Hypnofloor

Vinyl only, 180g, hand stamped and individually numbered.

People Get Real - Cane (Horn Wax)

Jack Essek & Stephane Salerno - Aleyna EP
Release coming on: 31/03/2021
Artwork by Mateo
https://www.instagram.com/mateo_wallpainter

➤ Follow & Support:

☼ Jack Essek
SC : https://soundcloud.com/ackssek

☼ Stephane Salerno

SC : https://soundcloud.com/compositeur-arrangeur

☼ Beatfarmer

SC: https://soundcloud.com/beatfarmer

☼ Cosmovision
SC : @cosmovisionrecords
FB: facebook.com/cosmovisionrecords
IG: instagram.com/cosmovisionrecords

⋘ ────── ∗ ⋅◈⋅ ∗ ────── ⋙
About this EP : 
Jack Essek and Stephane Salerno present their new EP ‘’Aleyna’’ : full of enigmatic vibes from Middle East, enchanting vocals with the collaboration of the amazing voice of Ra*faelle plus groovy remixes from VINZOO, Beatfarmer and Goro. Aleyna is a story about two magicians joining their universes: two friends from the South of France who came together to create a mystical sonic space where rhythms of the world are mixed like alchemy to craft a mysterious magical story.
In Greek, ¨Aleyna¨ means light; in Celtic, harmony and peace. This EP reminds us of all that we lack today, of this awful isolation of which everyone suffers. We sincerely hope that this music will give you a bit of light in your daily life.

PREMIERE | Jack Essek & Stephane Salerno  - Varuna (Beatfarmer Remix) ||Cosmovision Records||

Stream & Download: https://bit.ly/3idVGMG

Follow on SoundCloud:

https://soundcloud.com/papillon-music1

Become a member of Suprematic Sounds pool to receive exclusive unreleased high quality tracks every week + bonus access to 300+ tracks catalogue for all subscribers: http://gum.co/suprematic

Follow Suprematic Sounds:

✖ Bandcamp ▸ https://bit.ly/3vU2JPJ
✖ Membership ▸ https://bit.ly/2E9IKCH
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Suprematic Sampler 09

Stream & Download

Papillon — Take Me Higher (Original Mix) [Suprematic]

Laya Project's Remix of Ya Allah by Cheb i Sabbah.

Ya Allah (Cheb i Sabbah The Please Wipe Our Tears Remix)

vinyl is out now >> http://www.kompakt.fm/releases/gong_3000_ep
digital Dec 1st.
artwork by CheckMorris
check the video for Gong 3000 >> http://youtu.be/ODgYygyQaSU
http://www.imacliche.com

The Grand Search - Gong 3000EP

Newbie on the scene from the land of Belgium, young talent Johnson is releasing his debut EP 'Time Has Come' in a matter of days. Read more here - http://www.theransomnote.co.uk/music/premieres-exclusive-streams/premiere-remain-remix-of-johnsons-allover/

La dame Noir : https://soundcloud.com/la-dame-noir
Johnson : https://soundcloud.com/artjohnsonmusic

Premiere - Johnson 'Allover' (Remain Remix)

La La La

A new cooperative track and a new duet - Chronos & OkoloSna!
After a series of successful performances the projects have decided to unite their efforts for cooperative Breaks and Cosmic sounding.
We bring to your attention the first collective work "Limitless Highway" released in the VA Ethneomystica vol.4 at Mystic Sound Records.
The track is devoted to movements towards within, to our life journey.
http://mystic-sound.com/releases/va-ethneomystica-vol-4/

Limitless Highway - Chronos & OkoloSna

Aperitiv

Metamundus

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"DJ-Kicks" by @djtennisdjtennis, featuring Tennis's remix of @pole-original's "Raum 2", will be out on July 14 through @k7-records. More info: bit.ly/TennPole

DJ-Kicks

Info

Pole - Raum 2 (DJ Tennis Technoid Version)

Out now on 12" vinyl & digital. José Manuel - Human Behaviour w/Mushrooms Project & Clandestino remixes.

Vinyl: https://goo.gl/aCVK4R
Digital: https://goo.gl/eKqHD5

José Manuel - Aisha

Available 4, March on soundcloud.com/endlesssandsoftime featuring soundcloud.com/samahaofficial
Follow Proton's premiere playlist on Spotify: protonrad.io/proton-pack-spotify

The inspiration for SAMAHA’s third release remarkably lies on his own skin. The Seattle resident’s Endless Sands of Time debut plays off the long-running manga “One Piece” and his favorite amphibian character “Kizaru." The toad’s been of such great influence that SAMAHA even honored him with an inner bicep tattoo! The title track’s gritty main synths fittingly mimic computerized croaks, while its oriental wind and string instruments provoke images of the Far East. Unsurprisingly, many of “Kizaru’s” samples were collected on a recent trip to Japan.

Facebook.com/endlesssandsoftime
Facebook.com/samahaofficial

Kizaru

Premiere: Samaha - Kizaru [Endless Sands of Time]

Gothenburg-based Shakarchi & Stranéus (previous releases on Studio Barnhus) take Tora Vintner's original into teary and emotionally charged territory. Subtle tweaks to the original have turned it into a genuine sunrise anthem. 

Vinyl/digi release: 24 May 2019

Check:
https://soundcloud.com/shakarchistraneus
https://soundcloud.com/brorrecords

First Play: Tora Vintner - Morgiana Ft. Veraluz (Shakarchi & Stranéus Remix) [BROR]

A polyrhythmic house rework of Kenyan producer Jinku from Berlin-based @soomamoore. Out on @banana-hill.

Read More & Buy: http://www.stampthewax.com/2019/07/18/premiere-jinku-a1-sooma-remix/

Vagabond EP

Jinku - A1 (Sooma Remix) (STW Premiere)

Voices in My Head

Voices in My Head (Innovative Treatment Mix) [feat. Andrew Edward Brown]

for all booking contact:
scrnobrnja@gmail.com


In Flagranti (Sasa Crnobrnja & Alex Gloor)

The duo has always made a great case demonstrating how “inspiration” from the creative works of others can truly be made into something new and totally distinct from the source material.  But whether you know the source material bears major influence on what their interpretation is going to even sound like to you.  In other words, you could be hearing the same song as another listener is, but if you’re familiar with the source material, you’re going to also be hearing that, while someone who isn’t familiar with it won’t.  Most of their listeners have no idea this is even going on, or could even be allowed.
I figure I follow In Flagranti quite closely, but I only make a connection here, or a connection there.  Sometimes this happens immediately, other times it’s taken years to notice.  Most connections I will never even be aware of, and I don’t listen for them, they just stand out to me or they don’t.  Sometimes I only discover the source material long after I’ve been familar with In Flagranti’s take on it, which you’d think would detract from the latter, but for me, it only adds to it.  In Flagranti’s musical interpretations show a certain ethic and a philosophy that parallels their approach to visual content.  It’s so “meta” that I’m at a loss to describe it, except to say what I often do:  Warhol would be In Flagranti’s biggest fan if he was around to witness them. – truckerdisco.wordpress.com

Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is nonexistent. And don’t bother concealing your thievery—celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from—it’s where you take them to.”

Jim Jarmusch’s Golden Rule #5

Voices in My Head (Innovative Treatment Mix) [feat. Andrew Edward Brown]

In Flagranti

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