Electro

SoundCloud Weekly 66

Taken from: Naum Gabo - Fyei / Hantas (Magazine 11)
https://magazinecologne.bandcamp.com/album/fyei

Naum Gabo - Fyei

Lanark Artefax - Touch Absence (Intimidating Stillness Mix)

Voices in My Head

Voices in My Head (Innovative Treatment Mix) [feat. Andrew Edward Brown]

'Bias' Mayfield Depot & Extended Mixes out on Ninja Tune: https://floatingpoints.lnk.to/biasSo

Follow Floating Points -
Spotify: https://found.ee/floatingpoints-sp
Apple Music: https://found.ee/floatingpoints-am
Instagram: https://found.ee/floatingpoints-ig
Facebook: https://found.ee/floatingpoints-fb
Twitter: https://found.ee/floatingpoints-tw
Youtube: https://found.ee/floatingpoints-yt
Bandcamp: https://found.ee/floatingpoints-bc
Soundcloud: https://found.ee/floatingpoints-sc

Bias

Bias (Mayfield Depot Mix)

Rheinzand releases the great mixes of the single Porque, from their debut album 'Rheinzand'. Includes a great remix from Scorpio Twins and a Single Edit.

Pre-order the single in all digital stores: https://music-for-dreams.lnk.to/porque

Connect with Rheinzand:
FB: https://www.facebook.com/Rheinzand/
SC: @rheinzand
IG: https://www.instagram.com/rheinzand/?hl=da

Connect with Music For Dreams
FB : https://bit.ly/2MEexC2
SC : https://bit.ly/2w0qOqR
YT : https://bit.ly/2bIaezU
IG : https://bit.ly/2Le2u9s
TW : https://bit.ly/2L9HyjX
BC : https://bit.ly/2MRzxGj
Home : https://bit.ly/2Psgksm

Connect with Kenneth Bager
FB : https://bit.ly/2N58gfy
SC : https://bit.ly/2mgVZsd
YT : https://bit.ly/2bIaezU
IG : https://bit.ly/2w0p8NY
TW : https://bit.ly/2nTndX1
BC : https://bit.ly/2MRzxGj
Home : https://bit.ly/2Psgksm

Rheinzand - Porque (Scorpio Twins Remix) - s0362

Safari Glove [Culted 006]

Hard to Say / Tournesol

Hard to Say

Sakura EP

Sakura

Fireworks (Chug Mix)

Kompleks Souncloud: https://soundcloud.com/king-regards

RTFM.1

Les Griots - Sumama [Kompleks Edit]

for all booking contact:
scrnobrnja@gmail.com


In Flagranti (Sasa Crnobrnja & Alex Gloor)

The duo has always made a great case demonstrating how “inspiration” from the creative works of others can truly be made into something new and totally distinct from the source material.  But whether you know the source material bears major influence on what their interpretation is going to even sound like to you.  In other words, you could be hearing the same song as another listener is, but if you’re familiar with the source material, you’re going to also be hearing that, while someone who isn’t familiar with it won’t.  Most of their listeners have no idea this is even going on, or could even be allowed.
I figure I follow In Flagranti quite closely, but I only make a connection here, or a connection there.  Sometimes this happens immediately, other times it’s taken years to notice.  Most connections I will never even be aware of, and I don’t listen for them, they just stand out to me or they don’t.  Sometimes I only discover the source material long after I’ve been familar with In Flagranti’s take on it, which you’d think would detract from the latter, but for me, it only adds to it.  In Flagranti’s musical interpretations show a certain ethic and a philosophy that parallels their approach to visual content.  It’s so “meta” that I’m at a loss to describe it, except to say what I often do:  Warhol would be In Flagranti’s biggest fan if he was around to witness them. – truckerdisco.wordpress.com

Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is nonexistent. And don’t bother concealing your thievery—celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from—it’s where you take them to.”

Jim Jarmusch’s Golden Rule #5