INK BAR IS AUCKLANDS PREMIUM 3 ZONE UNDERGROUND CLUB.

 ZONE 1: INK MAIN ROOM

 ZONE 2: THE BUNKER WITH LAZY SOUNDSYSTEM

 ZONE 3:THE COURTYARD.

M.Producer/Drummer - A Dynamic Music Producer that can create Music of Various Electronic styles.
Currently Dedicating to his  Drum N Bass/Jungle/HalfTime Music  Releases
Stay Tuned New Music is Coming Soon ...

 Artech is a Statement Fusing Art and Music Technology .A Sound Based on Original Strong Bass lines,Synth Atmos soundscapes and Dynamic Drums . 
Nelson Neto Started Artech in 2007 and quiclky got  Recognition when  Became TOP 1 Downloads on Beatport (Minimal) a impressive Milestone on his 2nd Release Already

Staying persistent to sound development and committed to a steady groove,He eventually gained more than 100 track releases and remixes with artists such as BORIS BREJCHA,GROUCH,SENSIENT,SPARTAQUE,SUBFRACTAL,MEMNOK,MIKE WALL...and releases on Renomed labels such as Harthouse,Frucht,  Anarkick,Twisted Frequency,Open records,Zenon recs.

Artech Music reached Bookings arround the world,Australia,Holand,New Zealand,Brazil,Germany,Spain,Turkey,Japan,Swiss, and high energy Clubs and Festivals  such as Earth Frequency(AUS),Universo Parallello(BRA)Freqs Of Nature(GER)Ruighoord (Amsterdam) Club Charlotte (Munster)Trancendence(Bra)Earth Core (AUS).
 Artech has made himself a solid eclectic niche,sure to hold you in the Zone.

*For Bookings Anarkickcrew@gmail.com

DJ, music maker and party thrower @flamingopier

In a few short years Tina Mairi has progressed from her personal project of mixing two songs every day for 100 days in a row to emerge as a passionate and highly regarded wahine of Auckland underground house and techno.

Versatile, intuitive and a keen dancer herself, Tina applies her affinity for harmony and rhythm to each individual dance floor with the intention of transmitting a pure, joyful and transformative experience.

We are based in Auckland, New Zealand.
Crossing the divide between Disco and Groove based Deep House . Lots of new and interesting tunes coming from us.

In the mid to late 90’s, the dance scene in Wellington was a fully fledged adolescent with an ever-growing foothold on the local nightlife. Dance itself was about to go through a global cultural shift which would see it’s popularity explode and it become completely integrated into the musical landscape, but for the most part it was still an underground movement. It was an exciting time to go out and discover a new evolving sound, something the bars that plied the likes of R’n’B, Top 40 and Rock music were unable to provide or keep up with.  It was in this new melting pot of sound that HAPE first heard the pulsating rhythms and melodies that would go on to change his life. Being a punter first and foremost for a few years allowed him to refine the sound he liked to listen to and discover the venues that best catered to it. Golden era bars and clubs such as Tatou, Phoenix, The Nine Complex, Vurtigo, Paradiso, and a multitude more all touted the way forward for Wellington dance.   Looking back it’s now obvious that HAPE was going to naturally progress from being a punter on the dance floor to being behind the decks, such was his appetite and voracity for the music. With an ever growing collection of records it wasn’t long before he got some 1210’s, delved into learning the craft, honing his skills and playing alongside friends. Some of whom were, and still are, heavyweights in the scene today. He cut his teeth at the likes of Paradiso and Mercury Lounge alongside Dannyboy and Mr. Oz before holding his first residency at Terrace Bar for 4 years. It was here that he would come into his own and develop the sound he’s known for today. This is also where several club nights were born, his own High Calibre, and with the rise of Heylady, Back On Track. Both going from strength to strength. HAPE was soon a regular on club nights and outdoor party line ups all around the capital and further afield.   In recent times, HAPE continued to make a name for himself during a 4 year stint in Auckland where he ran monthly club night Pitch n’ Faders at Red Bar with old Terrace Bar cohort Matt Empyre. Together they also found a new space to continue the High Calibre club night, at Auckland’s ancestral home of house music, the infamous Ink Bar. HAPE continued to play across the city for some of the Auckland scene’s most loved and well respected club brands and venues before returning to the capital in 2018 where he has been a regular face behind the decks, most notably at Dirty Laundry alongside long time friend Mr. Oz.   From those early hedonistic nights in the plush surrounds of Wellington clubland to the gritty freedom that only a large outdoor rig can provide, HAPE is a through and through beat merchant with an absolute passion for storming any dance floor you give him. Constantly striving to both push himself and take the audience on a journey through dark vocal prog with lush servings of deep tribal tech and everything in between, it’ll always be infused with his own twist of high energy funk.

From humble beginnings behind a pair of Technics MK5s 23 years ago, Cam Harris has carved a long-standing path through the underground electronic music scene, becoming one of New Zealand’s most consistent and versatile DJs and producers.

Cam’s dedication to the craft saw him share stages with some of the world’s biggest names, including supporting Carl Cox at both PURE NZ events in 2017 and 2018, featuring heavyweight lineups with Adam Beyer, Paco Osuna, Nastia, and KiNK. He’s also brought his sound to iconic festivals such as Rhythm & Vines (2018 & 2019), Splore, Bay Dreams, Shipwrecked, and Sonorous, along with a standout warehouse appearance with Pan-Pot in early 2020.

As a producer, Cam made an international mark with the release of his debut album Gratitude (2017), a collaboration with German-based Brazilian artist Rafa Kao. The project’s lead single was pressed to vinyl for the first time in Cam’s career and became a milestone moment in his discography. His productions have since landed on respected imprints such as Second State, House 4 Life Records, Cabbie Hat Recordings, M5 Records, Tinnie House, and Arrivals Records. His debut on Huhu Records earned a spot in Traxsource’s Top 10 Jackin’ House chart in 2013, and was later recognized among House 4 Life’s best releases in 2017.

Cam’s ability to read a room and stretch deep into extended sets has taken him across the ditch to Australia, where he played a legendary 5-hour Sunday set at Revolver Upstairs in Melbourne, and later closed out the Electric Gardens official afterparty in Sydney.

After spending much of 2019 immersed in the vibrant underground of São Paulo, Cam collaborated with K.A.L.I.L., resulting in a release on Pan-Pot’s Second State – a testament to his ever-expanding global reach and sonic evolution.

With a sound rooted in groove, depth, and connection, Cam continues to push forward – whether behind the decks or in the studio – always with one foot in the underground and his ears tuned to the future.

A DJ since the early 1990s playing sounds which span house, tribal and techno - a mix of forward-thinking music with a nod towards classic New York and Detroit sounds. Through the 90s Rob's sets at events and residencies were synonymous with big-room and tribal house sound and he's been a champion of these sounds for almost 30 years.

He's performed at events, clubs and festivals throughout Aotearoa New Zealand, as well as in Australasia, and has been the head of marketing since 2019 for AUM Festival - one of the largest independent festivals in New Zealand.

Productions for TWISTED Records (Celeda/Danny Tenaglia), Ready Mix Records, and Pure Substance. Compilations mixed for Ready Mix Records and Sony BMG.

Longtime support DJ for Global Underground/Renaissance brand tours down-under, DJing alongside Carl Craig, Deep Dish, Steve Lawler, Sasha, Danny Howells, Nick Warren, Pete Heller, Satoshi Tomiie, Sander Kleinenberg, and also alongside Stacey Pullen, DJ Pierre, Mood II Swing, Terry Francis, Derrick Carter, Phil Asher (RIP) among many.

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