Wave Drop

Youth Remixes

Promises (Sylvere Remix)

@galtier returns to Plasma Sources with Mainframe Incantation, a five-track release marking the 7th position on the label’s roster. First appearing on the Multi Source compilation earlier this year, Galtier now moves beyond the mechanical, sci-fi focus toward a sound that fuses technology with the divine, inhabiting the liminal space between worlds. 

Rooted in the earliest traditions of percussive music as a vehicle for altered states, Mainframe Incantation channels ritual energy through synthesised and digitised means, closing a cultural loop from origin to present. The result is a tension between the spiritual and the mechanical — feverish, dissonant, and hypnotic. 

The journey begins with "Ausmisis States", a restrained, technical opener of squelchy basslines and coarse pads, setting the stage for contact. "Tincture Pump" bursts through next—erratic, bouncy, and high-velocity, with a swelling distortion lead that injects chaotic energy straight to the bloodstream. 

In "Tink Cycle", the pace slows into a groove-laden trance, its caustic bassline dragged forward by steady kicks and splintering snares. At the centre lies "Hex Crawler", a gurgling, otherworldly entity speaking in alien tones before breaking into a vast, unearthly climax. 

Closer "Phantom Tremors" hurls us back toward reality with hasty techno-inflected percussion, metallic strikes, and roaring sub-frequencies. Pulsing hardware bleeps push the final surge, sealing the ritual in a haze of digital energy. 

Ausmisis States

Taken from SBKT073: ABADIR - Kitbashing
Release date: 15th October 2025

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Conceived as part of an A/V show with visual artist Nicolò Cervello, ‘Kitbashing’ marks ABADIR’s third album for SVBKVLT.

A growing number of people spend an extensive amount of time watching, scrolling, liking, commenting on and sharing content, whilst at the same time feeding a constant stream of personal data to social media platforms. Social media can be fun and informative, or draining and dark. Either way, their algorithms are purposefully designed to lock users in a continuous state of scrolling. The more time spent online, the more desires, interests and emotions are fed into the algorithm for consumerist ends and reality is reduced to a timeline of curated aesthetics.

Using audio snippets from reels, suggested posts, and sponsored ads, sound objects are cut, micro-edited and meshed together into a collage. Tension is built gradually before falling into a release. Rhythms keep expanding and contracting, simulating the pace of random scrolling on mobile devices. ‘Kitbashing’ is an attempt to break the algorithm: subverting the dynamics by feeding on the algorithm instead of only feeding it.

--

Concept by Nicolò Cervello and Rami Abadir
Artwork by Nicolò Cervello
Mastered by Raphael Valensi

Kitbashing

ABADIR - Kicks and Clickbaits

cryingfossil "My Lucky Little Fossil"

Listen everywhere: https://band.link/cryingfossilmllf

cryingfossil wrote:
"My Lucky Little Fossil acts as a diary for me to go over events of my life and feel lucky to even be here right now. From good things to bad things, the ability to experience is something i am lucky to have.
The tracks serve as providing the feeling of being 16 and smoking in the woods with your friends, to driving a car with smoke emitting from the hood to get to a job that underpays you. It displays messages of having a mental breakdown in  your room or wearing dirty clothes to the club. And it all ends around a big bonfire with all your friends."

https://soundcloud.com/cryingfossil

My Lucky Little Fossil

bandcamp

cryingfossil - my lucky little intro

Litter front Drum samples the traditional Taiwanese festive piece Chiao Chien Drum (轎前鼓), a ceremonial rhythm performed during temple parades and deities’ processions. B E N N deconstructs and reassembles its percussive essence, transforming the ritualistic pulse into a tense and immersive study of electronic rhythm.

Rather than directly referencing the traditional form, B E N N fragments and reconfigures it—each strike distorted, stretched, and layered over heavy bass frequencies. The spiritual intensity of temple drumming is reborn through digital sound, morphing into a contemporary, club-oriented propulsion.

The title Litter front Drum symbolizes both fragmentation (litter) and confrontation (front). Here, the drum stands on the sonic frontline, reasserting the power of traditional percussion through digital disintegration. What once resonated through streets and rituals now re-emerges in the circuitry of modern sound.

As part of Hakka Drums II, the track continues B E N N’s ongoing inquiry into the thresholds between local percussive heritage and modern electronic expression—where tradition becomes texture, and rhythm becomes a language of transformation.

Litter front Drum

2rana 3crana - The Mountain Holds A Dagger EP
Label: Infinite Machine
CAT#: IM124
Format: Digital
Release Date: November 28th, 2025

"Creating ecstatic, alien fusions of industrial, UK bassline and Afro-Portuguese dance music, 2rana 3crana - the project of Gum Takes Tooth’s Jussi Brightmore - announces their new EP The Mountain Holds A Dagger for release November
28th  on Infinite Machine. Shaped by a period of personal tragedy and physical incapacitation, it is a strange, vital celebration of life and movement" 

PREORDER

2rana 3crana - Cutting Beam (IM124)

Postludium i Am

For Emilia

Debut SZNS7N EP from talented, young producer Ship Sket.

4 songs of deconstructed, 140 influenced evil.

Follow Ship Sket on socials

sc @hdmurder
IG @ship.sket

Mix by Ship Sket 

Master by Liam Mclean

NO RESPAWNS

we are getting closer

for premieres msgs to our soundcloud inbox only please

cryingfossil - my lucky little intro

#internetghetto