reaccionandobien2

When Radial Gaze meets Nicola Kubebe, the result is Iron Pinky Toad — a title that sounds either like a secret kung-fu move or a lost cartoon book. But don’t be fooled — this one hits hard.


The long-awaited collab brings three original tracks — Phantom Limb, Lights of Phoenix and the title cut Iron Pinky Toad — that effortlessly bridge the gap between slow-burning tribal techno and the raw pulse of new beat nested into an early techno nutshell. Imagine dancing barefoot in a ritual under a disco eclipse — you’re getting close.

To seal the record, Playground Records boss Martin Noise steps in alongside rising sensation Anastasia Zems, pushing the release into full-blown dancefloor sorcery. The groove is deep, the bass is sweaty, and the toad… well, the toad is on fire !

Dropping Friday, July 18, 2025, via THISBE Recordings — available on vinyl and digital. Spin it, stream it, or whisper its name into the smoke at 3AM — either way, the dancefloor won’t know what hit it.

Let the amphibian groove begin.

  

 

Artwork by Christoffer Budtz

Iron Pinky Toad

Iron Pinky Toad (Martin Noise Rave Version)

Buy on Bandcamp

It’s twins! Following the birth of his first child, and a failed (yet noble) bid for the Papacy, Bawrut returns with Papa Bawrut Part 2, the second holy chapter in his ongoing musical sermon. While fatherhood may have brought sleepless nights, it’s also delivered wild inspiration, with this EP offering up a brace of fearless, genre-defying cuts.

Leading the release is La Notte, a creative late-night jam inspired by an hypnotic performance of “Klan” by Italian pop star Mahmood. “I had forgotten how amazing the the repetition of ‘La Notte’ sounded, so I used it as the foundation for the track,” Bawrut explains. “Because when do we all come together to dance? La Notte, of course.”

Next up is Vibracall, a bold middle finger to lazy nostalgia. “A lot of club music today sounds like it’s stuck in the year 2000,” says Bawrut. “If I’m going to use the past, I want something iconic.” Enter: the vibration tone from the first-gen cell phones. Reimagined, repurposed, and flipped.

Closing the EP is a deeper, darker reinterpretation of La Notte from Irish producer and friend Hammer. With bubbling synths, ghostly vocal textures, and precise percussion, it adds a moody exhale to Bawrut’s high-energy offering.

Papa Bawrut Part 2 is untamed, unpredictable, and undeniably him.

Follow :
https://www.instagram.com/bawrut_silencio/
https://soundcloud.com/bawrut

https://instagram.com/thehammerhits
https://soundcloud.com/thehammerhits

Bawrut - La Notte (Hammer Remix)  [Pets Recordings]

Follow: @sam-scheme @dad-of-the-year @johnny-posh

Download / Stream

Dad Of The Year x Johnny Posh - Limbo (Sam Scheme Remix) | Stripped Recordings

Dad Of The Year  x Johnny Posh- Limbo (Original Extended Club Mix) | Stripped Recordings

BUY LINK: https://fauverecords.bandcamp.com/track/ah-si-si
Label : Fauve Records (https://soundcloud.com/fauverecords)
https://www.instagram.com/fauverecords/
> Camiliani (https://soundcloud.com/swaanparadise)

"Ah si si" is a blend of EBM and italo disco, where taut grooves flirt with a bittersweet melancholy tinged with 80s hues. At once an invitation to dance and an introspective dive, the track plays with contrasts — between rhythmic tension and nostalgia.

The voice, sensual and slightly enigmatic, acts as a guiding thread: it ties the influences together, blurs the lines, and gives the whole piece a cohesion that makes it effortlessly ready for the dancefloor.
The italo disco elements are a deliberate nod to Camilliani’s Italian roots and his deep attachment to that musical culture.


Camilliani is no newcomer. In 2007, he made his debut with Pervert Teen, an electro EP released under the name Chairs on Backs, a duo with Yan Wagner on the Missive label. Two years later, he went solo with Fucking Day, a more radical techno EP under the alias Swaan, on Estrella Rec.

After a long hiatus, he returns under a new identity, Camilliani, and unveils Ah si si, his third project.

BUY LINK

PREMIERE : Camiliani - Ah Si Si

We’ve been rummaging through old hard drives and found a few unreleased tracks, including one that was originally available on Juno Download. 2011 was a productive year for In Flagranti, and these two tracks have aged remarkably well.
https://codekrecords.bandcamp.com/album/salute-les-copains

Salu Les Copain snippets

for all booking contact:
scrnobrnja@gmail.com


In Flagranti (Sasa Crnobrnja & Alex Gloor)

The duo has always made a great case demonstrating how “inspiration” from the creative works of others can truly be made into something new and totally distinct from the source material.  But whether you know the source material bears major influence on what their interpretation is going to even sound like to you.  In other words, you could be hearing the same song as another listener is, but if you’re familiar with the source material, you’re going to also be hearing that, while someone who isn’t familiar with it won’t.  Most of their listeners have no idea this is even going on, or could even be allowed.
I figure I follow In Flagranti quite closely, but I only make a connection here, or a connection there.  Sometimes this happens immediately, other times it’s taken years to notice.  Most connections I will never even be aware of, and I don’t listen for them, they just stand out to me or they don’t.  Sometimes I only discover the source material long after I’ve been familar with In Flagranti’s take on it, which you’d think would detract from the latter, but for me, it only adds to it.  In Flagranti’s musical interpretations show a certain ethic and a philosophy that parallels their approach to visual content.  It’s so “meta” that I’m at a loss to describe it, except to say what I often do:  Warhol would be In Flagranti’s biggest fan if he was around to witness them. – truckerdisco.wordpress.com

Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is nonexistent. And don’t bother concealing your thievery—celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from—it’s where you take them to.”

Jim Jarmusch’s Golden Rule #5