for sinister synth lines on 'Perception', a classic late-night techno piece with its roots firmly in the German rave scene. Elegantly programmed drums lift the tension and recede into the shadows in another highlight of this versatile and musical EP.

Perception

Thomas Hessler - Perception - IMF03

DifferentSound Premiere // Manuel Di Martino

Luigi Madonna’s record label, Contempo presents a high-energy techno release by Manuel Di Martino that fuses raw sound design with immersive atmospherics.

Manuel Di Martino is an Italian artist currently living in Berlin where he plays regularly at prestigious clubs such as Tresor. He is also an accomplished producer known for his tracks on respected techno record labels such as Coyu's Suara, Marco Faraone's UNCAGE, Ricardo Garduno's Illegal Alien and Evod Music. He also runs his own imprints, Parallel 41, Persistence and Ribbon, which have been regular outlets for his music.

"Citylife" opens the release with its fast-paced tribal percussion and deep synth stabs that layer with atmospheric vocal tones. "I Spent My Days" has hypnotic, dubby pads and sensual vocal tones fused with high-velocity rhythms and trippy vocals. "G1.0" is a jackin’ track with explosive percussion vocal stabs and thrashing hi-hats. "See Ya In PV" closes out the release with laser-focused synths that swell with intensity as they unfold over a driving kick drum and punishing clap rhythms.

Contempo Bandcamp: https://contempolabel.bandcamp.com/

DS Premiere: Manuel Di Martino - I Spent My Days [CNTMP007]

Immerse yourself in We Survive, a dark and hypnotic tech house track inspired by a post-apocalyptic world where survival is the only rule. With deep basslines, haunting male vocals, and cinematic soundscapes, this track takes you on a gripping journey through abandoned cities, dangerous nights, and unbreakable bonds. 

Perfect for underground sets, late-night drives, and anyone who loves electronic music with a story.

#TechHouse #ElectronicMusic #PostApocalyptic #WeSurvive

We Survive - Post-Apocalyptic Tech House Journey

Don't Let Life Fuck You Up

Ansome - Halyard Hitch

Asmar - Ameth EP 
Arts Digital 079

Tracklist: 

1. Ameth
2. Halo
3. Trinity

Buy: 
https://www.beatport.com/release/ameth/1806973



Ameth

Deevai - Synopsie [CR001]

Deevai :
@deevai
https://www.facebook.com/Deevai.music

Mila Dietrich : 
@mila-dietrich
https://www.facebook.com/miladietrichmusic

Carcères Records :
https://www.facebook.com/carceresrecords

Available on "Pay what you want" on Bandcamp:
https://carceresrecords.bandcamp.com/album/synopsie

artwork : Clément Raveu

Synopsie

Pay what you want

Deevai - Synopsie (Mila Dietrich Remix)

premiere of "Metaphysical Functions" by @viicircle
taken from the "Split EP", released soon on @rapideyemovementofficial

Split EP Details:
https://novafuture-blog.com/2018/05/11/vii-circle-memorial-home-split-ep-rapid-eye-movement

Split EP

VII Circle - Metaphysical Functions [REM004 | A1 | Premiere]

VINYL:
Decks - https://www.decks.de/track/kaiser-debris_ep/cco-lv
Juno - https://www.juno.co.uk/products/kaiser-debris-ep/688078-01
Deejay.de - https://www.deejay.de/Kaiser_Italy_Debris_EP_MOC017_Vinyl__313469
Kompakt - https://kompakt.fm/releases/debris_ep

DIGITAL:
Beatport - https://www.beatport.com/release/debris-ep/2302863
Spotify - https://open.spotify.com/album/12kVXySNJHJoLKHqaZytX7?si=FJmO-_ynQ8CMUydTtCNhWg
Traxsource - https://www.traxsource.com/title/980264/debris-ep

Artist: Kaiser
Title: Debris EP (Incl. Johannes Volk Remix)
Catalog Number: MOC017
Label: made of CONCRETE
Release Date: 25.05.2017 (Vinyl) / 08.06.2017 (Digital)

RELEASE INFO:
Italian club staple and producer Kaiser turns to MOC for his Debris EP, showcasing three agile Techno slices and a remix from Exploration Records chief Johannes Volk.

“Parachute” opens up the release in a spellbinding, energy-heavy manner, with its whirlwind groove and lead taking no prisoners. Next up is “Debris”, showing off an equally energetic prowess channeling zig zagging synths and a more melodic, yet still heavy strung bassline. “Esplosione Di Colori”, translated as ‘color explosion’ aptly translates into sound what is usually only possible for a paint canvas. A lighthearted, arpegio-ridden track in original, Johannes Volk works his magic, turning it into a versatile piece of raw, dubby Techno.

Kaiser - Esplosione Di Colori (Johannes Volk Remix) - MOC017

The label of the well-known and respected German dj and producer Ellen Allien is on top. Since the beginning of 2019, the label she runs called @ufo-inc apart from BPtch Control, has been knocking on the doors of all techno bangers to join a wave that is creating more and more followers. And it is that the rough, dry and direct sound with so many memories of the 90s and those raves are more present every day. And it is clearly seen in the second reference of the label, in which Alien Rain, actually Milton Bradley, brings us four incendiary tracks of a dry and very industrial cut. 

We get into a style with a clearly underground sound and Alien Rain masters it to perfection in this EP entitled Empire of Illusion. 

The song that gives the EP its name and that starts the album makes us get into a sea of ​​subwoofer sound that surrounds you and barely lets you breathe. Agonizing and tense atmospheres create a combination that in some moments leads to a sonorous delirium. 

After the first contact, with Numbers Station we find a sound that is dominated by voices edited and cut ad nauseam. All this under a forceful rhythmic base makes us feel the pressure from the first second. 

On the B side it appears where a great presence of a more acid sound is appreciated. The incursion into the sound of the classic 303 delights all those who appreciate and enjoy sound acid. In this case, the first face song called Misery Business plays more with tones that are almost close to hardcore and with totally rave and apocalyptic sounds. 
Meanwhile, the song that ends the album, Alien Tool 1, is one of those mental themes. A constant sequencing of more acid sounds leads to a very deep and once penetrating sound development. 

This EP is very direct to the dance floor and to the moments when it is hotter, less seen and more want to escape from an empire of illusion.

Text: Stunt Keaton (Musician, producer & writter)

BUY: https://smarturl.it/ufo5

NOTE: https://www.chromatic-club.com/post/alien-rain-empire-of-illusion-ufo-inc

Follow: @ufo-inc

PREMIERE: Alien Rain - Alien Tool 1 [UFO Inc]

IMF equals Index Marcel Fengler. After a string of releases for his up to now permanent address Ostgut Ton with Luke Slater’s Mote-Evolver imprint being an exception to the rule, Marcel Fengler establishes his own label to expand his capacity and give a platform also for talented producers or interesting collabos.

contact: mail@imf-rec.berlin