Here the complete playlist: 1. The 4th Kind - Credits pt.1 2. Robert Henke - Layer 002 3. Access to Arasaka - Helios 4. Makoto Sakamoto - hin 5. Atom TM - Still 6. Jenna Sutela - nimiia vibié II 7. Laurel Halo - Hyphae 8. Mika Vainio - Ambient City 1994 pt. 1 9. Hoshiko Yamane & Mikael Lind - Beyond the Hidden 10. Apart - Hera 11. Hamlet Gonashvilli - Orovela 12. Maria w Horn - Kontrapoetik 13. Makoto Sakamoto - Sequence 14. Mika Vainio - Ambient City 1994 pt.2 15. Deaf Center - Movements / The Ascent 16. Hoshiko Yamane - in 17. The Fourth Kind - Credits pt.2 18. Ideographic Space - Limit Break

Essay Series

Pako Vega

1	Jebel Musa - The Calling Of Calypso
2	Barefoot	- Oleka
3	Pablo Guerrero - Nombres
4	Atoloi - Chiusura
5	Toki Fuko - What Will Enlightment Give You
6	Xingu Hill - Babylon Bloodsuckers
7	Marble - Planet Nine
8	Mr. TC - Crisol
9	Manos Brujas	- Ritual De Iniciación
10	Fantastic Twins - Unwanted Guest
11	Manie Sans Délire	- Threat Generator
12	Jauzas The Shining - Cerebral
13	Steve Pepe - Oltraggiosa Musica (Lamusa II Remix)
14	Noform - BOK Demons

Atoloi

1	Franco "Bifo" Berardi, Marco Bertoni, Lydia Lunch, Bobby Gillespie - Heart and World
2	Arbre Du Ténéré - Passi Lunghi e Ben Distesi
3	Blòt Heathen - Ice and Cold
4	Senyawa	Kebaikan - Tumbuh Dari Tanah (Goodness Grows Off Soil)
5	PneumaSphere - Giossuamaax
6	PneumaSphere - Tundrauraax
7	Psychic TV - La Edad De Oro (Red Ritual Film)
8	Officium & Tzii - Sleep Deprivation
9	Blòt Heathen	- The Great Crossing
10	Bicikl, kӣr - Mnogoljetije (kӣr's Akakije rework)

07.09.21 - EH FM - Sounds Of Ogigia w/ Pako Vega & Atoloi

"Welcome to the fourth episode of Pho Bho Pholder ‘’Sogni Di Bio Data’’
Atoloi the co-founder of Edera, an intersectional and multidisciplinary project of socio-cultural revaluation of the territory, will drive our spacey evening!
One hour of imaginary synth and unconventional fluffy rythms exploring the lands of nowhere.
Get lost with us in the Atoloi’s labyrinth!!"

Downloads

Pho Bho Pholder 004 - Atoloi Sogni Di Bio Data

The Birth of Infinity

Back in early 2019, I released a single called Distant Visions. After hearing it, a fan commented:
“Almost sounds like something from a second interstellar suite.”

They were referring to my 2006 album The Maestoso Interstellar Suite—a project I re-released with extended material in 2016 for its 10-year anniversary. That comment stuck with me. Did it feel like a sequel? Could it be?

I toyed with the idea. But having just expanded the suite into a double-disc format in 2016, I wasn’t sure a sequel was the right move—especially given how the original was structured as a continuous, uninterrupted journey. I had also briefly considered a vinyl edition, but the flow of the piece and the 22-minute-per-side vinyl limit made it a poor fit for that format. The experience would have been compromised.

Around that time, I released a “radio edit” version of the suite called Singularities to provide an accessible entry point. But if I returned to the suite with new material, I feared I’d be stuck doing the same thing again: a full continuous version and a separate edited version. Frankly, I didn’t want to go through that process again—and since then, I’ve moved away from long single-track formats entirely.

Even then, I was already thinking about vinyl-friendly runtimes, aiming to keep my future projects under 44 minutes so they could fit comfortably on a single LP. I’ve also significantly upgraded my gear and virtual instrument libraries since that time, giving me access to orchestral and hybrid textures I could only dream of back then. Now I have the tools—but what should I do with them?

I thought: Maybe I don’t need a sequel at all. Maybe it’s not about making The Maestoso Interstellar Suite Part II, or Return to Maestoso, or anything like that. Maybe I just need to reimagine the entire idea as something ongoing—something open.

Looking back, I always felt I had to make compromises when producing the 10-year edition. Some sounds weren’t what I was hearing in my head. Hardware limitations forced me to bounce tracks just to finish mixing. I wanted that big, lush, hybrid orchestral sound—and I couldn’t quite get there.

Now I can.

And I’ve got older projects—like La Famille Du Solénoïde (The Family of Sol)—waiting for a modern update. Thematically, they fit perfectly.

So I’ve made a decision:
I’m not making a sequel to The Maestoso Interstellar Suite.

Instead, I’m creating something bigger.

Introducing Infinity

Infinity is an evolving series. A collection of volumes. A universe of sound that has no end—only pauses between stars. It’s not a sequel. It’s not a remix. It’s a living archive of exploration—part ambient, part orchestral, part space music, and completely me.

And to start, I’ll revisit the music that inspired it all.

I’ll go back and refine The Maestoso Interstellar Suite one final time—polish the edges, rework the structure to be vinyl-compatible, and finally bring it closer to what I always heard in my head.

But I won’t just re-release it.

I’ll rebrand it.

The Journey Begins

The Infinity series begins with:

Infinity Volume I – The Maestoso Interstellar Suite

Infinity Volume II – Singularities

Each will stand on its own—but together, they form the beginning of something open-ended. Something I can return to any time inspiration calls.

Infinity has no final tracklist. No end. Only volumes.

And when I’m ready, I’ll add another.

Maybe it’s a crazy idea. But that’s okay—I’m doing this for me.
And I hope you’ll enjoy the journey too.

🎧 Listen on your favorite platform:
🔗 owtt.lnk.to/infinity1BC  

Intermission II

New World

new meaning

Korrigan

The Institute has kindly asked a few members of its research team to assemble and share a few assignments with the public. 
This is now coming to life and we are delighted to present The Intergalactic Essay series. It describes the past, the future, now, nothing, and everything, as essays should.

First Essay comes from @rezoglonti

Essay 001 By Rezo Glonti

Next edition of Essay Series comes from our friend and great selector Hórnbęrg!
Enjoy!
@Hornberg

Essay 002 by Hórnbęrg

Transcendental Movements Vol. 1 marks the beginning of a new full-length ambient series, curated by IDO founder Valentino Mora. 

Since the age of 14, Mora has been searching for alternative tools to relieve anxiety. In 2016, he discovered the music of Marow and Olaf Tonstein and found that through listening to this particular music he was able to access a new state of meditation. This began the journey of researching the technique he calls ‘active mediation’.  

When he discovered that a lot of Marow and Olaf Tonstein’s music from 2009 had never been released on vinyl, he knew he needed to release it one day. In their work, Mora identified a feeling pertinent to the concept of the label, one that exemplified the connection between minimal/ambient/glitch and IDO’s ambient house sound.

From there he reached out to other artists that he felt could relate to this idea, and asked them to contribute a track in response to the concept.  The resulting compilation varies in tempo and technique, illustrating each artist’s idiosyncrasies, yet as a whole it forms a cohesive and potent statement.

Active meditation differs from regular stationary meditation through the focusing of one’s attention on sound whilst in motion — the form this motion takes is personal. The goal of active meditation is to transcend one’s awareness of motion — in fact, the awareness of being in a body — and to become absorbed entirely in the sound. Mora found that this process has the potential to ease anxiety as all conscious thought is alleviated through concentrated focus on music. 

For the cover artwork, Mora selected a painting from visual artist Raphael Lecoquierre, in which the movement, airiness and minimalism elicits a profound sense of calm. Mora also invited writer and artist, Lou Drago, to interpret the concept in words. Their text, Suspending Reality, features on the inside of the gatefold cover.

Pre-order

Konduku - Fallout [Preview]

broadcast

http://m50.net/playlists/2020.10.30.html

@ulrichtroyer...
Ulrich Troyer - NOK 8 (taken from the LP NOK 2020, 4Bit Productions, 2020)
Ulrich Troyer - NOK 7 (taken from the LP NOK 2020, 4Bit Productions, 2020)
Ulrich Troyer - Lost In Addis (taken from the 2LP SONGS FOR WILLIAM, Deep Medi Musik, 2011)
Ulrich Troyer - Eurocity to Munich (taken from the 2LP SONGS FOR WILLIAM, Deep Medi Musik, 2011)
Ulrich Troyer - Landscapes (taken from the 2LP SONGS FOR WILLIAM 2, 4Bit Productions, 2013)
Ulrich Troyer - Deadlock (Kassian Troyer Remix) (taken from the EP DEADLOCK VERSIONS, 4Bit Productions, 2015)
Ulrich Troyer - NOK 9(Fennesz Remix)(taken from the LP NOK 2020, 4Bit Productions, 2020)
Ulrich Troyer - Dark Roots (taken from the 2LP SONGS FOR WILLIAM 3, 4Bit Productions, 2017)
Ulrich Troyer - At The Workshop (taken from the 2LP SONGS FOR WILLIAM, Deep Medi Musik, 2011)
Ulrich Troyer - Dolomite Dub (Part IV)(taken from the LP DOLOMITE DUB, 4Bit Productions, 2018)
Ulrich Troyer - Shoegazing Muff (taken from the 2LP SONGS FOR WILLIAM, Deep Medi Musik, 2011)

@user-643757259...
no setlist

@sub...
1 emptyset - interstice
2 dangsha - autonomous zones
3 yao bobby & simon grab - diamonds
4 denise rabe - drop it (belief defect remix)
5 andreas tilliander - komposition#7
6 cio d'or - fluid dynamics
7 uan0000 - 02
8 richard devine - model
9 flore - peninsula
10 recent arts - my default emotion
11 torimi masataka - und
12 anma - hound
13 dyl - net
14 andreas tilliander - komposition#1

streamed live at
@wnur, CHI
@groove_cafe, BOS
@datafruits, ICN
@maindrainstudios, OAK
@internetpublicradio, GDL
Sphere-Radio, LEJ

Ulrich Troyer + Andrew Haines + ANMA @ etc 2020.10.30

Next essay is from our friend @boyd-schidt-22
Georgia's techno pioneer is still actively engaged in the process of composing music and Dj-ing around the world, therefore contributing to the advancement of electronic music scene in Georgia.

Essay 003 By Boyd Schidt

The Berlin-based label, Faintest Ink welcomes the duo Sea Ef (Claudio Fabrianesi and Filippo Brancadoro) and their 'Acid Sperimentale' EP for the third release in its catalog. Besides the original track, the release also features remixes by Tuomo Väänänen and On Board Music founder, Laura BCR.

Laura's take on 'Acid Sperimentale' has haunting ambient tones paired with drone undercurrents for a pretty pleasant journey into which the listener can drift freely and create their imagination. Somewhere in the middle of the journey, Laura introduces percussion, which serves as a perfect addition to an intricately layered track.

'Acid Sperimentale' EP is coming out on December 4th via Faintest Ink.


Laura BCR on SoundCloud: https://soundcloud.com/laurabcr
Faintest Ink on SoundCloud: https://soundcloud.com/user-843878380
Claudio Fabrianesi on SoundCloud: https://soundcloud.com/claudio-fabrianesi
Filippo Brancadoro on SoundCloud: https://soundcloud.com/braenks



www.itsdelayed.com
www.instagram.com/_itsdelayed_/
www.facebook.com/itsdelayed

PREMIERE: Sea Ef - Acid Sperimentale (Laura BCR Remix)[Faintest Ink]

The last in 2020! Episode 024 is powered by Helsinki-based Laura MRLS. Fast forward.

Podcast

Laura MRLS - myokard 024

00h00-01h00 - Enkō
01h00-02h00 - Tuomo Väänänen

Omtanke | 2021.01.18 | Enkō + Tuomo Väänänen

Established in 2017, the Intergalactic Research Institute for Sound has been an outlet for artistic and experimental endeavors that go beyond electronic music.
Evocative soundscapes from Georgia were the first communication from the Institute. It has since released music from Ukrainian artist Stanislav Tolkachev, acclaimed duo Air Liquide, or Georgian producer Michailo.
Michailo notably worked on his EP in prison, sending files to the label through intermediaries. He was released early, shortly after his record came out.
These days, it is also the home of STAUB’s unknown artists and of the cello robots that keep company with Schloss Mirabell.
With its blurring aesthetics, the Institute travels from clubs to museums and always pushes its exploration further.

Essay 002 by Hórnbęrg

Intergalactic Research Institute for Sound

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