beautiful stuff i run into on muffwigglers or just browsing soundcloud looking for module demos etc.

modular synth pieces

demo of Synthesis Tech E340/E350 polar opposites

E340/E350 experiment

2 Track live. I boiled my system down to 1 6u case to play with a Qunexus.  Besides a little reverb, all the ambience is provided by the Wow and Flutter, which is on the "lead".  The envelope follower seems to push the delays slower into nearly inaudible range while the line is playing and then springs back in the gaps. Also, the WET output feeds an LPG to create the "tuned percussion".  The lead line itself is e350 played through an SOB.  Qunexus pitch straight into the 1v/oct, gate into the SOB vactrol input.
I used the PTG to "pluck" the Verbos filter (verbos vactrol response very fast by itself) The extra control and life the PTG brings makes me wish SSF would just make a damn LPG. Pressure points/brains combo plays with the snare pitch and fm amount. SSF mix mode saturation is all over the place..the Verbos also saturates nice too.

Clock - Noisering
Triggers - Triggerman
HiHats - TipTop808
Low end - Subcon M15 Fm'd by the morph output of 2nd M15 through Verbos amplitude and tone controller.  
Snare/Rim - subcon m37 fm'd a bit, optomix.
Tuned Percussion - WET output of Wow and Flutter through optomix. 
Main Line - e350 morphed by slew'd Noisering.  Filtered by SOB. Run through Wow and Flutter.

Disarray

Generative patch with lead voice created by wave folding a filtered oscillator.

Bark Lee Bug Face By Dcramer

Fields

A pensive semi-ambient track, based on an 8-bar mostly generative sequence that changes slightly with each repetition.

The sequencer is generated by using a Doepfer A189-1 in XOR mode (mode 4) to transform the Verbos Voltage Multistage's Ref output into a more complex pattern, which is then quantised to form a melody. The VM's two CV outputs drive the A189-1's BC CV and a VCA between the Ref output and the A189-1's signal in. This means that each step of the VM has a different variation of the main melody, creating an 8-bar motif with common elements. The Ref out also pings a PEG channel, which is used as a clock multiplier to get 8th notes to trigger the A156 quantiser.

Further variation comes from the fact that the CV driving the VCA that attenuates the Ref output ALSO goes through a VCA! This is modulated by an A149-1's 2^n output, which is clocked every 8 bars to introduce slight random variation into the range of the melody.

The main melody is played by a Braids in WTBL mode, using its internal envelope to drive its own VCA as well as Timbre, into Erbe Verb. The Color is modulated by the A149-1's bottom half, clocked so that each bar is played using a different wavetable.

There's also a sort of bassline sequence that chugs away (Rubicon saw, double saw and sub into Pitts Filter), using Klasmata to vary its rhythmic sequence (with Klasmata's Fill CV driven by VM's CVb). Finally, there's a dirty kick drum (Pitts Generator into Optomix, opened by Maths) and hi-hats (white noise through resonant HPF into Optomix). The rhythms of those come from a combination of clock dividers, logic and Turing Machine.

Sun 189

Blippoo Box
Macumbista Benjolin
BugBrand PT Delay

No sequencing or overdubs.

The Rest Of Your Life

Sealed

the dream life of debris

Because Of Memory

Spiral Staircase

Fritters

They All Die In This One

Unconcerned By Death's Proximity We Continue Ahead

This was loads of fun and important. Sans Hawks and Armand's MCing unfortunately.

@  DJ DETWEILER BIRTHDAY BASH Berlin

Track 4

Volure

freelance composer - music for film,tv & theatre.

this account mostly contains electronic improvisation pieces and few synthesizer demos.   for theatre scores and contemporary music visit www.babic.com

They All Die In This One

Infinity Curve

Recent comments

FernLodge

Related tracks