Tribute to the late great Norbert Kutz aka EISENLAGER with a track he had created for the late great Candy Lozier with some additions - newly arranged, I played synth bass, synth pad, guitar, distorted bass

Für Norbert Kutz und Candy Lozier

Wilfried Hanrath - Für Norbert Kutz Und Candy Lozier

MEDITATION_GI 17

Barlume

Oldflesh

Tree Totem

his was my contribution for Disquiet Junto Project 0659: Reading the Body. 

Here’s a copy of my post on the Disquiet Junto 0659 discussion thread on Lines:

Was going to interpret the markings on the cello as originally described in the prompt, but ended up taking a different approach. I used an online tool called Image2MIDI. It generated five tracks of 15 bar MIDI notes from the cello back image based on musical parameters I entered on a form. The tool appeared to use the overall light and dark shades of the image for note generation. I then took the MIDI file and imported it into Ableton Live. Instruments were assigned to each track – a mix of built-in and Fors.fm plugins. I made adjustments to the notes and looped them out to about three minutes. A little reverb was the only additional effect used. 

I could see investigating Image2MIDI some more, and maybe using it again as a staring off point for future experiments. I initially wasn't going to take part this week but am glad I did. The assignment turned out to be enjoyable, as well as a good learning experience, so I'm glad I participated. Pattern image by Andrew Ridley via Unsplash.

More on the 659th weekly Disquiet Junto project, Reading the Body — The Assignment: Interpret the markings on the back of a cello as a graphic score — at Disquiet Junto Project 0659: Reading the Body – Disquiet

Reluctant Motifs [disquiet0659]

The thing about non repeating octaves is if you go too far above or below the fundamental its goes "out". Working with this was interesting because synths can be octave shifted easily and you find yourself making creative decisions on timbre that you wouldn't normally think about.

Iced window (custom scale, xPI non repeating octave)

This episode features music made by Naviar's community inspired by Takahama Kyoshi’s poem “The huge setting sun - / little remains of / its power”.

Tracklist:

Voidborn Horde - The Remains
Paul Beaudoin - Huge Setting Sun
Jimmy Lem - I Have Many Potatoes But No Closets
tetkik ve tedavi - Little Remains
Mr_Lamppost - Setting Sun
Gianantonio Patella - Eugen's eighth stunt


Credits:

music intro: “This ruined house” by Tuonela
voice intro: Ian Joyce
cover image: Micah Hallahan

Naviar Broadcast is a radio programme curated by Naviar, broadcasted on Resonance Extra every Wednesday at 7pm UK time. Thirty minutes of experimental music made in response to a weekly assigned haiku poem.
To have your music featured on the show, you'll have to participate in the Haiku music challenge: https://www.naviarrecords.com/about/naviar-haiku
support the show: https://www.naviarrecords.com/support-us/


Naviar Broadcast #330 – The huge setting sun – Wednesday 31st July 2024

Tears of Eve - 500 days

Eyes Galaxies by Ghostly City Dream is an instrumental electronic odyssey — a soundtrack to a recurring dream where, beyond millions of light-years, you rediscover your ideal city among stars, memories, and adventures.
Between pulsating synths, ethereal textures, and cinematic soundscapes, the album flows like a journey through space and consciousness — both futuristic and deeply human.
Perfect for sci-fi visuals, documentaries, introspective films, or dreamlike experiences that blend technology, emotion, and infinity.

01 - Digital Mind
02 - Eternity
03 - Guardian of Hooks
04 - Identical
05 - Impossibilities
06 - Obstrusive
07 - Sound Searcher
08 - The Sun's Sister
09 - Wings

Ghostly City Dream
a project by Rudy Pusateri

Eyes Galaxies

Sound Searcher

Bandcamp

07 - Sound Searcher

Argo – Mirasol [Original Mix]
Produced by Argo

Release date: 11/20/2025

Follow:
Instagram: www.instagram.com/argo_tunes/
SoundCloud: @argotunes

Argo — Mirasol [Original Mix]

I barely use souncloud now - go to my YT for loadsa stuff, live jams etc.

Microtonal, Xenharmonic, electronica/Dub/Ambient, Preferring consonance to dissonance.

Based in Kernow ( Cornwall ) For me its the music and the connections it makes. Expect some genre bending electronic music - Breaking the grid both vertically and horizontally but attempting to still be listenable.

I like to synthesise most things and I prefer uncompressed mixes and masters. If its quiet its probably meant to be a lullaby.

You can see the vcv patches on my youtube/rumble if you have any questions on how I did something let me know, but most of it is pretty straightforward.

All my stuff is creative commons - please credit and send me a link if you use it.

many blessings Jay

Iced window (custom scale, xPI non repeating octave)

Inhibitd