A collection of recordings I've done and play on from 2001-2014.

Phylshawn is a drummer, multi-instrumentalist, songwriter, recording engineer, session player, producer, and teacher.
Phylshawn has played drum set for over 30 years. Growing up in Kansas City MO, she learned to play at church and in school bands. In 2003 she relocated and attended community college in Columbia, MO. There she joined the local COMO music scene and by fall of 2006 completed her associates degree.  In 2007 Phylshawn enrolled into the University of Missouri School of Music. While at the university, she studied percussion with Dr. Julia Gaines and took private drum set lessons from Loyd Warden.  As a member of the University of Missouri Concert Jazz Band, she performed with Plas Johnson, Matt Wilson, Dave Pietro, Rufus Reid, Andy Narell, Ron Dziubla, and The Jim Widner Big Band. Phylshawn also played drums on UMCJB albums “Vertigo” with Mike Mainieri and “Tunnel Vision” with Bobby Watson and Mike Metheny.
In fall 2009, Phylshawn performed at the Lincoln Center Institute in an all female Nina Simone Tribute ensemble. In 2010, she performed at the 72nd annual MMEA conference with the Missouri All-Collegiate Jazz Band under the direction of Ronald Carter. Summer of 2010, she was invited by Rufus Reid to study jazz at Ravinia’s Steans Institute for young artists.
Active in the Columbia, MO music scene and community, Phylshawn teaches drum set lessons at Access Percussion, teaches drumline at Fulton High School, and is Chair of music non-profit, Compass Inc.
Phylshawn plays drums for Violet and the Undercurrents. While a member of the band, she has toured to over 20 states and released 4 albums.

Currents Projects:
Violet and the Undercurrents
Jane Doe Revue
Zorya
Phylshawn has been a member of the following bands:
Prizefighter
Sounds of Grandma’s Basement
The Frustrated Bachelors
Echelon
The Doxies
Stingrays
MU Concert Jazz Band
Myrtle Grove Jazz Quartet
John Hockenberry Quintet
Hennessy Brothers
Mr. History
Megan Boyer Band
Slime Hotel

Sat in with:
Lisa Rose
Henry Clay
Bruce Poe
Comic Book Society
Jim Winder Big Band
Swamp Weed
Caitlin and the Artillery
The Late Night Benedictions
Kristen Ford
Sutu Forte

Recorded with:
Jeff Arrigo
Noah Earle
Edward David Anderson
Spectator
John D’Agostino
Violet Vonder Haar
El Gun Legro
Tom Lata
Rae Fitzgerald
Ruth Acuff
Tony Lotven
Lucas Oswald
Ellie Grace

“One of the most interesting bands happening right now in Seattle”- DJ Sharlese KEXP 

“...super-intricate instrumentation that takes uncountable unexpected
twists and turns” - Seattle Weekly

“So good your heart will ache” - Megan Seling The Stranger

Emerging from the unlikely confluence of Seattle’s DIY indie and avant-garde Jazz scenes is a new offering of shape-shifting, ornately arranged pop tunes by Heatwarmer. The five-piece formed in music school where they met, and their music is simultaneously a tongue in cheek and deferential nod to music academia as it cherry-picks from disparate points across Western music history. At the core, their song structure is both intuitive and sophisticated with contagious pop hooks and elegant chord patterns. The treatment of the songs juxtapose echoes of Queen, Herbie Hancock, Michael Jackson, Black Sabbath, and the Star Wars Soundtrack humorously, but not without taste. A local favorite, Heatwarmer has become known for their invigorating and virtuosic live performances. Five years since their inception, with an EP, a full length album and six tours under their belt, they have finished their second self-produced full length album to be released along with a US tour in 2017.

Heatwarmer is:
Luke Bergman
Aaron Otheim
Evan Woodle

Nic Fanciulli has become one of the most influential artists to come out of the international dance scene in several years. With so many projects constantly in the works, Fanciulli stands out as a truly multitalented worldwide artist, with this perhaps being the key to his longevity in an increasingly fast-paced industry.
 
Fanciulli’s kept up a big Ibiza presence over the years, becoming one of the most respected figures on the island. Following on from two successful years running ‘La Familia’ at infamous 5000 capacity outdoor venue Ushuaia alongside Joris Voorn, 2016 saw Nic embark on his first solo residency at the iconic Pacha. ‘We Are The Night’ saw the likes of Guy Gerber, Sasha, Bicep, Agoria, Matthew Dear and Tiga play at the club alongside Nic. Having conquered Ibiza, We Are The Night has also held parties in Croatia, Barcelona, Miami, New York and Mexico with many more to come. Aside from Nic’s own projects, he’s a regular of all the key parties on the island. He’s been a headline guest at ANTS - Ushuaia’s flagship underground party - since its inception, and also put in appearances at respected residencies Paradise, Guy Gerber’s RUMORS, Circo Loco at DC10 and INSANE at Pacha over the last year alone. Most notably, he played a major part in the last season of one of Ibiza’s best-loved clubs, Space; firstly, playing the closing of its longest-running party, Carl Cox’s Revolution, and then proceeding to make history playing the final set at the club’s last ever closing party, in an incendiary six hour back to back session with Carl himself.

As a producer, Nic has created a plethora of solo tracks that have received huge critical acclaim including a Grammy Nomination, in addition to unleashing a heady collection of memorable remixes, including his recent rework of Jamie xx’s ‘SeeSaw’. Nic is responsible for a high output of a sleek, intelligent yet driving strain of house and techno, and is famed for his compilation CDs, having completed mixes for Renaissance, Global Underground, Balance and Defected In the House as well as an incredible three Essential Mixes; he is now gearing up for the release of his highly anticipated debut album.

Nic’s genuine desire to share music with others led to him founding what’s gone on to be one of the UK’s biggest house and techno labels, Saved Records. An important purveyor of international, underground house and techno, Saved has become a global brand, renowned for cutting-edge releases and standout events around the globe. Responsible for helping to break the careers of a diverse mix of producers, Saved Records has established Nic as a key tastemaker.

It’s this continued desire to share his experiences that also led to Nic starting up his worldwide festival brand, The Social. Beginning life as a way of bringing world-class names to Maidestone, it’s grown not only from a one day event to a three day festival, but will now also be branching out to hold parties in Mexico and Columbia for 2017 and looks set to continue growing.
 
Nic’s journey to his current status has been an entirely organic one, born out of his genuine love for the scene and a desire to share this with others. His tireless work ethic has sees him continue to tour the globe relentlessly and expanding his many projects – 2021 is set to be yet another landmark year for the artist.

Electronic music producer, live performance & (e)motion graphics artist.

This is just an account for private demo playlists ☠️ Visit Polvinyl Records or High Dive Records for the official releases ✌️

Poppet is the alter ego of California raised musician Molly Raney.  Using a keyboard, drum machine, loop pedal, and her own voice, Poppet creates fully orchestrated electro-loop-pop.  Weird pop.  Weird pop for the post-apocalypse.  Birds included.  Spaceship recommended.  http://www.poppet.us/

Currently, I'm not using this page that much. I'm mostly on instagram. Thank you!(December,2021)

Japanese female singer / songwriter / musician. Using Cubase on a MacBook.

I did all by myself on these songs.
It's Easy(簡単です。)
Clearsky(澄空)
manipulation of information(Johososa)

This two songs arranged by Yunomi (https://iamyunomi.bandcamp.com/)
Replay Button(再生ボタン)
Audio Traveling

This one’s acoustic guitar, bass guitar, electric drum part , Mandolin and mixing by Mr.Tomita. Other part was me.
il-faut-tenter-de-vivre

info@ingsyeah.com 
Stream|order|watch vids I made for songs|add to map of world's best ice cream: https://linktr.ee/INGSYEAH

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