FÖRVÄNTNINGAR

Budabeats show minden szerdán 23 órától éjfélig a Radio Cafén. Ismétlés egy hétre rá csütörtökön 12-13 óráig. SC feltöltés meg azután.

www.facebook.com/budabeats
www.budabeats.bandcamp.com
https://soundcloud.com/george-mihaly

01.Mushrooms Project - Rivea Corymbosa
02.Hubbabubbaklubb - Oslofiffen (Lucas Croon Remix)
03.The Unknown Cases - Masimba Bele (Dynamicron Rework)
04.Jype - Downside up World
05.Elado - Hipos
06.Force Of Nature - Liberate
07.Ghost Vision - Zuul Passage
08.Statues - Lele (Statues Rework)
09.Al Usher - Hilversum 
10.4 M International - Space Operator (Donato Dozzy Cadillac Rhythms Reshape)
11.Kotelett - Backyard Ritual

Budabeats Show 30 / Radio Café FM98.0 / George Mihaly

DC Promo Tracks #1303: "Awrite" by Manakinz is part of the release "model citizenz ep" on Manakinz @manakinz  

Buy Now: https://manakinz.bandcamp.com/album/model-citizenz 
Back to Mine Playlist: https://www.dreamchimney.com/interviews/Manakinz/

More Promo Tracks: https://www.dreamchimney.com/promo

DC Promo Tracks: Manakinz "Awrite"

Oh - Nye - Ay (Extd Tape Edit)

/codekrecords.bandcamp.com/album/dry-as-a-bone-edits-volume-1

In 2004 Sasa & Alex started to strip down tracks “to the dry bone” with a program called peak, it was very basic but to the point music editing program, quick and easy, it was like doing edits on a reel to reel, cut out all the fluff and reconnect the leftovers. Here are two examples, they sound as harsh as they did when we made them, it was the predecessor to the our first album in 2006 called “Wronger Then Anyone Else” were we edited all our track together in a edit/mix with no fades or blends.

Enjoy, Alex & Sasa 1/2024

Dry As A Bone Edits Vol 1 snippets

Wanna dance_ (Ilya Santana Space disco re-work)

DC Promo Tracks #1331: "Caresse 1 (Dorion Remix)" by Antonin is part of the release "Antonin" on Ekleroshock @ekleroshock  

Pre-Order: https://idol-io.ffm.to/antoninensilenceremix 

More Promo Tracks: https://www.dreamchimney.com/promo

DC Promo Tracks: Antonin "Caresse 1" (Dorion Remix)

Project Sandro with a fun and adventurous reinterpretation. Tailored for the splendor of Spring & Summer of 2024.

https://pstrecords.bandcamp.com/track/nu-shuz

Nu Shuz

Buy Now

Project Sandro "Nu Shuz"

From the Washoe Zephyr EP (Is It Balearic? Recordings 2024)

Vinyl available here -https://www.juno.co.uk/products/max-essa-washoe-zephyr-ep-vinyl/944975-01/

Digital - see buy link

Washoe Zephyr EP

Southern Edges

DC Promo Tracks #1344: "Kitchen Quarantine" by Tonarunur is part of the release "The Ligeglad Danzador" on Cala Tarida Musica @calataridamusica  

Buy Now: https://www.junodownload.com/labels/Cala+Tarida+Musica/releases?ref=dc 

✉️ Join our weekly Email List: http://eepurl.com/dN23Jw
🎶 More Promo Tracks: https://www.dreamchimney.com/promo
📻 Dream Chimney Radio: https://www.dreamchimney.com/radio

DC Promo Tracks: Tonarunur "Kitchen Quarantine"

for all booking contact:
scrnobrnja@gmail.com


In Flagranti (Sasa Crnobrnja & Alex Gloor)

The duo has always made a great case demonstrating how “inspiration” from the creative works of others can truly be made into something new and totally distinct from the source material.  But whether you know the source material bears major influence on what their interpretation is going to even sound like to you.  In other words, you could be hearing the same song as another listener is, but if you’re familiar with the source material, you’re going to also be hearing that, while someone who isn’t familiar with it won’t.  Most of their listeners have no idea this is even going on, or could even be allowed.
I figure I follow In Flagranti quite closely, but I only make a connection here, or a connection there.  Sometimes this happens immediately, other times it’s taken years to notice.  Most connections I will never even be aware of, and I don’t listen for them, they just stand out to me or they don’t.  Sometimes I only discover the source material long after I’ve been familar with In Flagranti’s take on it, which you’d think would detract from the latter, but for me, it only adds to it.  In Flagranti’s musical interpretations show a certain ethic and a philosophy that parallels their approach to visual content.  It’s so “meta” that I’m at a loss to describe it, except to say what I often do:  Warhol would be In Flagranti’s biggest fan if he was around to witness them. – truckerdisco.wordpress.com

Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is nonexistent. And don’t bother concealing your thievery—celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from—it’s where you take them to.”

Jim Jarmusch’s Golden Rule #5

Dry As A Bone Edits Vol 1 snippets

In Flagranti

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