Turn To

Meeting

CRASH (+IVY)

https://www.nts.live/shows/guests/episodes/ssiege-12th-december-2022

SSIEGE @ 𝙉𝙏𝙎 Radio - Dec '22

Full length - https://hshirptsubaki.bandcamp.com/album/the-day-when-winter-and-spring-intersect

A short 60-minute trip for the day when winter and spring will soon intersect.

The same sound goes on forever. There is no development in this song.

I love those days when the seasons intersect, when it's not spring and it's not winter.
And I've always loved drone ambient, which has neither subjectivity nor development.

Hirotaka Shirotsubaki

The Day When Winter And Spring Intersect - Sample

Aphex Twin - 05 23SYDcopenhagen-trk1-ambling-acid.flac

Kevin Allegory

Mix from @dialangeleyes & @echinacea-769317352

originally aired December 4th 2024 on Ola Radio
www.olaradio.fr/en/residencies/inner-most

Tag Voice: Hellène Héctor

𝓔𝓬𝓱𝓲𝓷𝓪𝓬𝓮𝓪
Siobhan Kramer - Silent Ruiners
cherish me - The Road Less Taken
6495 - Hollow
N33T - As the Wind Passes Through
struck - This Place Is Empty
Still Life Doves - Ceiling Texture
traumesser - swans
Colle - The Day You Told Me
Ari Elm - Blessed
v_ - reborn
wish - I threw in all my coins


𝓜𝓪𝓽𝓬𝓱 𝓕𝓲𝔁𝓮𝓻
Liquid D&B - like Ambient Grime 2 (02 Garage mix)
Pent - Digitals
Unt - Clips of Perspective
Manja Ristic - The ant and the cricket
Dj Bathtime - rotating with you
Kevin Drum - db 3 (2)
Junior Loves - Yantlet (First Passage Version)

Frost patterns 🍂 with Echinacea & Match Fixer

vla ltopo

"The aquatic is a concentric point of reflection within the latest release for Enmossed, procured as the split pairing of compositions by Finnish artists Kati Roover and J Koho. Both artists cull medial studies, collaborative processes, field recording, and geographically informed identitarian positionings in the audio works cultivated for cassette. Kati Roover’s aphotic meditations span across one side of the cassette, chiefly mirroring reflections on her Izhorian heritage, hydrofeminism thinking, and whale song captures. For the other side of the cassette, J Koho takes frameworks from Sound Studies paradigms to apply within his processed field recording efforts. Here, both artists service the latest edition of Enmossed’s ENMS catalog with mediated field recordings and sculpted isolatory liquidity formalism. Somewhere inside, the listener can be positioned enveloped in the dewy, aqueous sonorous realm of these two Finnish composers."

- Nick Klein

Kati Roover is a Helsinki-based, multidisciplinary artist. Her practice spans across the mediums of moving image, sound, photography, text and installations, draws upon and addresses a broad range of topics that are connected - from human, place and elemental interactions, mythopoetics, animisms and hydrofeminism, to the natural sciences and ecology.

J. Koho works extensively with sound and acts in many different roles in the field of sound art. Koho’s listening based artistic practice combines the methods, techniques and theories of acoustic, concrete, electronic, electroacoustic music and improvisation and simultaneously looks for meaningful and more sustainable ways to keep on working in this often technology-oriented and resource-intensive field. 

design template by RJM Vanderheyden
audio finalized by Glyn Maier for PLEN Audio
interview by Rob Goyanes

Split

J. Koho - Sijainteja [Excerpt] (ENMS-05)

Sirens is the first collaborative LP of Kara-Lis Coverdale (Tim Hecker, L/B) and LXV (David Sutton). Following their respective solo cassette releases Aftertouches (2015) and Spectral Playmate (2014) on Sacred Phrases, Coverdale and LXV debut on Umor Rex with a collection of multi-textural and multi-source electronic music rich in narrative, melody, and spectral intrigue.

LP limited to 300 copies pressed on virgin vinyl. Packaged in an uncoated stock jacket with double sided insert, black polylined inner sleeve, and free download coupon. This is a pre-order for May 19th street date. PRE-ORDER HERE.

Inspired by the link between seduction and violence, Sirens comprises a series of timbrally vast anamorphic pieces that poise the voice as a newly imagined tool of multiplicity. Processes of sample manipulation, signal processing, routing, and source design inform instrumental writing and performance in feedback until intertwined, flickering between states of conflict and consonance. Apparitions of the schitzophrenic voice are at one moment fractured and cold and at the next full of warmth and vivaciousness, embodying velvet rituals of romanticism in the digital age.

Ultimately, Sirens is music for ambitious dreamers: surreal sound portraits sound like the warmth of the world laid over an ice cold virtual altar. LXV’s vocal truncations and fleshy sound palettes depict the archivation of the breath and aural fantasies of the flesh which Coverdale sets amongst a vast and unconfined landscape of deeper and unknown force. Harmonically active and dynamic orchestrations underpin post-sacred tonalities while brooding pipe organs, sphinx flutes, and hailstorms of metallic percussion characterize uniquely disjointed discussions between disparate compositional ontologies. At times violent and at others serenely peaceful and seductive, these pieces, at their most powerful moments illuminate a felt space between cybernetic energy and the body. 

Kara-Lis Coverdale and LXV — Informant

Taken from the album 'Paradise 94', to be released by Modern Love on March 23rd, 2018. Cover Photo by Rebecca Salvadori.

Paradise 94

Lucy Railton - Pinnevik

Kobe Japan.
mail h.shirotsubaki@gmail.com
https://hshirptsubaki.bandcamp.com/music

https://open.spotify.com/artist/5ujHOCDCgJcR25vPFKlQ9N?si=ZSMDGrY0TseIH2QIgk3Opw

https://music.apple.com/jp/artist/hirotaka-shirotsubaki/433573090