Pre-order: https://retromigration.bandcamp.com/album/ausfahrt-9-ep

Amsterdam's @retromigration returns to WOLF Music (@nysoul) for his fifth outing on the label with new five-track EP, 'Ausfahrt 9'.

The new record showcases the artist's development into deeper, club-ready territories with all five tracks oozing peak-time business from the moment the needle hits the record.

More exclusive music

Premiere: Retromigration 'Unused'

Download/Vinyl/Stream: https://toy-tonics.lnk.to/RealRio

Introducing Toy Tonics’ Newest Artist: Martha Pinel!
Brazilian DJ, vinyl digger, party starter, and style icon Martha Pinel has officially joined the Toy Tonics family. Splitting her time between Rio de Janeiro and Berlin, she’s the founder of Assembleia, a laid-back Rio party that’s become a Carnival sensation, and co-founder of Croma, a music-meets-fashion project that shaped Rio’s alt-scene. Featured on the cover of GQ Brazil, she was named one of “13 artists changing the world.”
Her non-linear DJ sets fuse Afro-Brazilian rhythms, Middle Eastern grooves, Italo, disco, house, and Balearic sounds - always bold, emotional, and unpredictable. She’s played Boiler Room, Paris Fashion Week, KALA Festival, DGTL, and more, alongside names like Hunee, Antal, and Prins Thomas.
Martha’s debut EP Real Rio captures a rediscovery of her hometown—a city where beauty and chaos collide in dramatic highs and lows. Z The track Assim reimagines Marcos Valle’s classic Estrelar with collaborator Gabto, reflecting on Rio’s unique “Body Culture” - that unmistakable energy you feel walking along Ipanema Beach.

Released 19.09.25

Martha Pinel - Uber Moto

PREMIERE : Pleasure Voyage - Reunion

DC Promo Tracks #1749: "Falcon Punch" by Trip Tease & Alain Vice is part of the release "Sex Having Disco" on Astrolead Recordings  

Buy Now: https://es.juno.co.uk/products/trip-tease-alain-vice-sex-having-disco-vinyl/1108364-01/?ref=dc 
https://astroleadrecordings.bandcamp.com/

DC Interview with Trip Tease
https://www.dreamchimney.com/interviews/trip-tease/
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✉️ Join our weekly mailing list: http://eepurl.com/dN23Jw
🎶 More Promo Tracks: https://www.dreamchimney.com/promo
📻 Dream Chimney Radio: https://www.dreamchimney.com/radio

instagram.com/dreamchimney • https://dreamchimney.bandcamp.com • twitter.com/dreamchimney

⭐ More Dream Chimney: https://www.dreamchimney.com ⭐

DC Promo Tracks: Trip Tease & Alain Vice "Falcon Punch"

Xpressed ADE 2025 showcases the deep, hypnotic, and soul-charged sounds of Afro House straight from South Africa to the world. Curated by Xpressed Records, this eight-track compilation is a vibrant celebration of rhythm, emotion, and forward-thinking electronic music timed for the Amsterdam Dance Event.

With Xpressed ADE 2025, Xpressed Records delivers a bold statement: Afro House is not just a genre, but a movement, uniting cultures and sounds while making its mark on one of the biggest stages in electronic music.

Xpressed ADE 2025

Tapestry of time

A trio of hypnotic, shapeshifting grooves from Thomass Jackson that blur the lines between party and paranormal. Unpredictable yet always danceable.

Transcend into orbit with Uritorco Times. (Probably) an ode to Argentina’s most mystical peak, UFO synthesisers flash and bleep around a wonky bassline. The result is equal parts mystic ritual and late night mischief.

Sly yet crunchy Push Comes To Shove rides a killer bassline over off kilter percussion. Sleazy mechanical funk that teeters, entranced between tension and release.

Sonic Witchcraft ensues in Junk Be Gone as the shadowy yet playful bassline twists like smoke around the acid melody summoning rhythm from strangeness.

Junk Be Gone gets the Felix Dickinson treatment for the EP’s remix delivering an extra long rework that stays respectfully true to the original in all the right ways. Live acid bass envelops the original bassline whilst ever intensifying synth solos build to an Eastern flavoured crescendo.

Releases November 21, 2025

Credits: Thomass Jackson for the music, Felix Dickinson on remix duties, James Savage for the masters, Edward Tuckwell on artwork and to Jessica Lau on graphic design.

50 white label dub plates of Junk Be Gone and Junk Be Gone (Felix Dickinson Remix), available to pre-order now! Act fast!

https://visceratransmissions.bandcamp.com/album/push-comes-to-shove

@thomassjackson
@felix-dickinson

Pre-Order

Thomass Jackson - Push Comes To Shove [VTD003]

Started out as a Rhumba Guaguanco experiment. 8 hours later!!!  LOL. Some serious bottom here!

Funky Space Rhumba

INCOMING : Adult Hits - SEMthing (Paperkraft Remix) #99FVR
Release date : 24/10/2025
BUY : https://99fvr.bandcamp.com/album/attitude-drums

Adult Hits makes dance music that sweats, mutates, and smiles back at you. A co-founder of Sensory Signal and a fixture in the Los Angeles underground, he builds worlds from percussion — grooves that start as a pulse and end as possession. His sound leans toward the playful and the psychedelic: prog swung through breaks, acid melted into color, humor folded into hypnosis. There’s always a wink in the chaos, a kind of sly confidence that comes from knowing exactly how the room will move.

Attitude Drums EP packs a sassy, proggy punch square in the chest. Euphoric wobbles and wibbly ear~candy collide with psy~esque licks and naughty breaks. No rest for the wicked, Adult Hits flirts across the EP with raw personality; his locked-in percussion, trippy pads and nasty vocal chops carry the floor effortlessly.

☎️ Connect ☎️
https://soundcloud.com/adulthits
https://soundcloud.com/pprkrft
https://soundcloud.com/99fvr

INCOMING : Adult Hits - SEMthing (Paperkraft Remix) #99FVR

The Agharo Mix Series
Agharo is a language, book, philosophy and tarot deck created by collective member Jaco Perroud. We invite a guest to pick a card at random and create a mix inspired by its meaning. Our 20th submission comes from @vhyce 
Follow: https://www.instagram.com/vhycevhyce/ 

About

I’m a producer and dj from La Louvière, Belgium.I was playing guitar in a band then saw Kraftwerk live at festival and got into producing electronic music.I loved the fact you could make a record on your own without depending on no one else.About the DJ aspect specifically- I’ve always loved making playlists and sequencing tracks.How the choice and order of tracks you play create a story

Card 53: Ordvfinir Star — Fate

Calmness, confidence, dignity, honor, respect, and pride.
The stars of fate hold inscriptions of secrecy — the path of our thoughts and spirit. 

Aibana (Constellation)

According with the mythology of Agharo, the spirit of every being lives in the stars. And so when the body dies, the spirit returns to the stars where it belongs. The soul is then the constellation formed by the stars every being has.

This structure of constellation, however, isn’t two-dimensional as in western astronomy; in Aibana each star is intimately connected with every other star within the constellation and within them runs the will of the spirit and its fate. The stronger the structure of Aibana, the stronger the spirit.

These cards speak of the individual — of our self in relation with the self. Or our spirit and our soul. Of that which is behind all masks, our true self and our true fears. What is instinctive, besides reason. Our faith and alignment with what we are. The obstacles put in our path by ourselves.Aibana (Constellation)

According with the mythology of Agharo, the spirit of every being lives in the stars. And so when the body dies, the spirit returns to the stars where it belongs. The soul is then the constellation formed by the stars every being has.

This structure of constellation, however, isn’t two-dimensional as in western astronomy; in Aibana each star is intimately connected with every other star within the constellation and within them runs the will of the spirit and its fate. The stronger the structure of Aibana, the stronger the spirit.

These cards speak of the individual — of our self in relation with the self. Or our spirit and our soul. Of that which is behind all masks, our true self and our true fears. What is instinctive, besides reason. Our faith and alignment with what we are. The obstacles put in our path by ourselves.

How did the meaning of the tarot card inspire the journey of this mix?

I was appealed by the ‘confidence’ aspect of it.
I really played the tracks I wanted to hear myself without thinking about anything else. Sometimes you might overthink a mix - especially one recorded at home one. But in this case I really went with the flow and eveything seems ‘fated’ to happen this way.

Agharo 20 - Vhyce (Ordvfinir Star — Fate)

We’ve been rummaging through old hard drives and found a few unreleased tracks, including one that was originally available on Juno Download. 2011 was a productive year for In Flagranti, and these two tracks have aged remarkably well.
https://codekrecords.bandcamp.com/album/salute-les-copains

Salu Les Copain snippets

@secretsundaze joins the Helsinki based Echocentric family for their 20th edition by way of the ‘Flashlight’ EP. A break-neck fusion of the eclectic influences, from UK breakbeat hardcore to Italian progressive house, amassed from the career of the storied London based DJ, producer and curator.

Early support from Ben UFO, Job Jobse and Avalon Emerson.

Limtied vinyl and digital

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The A-side opens with ‘Flashlight’ (Stripped) with clear intent. The track stylistically distills the previously stated influences combining Blues Party toasting and ethereal female vocals, underpinned by an incessant bass and driving breakbeats. ‘Flashlight’ (OG) leans more into the dramatic, layering striking stabs atop the already peaktime ready (Stripped) incarnation. Hotly-tipped emerging producer ODF @o-d-f contributes a remix that reimagines ‘Flashlight’ for sweaty basements, fusing rugged bass with precision-engineered club dynamics in his trademark tech-garage style.

On the flip we have ‘Style’. Using some of the same raw materials as ‘Flashlight’, ‘Style’ takes those elements and recontextualises them with a more refrained approach. Breaks still drive the track, but added into the mix are a Roland JV1080 guitar, soaring keys, an organ groove, heavy bass and niggly acid line. The impressive EP is complete with ‘Style’ (VIP) which edges the balearic tip one notch up with an extended keys solo for those daring eyes-closed, end-of-night moments.

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The EP as a whole is an ode to the renowned Blues Dances of the 1980s, with the vocal samples coming from rare on-location party recordings from these illusive days. The influence of these Black British sound-system led parties on UK dance music culture is only starting to get fully recognised, playing an equal part in the development of dance music as the fabled trip to Ibiza in 1987. This is thoroughly argued and documented by Ed Gillet in his thrilling ‘Party Lines’ book, a must for anyone concerned with the roots of the music we love. 

Releases November 21, 2025

Written & Produced by James Priestley & Lewis Moody.
Mixed by Thoma Bulwer.
A3 remix by Oliver de Friend.
Mastered by Nik Kozub
Distributed by Inch by Inch
Designed by Jubbs

The release contains samples from the archival release ‘Pure Wicked Tune’ on Death Is Not The End.

Bandcamp

Preview: Secretsundaze - Flashlight EP - ECR020

for all booking contact:
scrnobrnja@gmail.com


In Flagranti (Sasa Crnobrnja & Alex Gloor)

The duo has always made a great case demonstrating how “inspiration” from the creative works of others can truly be made into something new and totally distinct from the source material.  But whether you know the source material bears major influence on what their interpretation is going to even sound like to you.  In other words, you could be hearing the same song as another listener is, but if you’re familiar with the source material, you’re going to also be hearing that, while someone who isn’t familiar with it won’t.  Most of their listeners have no idea this is even going on, or could even be allowed.
I figure I follow In Flagranti quite closely, but I only make a connection here, or a connection there.  Sometimes this happens immediately, other times it’s taken years to notice.  Most connections I will never even be aware of, and I don’t listen for them, they just stand out to me or they don’t.  Sometimes I only discover the source material long after I’ve been familar with In Flagranti’s take on it, which you’d think would detract from the latter, but for me, it only adds to it.  In Flagranti’s musical interpretations show a certain ethic and a philosophy that parallels their approach to visual content.  It’s so “meta” that I’m at a loss to describe it, except to say what I often do:  Warhol would be In Flagranti’s biggest fan if he was around to witness them. – truckerdisco.wordpress.com

Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is nonexistent. And don’t bother concealing your thievery—celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from—it’s where you take them to.”

Jim Jarmusch’s Golden Rule #5