Taken from B E N N (@bedoublensound) new EP Synesthesya, out October 1, 2021, via kepasaparadoks. (@kepasaparadoks)

Read: https://bit.ly/3EESByB
Pre-order: https://bit.ly/2XDzLa0

After an extended stop over in London, B E N N returned to Taiwan, inspired, with a commitment to create percussion-heavy, hard drum tracks at a furious rate.
His style draws from genres on the bass continuum, merged with traditional Taiwanese sounds and his innate and unique sense of rhythm.

The EP “Synesthesia” using his own percussion-words expressing the inner conditions during past few months, featuring two tracks with personalbrand.
With the influences of hard drum, he attempted to reach out the diverse dimensions into the production, with natural sounds blending into different asian vibes with broken beats.

Experiments in rhythm that come into the exploration of nonspace in mind circle.

Artwork by LunePerse
https://www.instagram.com/luneperse/

Mastered by Zarko Komar

Released by kepasaparadoks.

Premiere: B E N N - Ima [kepasaparadoks.]

VA - Astraltopia
APR128 | Out Now

Available here: https://astralplanerecordings.bandcamp.com/album/astraltopia

Astraltopia is the third and final compilation in the Topia series, as well as the terminal release in the Astral Plane Recordings catalog. Made up of contributions from longtime APR artists and friends, Astraltopia traverses outgrowths of past label releases, novel sonic formulations and the infra-zones between and underneath extant club sounds. Accompanied by artwork from Sam Meier and mastering by Will Mitchell, the compilation follows 2012’s Heterotopia and 2015’s Psychotropia, both of which preceded the formal inauguration of Astral Plane Recordings. Contributions include material from Alis, Amazondotcom, CHANTS, Dane Law, LOFT, Maral, MICHAELBRAILEY (with Iceboy Violet), nunu and SHALT. Astraltopia is out now as a free and/or pay-what-you-want download.1. CHANTS - Seven Billion Spheres
2. Maral - lita
3. SHALT - Face Like A Wet Sun
4. LOFT - an safe heavenn
5. Alis - Catra
6. Amazondotcom - Pico Blvd
7. nunu - ransom
8. MICHAELBRAILEY - dead space (prod. MICHAELBRAILEY, Iceboy Violet)
9. Dane Law - Summer's End (Lift Me Up)

Astraltopia

SHALT - Face Like A Wet Sun

@design-default - Quartz Silica EP
Format: Digital
Release: December 2nd, 2022
Artwork by Benfika

Marking the 100th record of the imprint’s prolific history, Infinite Machine are proud to present the release of Quartz Silica EP by new-comer Design Default. A self-described ‘tone scientist’, the Parisian delivers a 5-track of uniquely textural compositions which map out a sonic world influenced by dystopian anime titles like Trigun & Neon Genesis Evangelion. Like many on the IM discography, Quartz Silica acts almost like a simulation or audio-film representation of an abstract space you’re invited to traverse.

The EP opens with ‘Between Wasteland and Sky’; percussive assault on your senses which clearly exemplifies Design Default’s meticulous approach to sound design. Every detail, every sample and every automation is carefully considered to add to the heightened affective theatrics heard here.

‘A.S.K’ follows things up on this release, a highly inventive composition with a loose structure that evolves from phrase-to-phrase, refusing to sit still. Design Default’s interest in jazz and free-form arrangements is married up with an angular sonic palette of industrial groans and splutters; generating the impression of hearing a glitch (or hiccup, even) in the machine. There’s something refreshingly playful about the maximalistic breakdown of ‘A.S.K’ akin to the wry smile found in some of AYA and her YCO label’s output.

After two highly frenetic tracks, Design Default turns the tempo down slightly with the groove-laden ‘S.E.E.D.S’. Layers of rich, fuzzy synapses phase in and out of prominence over a bed of complex drum programming. The producer deploys negative space here to great effect, with the absence of a drum hit or sample where you might expect one adding to the hypnotic rhythmic swing of ‘S.E.E.D.S’.

Rounding out the originals of Quartz Silica EP, ‘SILEX’ is a club-ready construction with a paint-shaking bassline which seems to slip downwards in pitch as if it can’t get steady footing. Again, Design Default’s tone science/alchemy shines through clearly here, with stutters of melodies, bursts of white noise and stacked drum patterns managing to sit cohesively in this dynamic expanse.

Fellow Parisian De Grandi jumps on remix duties for ‘S.E.E.D.S’ to finish off the EP. The Paradoxe Club signee adds further syncopation and strips the original’s elements down to its fundamental core. The results are a spectral creeper of a tune - built almost intentionally with dark, low ceiling environments in mind.

Design Default - Between Wasteland And Sky

Sharpest face Pt2

@katnzingha - Sinogen

Introducing "ruminant tapes". The debut release from Lambs-ear. A multi-genre record label highlighting experimental, boundary-pushing sounds. A communal collaboration between artists globally who are at the forefront of their respective genres. Except; noise, hardcore, breaks, ethereal, and ambiance.

All the profits generated by the sales of this compilation will be donated to Acorn, a community union that brings together people who are being pushed to one side by bosses, landlords or politicians.

www.acorntheunion.org.uk

'ruminant tapes 001' will be released on May 5th, 2023.

Kat Nzingha - Sinogen

Taken from SBKT057: mmph - Harvest

Release date: 26th April 2023

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It's been five years since Korean-born, Los Angeles-based sound designer and composer Sae Heum Han, aka mmph, released his last EP Serenade on the Tri Angle label in flurry of activity. "Harvest" arrives after an unintentional pause; three years ago, Han was diagnosed with an autoimmune disease that immediately changed his priorities. Bedridden and exhausted from medication, he was only able to work on music for around an hour each day - the rest of his time was swallowed by rest and precarious trips to hospital in the midst of a global pandemic. Now in remission, Han looks back on this period as a time of emotional evolution where the ideas behind "Harvest" could be unravelled. The album emerges from his desire to reconnect with the Korean music he heard when he was growing up in Seoul, using these discernible timbres as building blocks to decorate with his advanced palette of electronic sounds and processes.

Han's music has always balanced precariously between the rigor of classical training and the relative open-endedness of electronic experimentation. This duality is still present on "Harvest", but Han's canvas has widened slightly. He continues to blur the line between the traditional and the modern, emulating and mirroring Korean instruments with synthesizers and sound design elements, and blending them with acoustic sounds and live percussion samples. But where his previous records and scoring work highlighted his ability to weave baroque forms into tight, contemporary sonic tapestries, this album adds the drama, yearning and spirituality of folk. On 'Dialogue' for example, pitch-warped traditional vocals twist through an ensemble of bizarre future-ancient sounds; fluttering strings dissolve into spiked percussive barbs and synthesized wails cut through walls of industrial noise.

'Spirit' follows quickly, coaxing listeners into a trance state with its flurry of microtonal string plucks and irregular percussion. Han is a master of breath control, letting his brief moments of negative space interrupt any expected regularity and guide the track away from electronic music's expected grid. This just about prepares the ground for the title track, a labyrinthine maze of dramatic compositional motifs and dizzying sonics that mutates from gugak forms into a cacophony of pneumatic blast beats before snapping back. From here the album lurches towards the dancefloor for a moment, absorbing and contorting cantankerous club rhythms on 'Avnue' and 'Moon Jar', slowing to a crawl on 'Harvest II'. Despite hijacking its theme from the title track's blast beat section, it transforms into a ballad, acting as a fittingly tearjerking finale.

The record is rounded off by a trio of remixes that draw Han further into the SVBKVLT family. Egyptian producer ABADIR chops up 'Harvest' and reassembles it into a jerky banger, extracting its dancefloor potential and evolving hardstyle thuds into spectral concertina flexes. 'Moon Jar' meanwhile is turned into twitchy trance by Shade Seoul's NET GALA, and Yen Tech stitches together 'Avnue' and 'Dialogue', creating an anxious backdrop that shuttles mmph's android folk to the modern metropolis.

Artwork by Sae Heum Han
Mastered by Raphael Valensi

Harvest

mmph - Avnue / Dialogue (Yen Tech Remix)

▮ 𝐒𝐰𝐢𝐧𝐞 𝐃𝐚𝐢𝐥𝐲 𝐚𝐧𝐝 𝐂𝐥𝐮𝐛 𝐋𝐚𝐭𝐞 𝐌𝐮𝐬𝐢𝐜 𝐩𝐫𝐞𝐬𝐞𝐧𝐭: "Fluido" by POL100 @wasmusic-1 & Cecco Meraviglia. From the upcoming audio-visual EP called "Espiazione" ▮

@swine-daily-blog
@club-late-music

◆ CLM is introducing a new format to their catalogue - Resonance! For each installment in the series, two or more members of the @globalurlnation spontaneously bond and collaborate on a multi-track project, such as an EP or audiovisual piece.

◆ For the first edition, we warmly welcome POL100 & Cecco Meraviglia for Espiazione, a journey of soul purification and an exploration of mind-body dualism partly inspired by Dante’s Inferno. Thought and produced as music videos, it gathers the two Italian artists around a common project to be seen and heard. 

You can read more in the article ◉  https://swinedaily.com/espiazione-premiere/

∎ POL100 is an experimental sound artist and music producer based in Ferrara, Italy. Since 2014 under this moniker, he explores inner moods and states of being through the curation of sound details, absorption of audio stimuli, and deconstruction of various genres to shape them into a flow of sounds in perpetual evolution. His music is a sonic hot pot of ambient, bass breaks and abstract sounds with releases on labels such as Katharsis, Champ Libre, Bound Center, Du Coeur Records and more. 

∎ Cecco Meraviglia is a visual artist based in Treviso, Italy. Using digital art and graphic design, he developed a practice based on 3D manipulation and graphic languages, with great care given to details and the reappropriation of natural elements. Working with numerous media, artists, and institutions, he has created for Coeval Magazine, Vogue, fashion brands and music labels such as Universal or Warner.

∎∎∎

[Swine Premiere] POL100 & Cecco Meraviglia - Fluido (CLM)

Dyvrow - Houba

Jurassic Park - The Edge 2025

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https://fanlink.to/compilsans2

Various – Pr. Raoult Secret Weapons
Release Date : April 2020 (Digital)
Label : Comic Sans Records
Cat n° : COMPILSANS2

Design by Virgile Flores
Ilustration by Acacio Ortas
Mastered by Thomas W. Jager
A&R by GBoi & Jean Mi

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Épong - Scuderia

Record Label based in Mexico City.
Founded in Montréal, Est. 2011 by @xwolfcultx.

for sync & licensing - gavin@syncsmith.com

Bookings: allen@awesome-agency.com
Temporary Contact: iinfinitemachinee@gmail.com