Anna-Kaisa Meklin (viola da gamba)
Antoine Läng (voice)
Brice Catherin (cello)
Bruno Crochet (electronic)
Christian Müller (clarinet)
Christian Neff (violin)
Christoph Schiller (spinet)
Christophe Berthet (saxophone)
Clara de Asís (guitar)
Cyril Bondi (drums, conduction)
d’incise (organ, electronic)
Eric Ruffing (analog synth)
Fred Minner (bass)
Ivan Verda (guitar)
Jamasp Jhabvala (violin)
Léa Moulet (violin)
Loïc Grobety (double bass)
Luc Müller (drums, percussions)
Mara Winter (flutes)
Maxime Hänsenberger (drums, percussions)
Raphaël Ortis (electronic)
Raphaël Raccuia (guitar)
Rodolphe Loubatière (drums, harmonium)
Sandra Weiss (bassoon)
Steve Buchanan (saxophone)
Tassos Tataroglou (trumpet)
Teresa Hackel (recorders)
Thomas Peter (electronic)
Violeta Motta (traverso)
Vinz Vonlanthen (guitar)
Yukari (flute)

Pieces and direction by
Cyril Bondi & d'incise

Recorded at Insub.studio in three groups/times, september 2020, mixed by d'incise.

Bandcamp

Tutti-Soli

"George Chua’s “Evidence of Things Not Seen” has personally been a favorite album of mine for about a decade. In 2006 the title was self released by the Singapore based artist on a limited run of CDR’s and made available for direct download on his website, which is how I obtained it. I remember there was something immediately unique about the 4 pieces; specifically off the first take “Gloria”, that it felt more like the document of a living organism, rather than a piece of music. As you accrue more listens of course your pattern recognition starts to formulate and separate the musical signatures; but the piece still maintains that effervescent living form that moves without you but wills you to follow it. This past year I felt compelled to link friends into the album, however, I couldn't find any digital copy online, and moreover hardly any information on it. This startled me a bit and I got to work- By way of Social Media I was able to get in contact with George (Thanks to friends at Kitchen Label) and he happily agreed to present the album digitally with Anòmia, thus making it accessible to those who missed it the first time around." 
—David Sutton 

More info: anomia.info

Recorded between 2003–2004 using the Plogue Bidule software.

Evidence Of Things Not Seen

ANM043 George Chua — Gloria

The long awaited "SPAZI FUTURI" is RM's second LP for iDEAL and it is a massive, varied journey down one of Italy's most underrated electronic music composers. Riccardo Mazza is extremely skilled in making complex recordings where beats and atmospheres play naturally together. Mazza is also member of filth noise crew Lettera 22 which is a band we deeply love too. Edition of 300 copies. Design by Allon Kaye. Available SUMMER 2018!!!!!!!!!!!!!!!!!

RM - SONNO DROGATO (from "SPAZI FUTURI" iDEAL161 LP)

Robe rehearsal 181017

more infos and preorder
http://www.secondeditions.org/catalog/008
release date February 21 2020

Études

008 - Roger Tellier-Craig - Duelle (from Études)

"Vessel II (Sparks Of The Sacred)," by Jeremiah M. Carter

From LAL-102 - Red Brut - Cloaked Travels LP.

Following her debut LP (KRAAK, 2018) and a string of tapes and 7-inches, Red Brut drops her second album, Cloaked Travels. It is a joined release by the Finnish labels Ikuisuus and Lal Lal Lal.  

In many aspects, Cloaked Travels is an amazing realisation of what Red Brut does best: molding the absurd, the amateurish, and the crude into beautiful and elegant sound pieces. These eight “songs”, organised in two suites, dwell between abstract avant-garde and pop sensibility. Working with cassette tapes, Red Brut enhances the ambiguous qualities of her sounds with the warm distortion and background hiss typical of the medium. The music leaves the listener to him- or herself, happily lost in small universes that contain many layers of beauty, discomfort, and intimacy.  

Susan Sontag once claimed that diaries, despite secretly kept by the author, are meant to be read by others. Red Brut’s intimate and highly personal take on musique concrète is characterised by a homely feeling: sounds of doors, kids outside her house, a synth that sounds like a house pet, muffled whispers of her voice. Her compositions sound like you are secretly reading her diary. You are in the uncomfortable position of watching someone chasing her own tail, unaware of the fact that she is being the object of our gaze.  

Unaware? Cloaked Travels displays on a certain point the sound of a squeaking door. Over and over until it starts sounding like a wild free jazz solo. Is Verbiesen playing tricks on our minds? Is she actually the Unconsciously Watched? Or is she cloaked as that character, and in fact very well aware that we are peeping into her inner emotional universe; maybe she is even projecting a fake version of what sounds like here day-to-day, intimate environment — making us conscious of our own gaze? Again Sontag comes to mind: she deliberately projected a well-constructed character in both her diaries as in public life.  

Cloaked Travels contains distinct and carefully composed pieces that play upon the tension between the concrete and the abstract. Every song acts like a Cave of Plato: we are unable to see what is actually happening, we only see the shadows of a door moving or the sounds of someone gurgling. The album suggests some fundamental questions: is what we conceive as reality nothing but a derivative of the Ideal? Is there really something behind the shadow, or is the shadow the actual reality?  

- text by Niels Latomme  credits released July 3, 2020

Music & artwork by Marijn Verbiesen. 
Final montage by Michiel Klein. 
Mastered by Samuli Tanner.

Red Brut - Songs for Another World I

A contemplative aural journey across the stillness and massive scale of the landscapes of northern Iceland, as captured in Peter Hutton’s painterly film ‘Skagafjörður’. 

Numbered edition of 90 copies with download coupon. 
Inlay offset printed in silver.

Andrew Chalk & Timo Van Luijk – Skagafjörður

Reading This Message

"Listening is and always has been at the core of The Quiet Club’s (Danny McCarthy & Mick O’Shea) work combined with their policy of not discussing the work before or after its performance this has been the hallmark of their practice. 

Unable to listen to each other perform during the Covid 19 Lockdown the duo resorted to Telepathic Listening. Uninterested in Zoom, Facetime etc. the duo decided to each perform in their own separate studio’s miles apart at a given time on appointed days for twenty minutes. The concept was that then the two recordings would be combined together unedited.

On June 16th 2020 (Bloomsday) the artists inspired by Joyce, performed separately but at the same time and the recordings were then combined together unedited to form Telepathic Lockdown Tape No 7.

There are several other works in the series including one which they both played at 4:33pm as a tribute to John Cage. Telepathic Lockdown Tape No 9."

The Telepathic Lockdown Tapes

TR079 - The Quiet Club - The Telepathic Lockdown Tapes [excerpt]

The Horse  {w/ Hannah Endrulat}(for RadioWORM/Radia ~ May 27, 2019)

INSUB. is a label, a netlabel and a concert organisation based in Geneva, CH.
It covers the fields of experimental, electroacoustic, improvised & composed musics.
The Records section, started in 2013, has the from of Pay Per Download only releases, accompanied by a physical print containing textes, scores, etc, thought has an echo, or a reminder, of the digitalised music.
The netlabel offers free download for every releases, but some are however available in classical physical format (cd, cdr, LP).
The concerts happens here and there in Geneva, and the Insub Meta Orchestra is a very large ensemble.
These activities has been develloped since 2006, formely under the « Insubordinations » label.

Tutti-Soli

INSUB. records