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Dead Inside | FREE DOWNLOAD |

Electroconvulsive ( LOBOTOMY EP )

@shbadr
FRKTL is the solo experimental project of Berlin/Cairo based audiovisual artist Sarah Badr. Her sixth release and third full-length album following on Prose Edda is due out later in 2019.

Tracklist:
Clansie Cheng Daoyuan - 寂一Sole Self Soul
Xao - Quintal
Guan - Clamp
t0ni - Holy Hands (SHE/MACHINE Rework)
ZAH - To Love the Silence
Yearling - Accelera
LIL UGLY MANE - Send Em 2 Tha Essence
MOLOTOX - Bug$ Bunny In Tha Hood
RXM Reality - Totally Stress Free
PRISON RELIGION - Coagulation_set-701-5
Oli XL - Mimetic
maral - mahur club
33EMYBW - Golem
orthodontrix -  i woke up in a dream
N1L - universal cannibalism of the sea
Nuji - En-
Zaliva-D - Flutter (Dis Fig Remix)
Jerico - Zanj
SADAF - Animal
Oil Thief - Holding Pattern
Bonaventure - Both feat. Hannah Black 
Ausschuss - Drown Later
HDMIRROR - NOT GONNA GET US 2
Gabber Modus Operandi - Padang Galaxxx
Suda - Inner Monologue
Location Services - ENABLE
Hydropsyche - Darius
A.M.I.G.A. - Intro
M. James - Falsified Star
ANIMA - Breaking Bonds


@astmadoom
Podcast made of 100% ASTMA material.
ASTMA - started from playing noise, slowly shifting towards danceable structures which he decribes as tekno art brut or tchernobyl bass. Released debut album "Anekumena" on SD memory card in Audile Snow label, second album "Koniec Antropocenu" on cassette in Pointless Geometry, newest album "Mountain Scream" in digital form in Intruder Alert. Creator of music videos (Brutaż) and cover artist (Pointless Geometry).

artwork: @dogheadsurigeri

MESTIÇO Mixcast 012: FRKTL x ASTMA

FREE DOWNLOAD
https://fanlink.to/compilsans2

Various – Pr. Raoult Secret Weapons
Release Date : April 2020 (Digital)
Label : Comic Sans Records
Cat n° : COMPILSANS2

Design by Virgile Flores
Ilustration by Acacio Ortas
Mastered by Thomas W. Jager
A&R by GBoi & Jean Mi

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Zero Crossing Point - Joy Eza

13 lit candles, a candle for each month and an extra one for luck.

With the end of May comes Eastern Nurseries 1st anniversary. We had plans to celebrate it together, from moonlight until dawn. This new normality demands that we do it apart, so we present you with the 10th release on the Eastern Nurseries imprint. 'The Violence Of Merging' is a digital platter for digital times. 13 portraits of togetherness. A still-life reunion for a still world.

“You'll miss the sunrise ahead if you're not gazing at the horizon.”

EN10

Artwork by Laura Costas

The Violence Of Merging

Otro - En Lo Alto, Para Siempre

Premiering 'Big Square Boxes' by crzxcrt taken from 'Irrational Dramas' compilation out June 22 via A Flooded Need

Irrational Dramas is androgynous thinking, mutant paranoia, instinct dominated by thought. It is bloody past, wild grace, certain consequences of an action never committed. A compilation of 11 artists, each of whom tried to explore the psychological and therapeutic role of the tragedy. The reference music scene is that of electronics with the most futuristic sound, rather than the most disturbing ambient, or the most ruthless and cathartic bass music. In fact, catharsis is the central theme on which this V.A. is focused, understood both from a physical point of view - and fifths of catharsis full of dynamism, body, movement - and from an emotional point of view (like the liberating detachment from passions through strong events, taking up the Aristotelian concept).

From purification we can regenerate ourselves, our perennial dissatisfaction is our engine of action.

LINKS:
https://soundcloud.com/a-flooded-need
https://afloodedneed.bandcamp.com/
https://www.facebook.com/afneditions/
https://www.instagram.com/afloodedneed/

Irrational Dramas

AFN BANDCAMP

[PREMIERE] CRZXCRT - BIG SQUARE BOXES (VA IRRATIONAL DRAMAS OUT JUNE 22 VIA A FLOODED NEED)

Last Creations

Silent Spring - Last Creations

++ TINNITVS - A 5-YEAR ANNIVERSARY COMPILATION ++

In 2015, Club Late Music was created as an open-source music label, with the ambition to explore the production and diffusion of artistic contents by connecting artists worldwide into a network based on collaboration, sharing and mutual aid. It was quickly followed by the creation of the Global URL Nation in 2017 : a still growing community of artists, designers and enthusiasts willing to crystallize this idea into a tangible reality.

Five years later, after more than a dozen projects - from EPs and compilations to audiovisual pieces and installations, as well as many radio shows, live acts and club events - we are still more than convinced that collective action, togetherness and genuine openness are much needed guides to navigate our troubled times.

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We are happy to celebrate this double anniversary with TINNITVS, a 12-track compilation made by members and friends of the Global URL Nation. With 24 artists from more than a dozen countries, it acts as a statement of our current mindset by presenting only collaborative tracks made by two or more persons. An embodiment of playful exploration and muti-faceted creation, covering a broad range of sounds and styles, from the lowest roars to the sparkliest ringing vocals.

As a reverse present to our supporters, as well as a way to explore further what open-source could mean in contemporary music production, the stems of each track are made available for anyone to use as they please when downloading the compilation. We hope this initiative will give birth to inspiring reworks and remixes, expanding the scope of the original tracks into new beings in perpetual evolution. We invite any contributions, from GUN members and beyond, to be sent to us in order to be gathered under a common project that will take shape in the coming months with the same mindset.

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We are overwhelmingly thankful to anyone who has joined and participated in the adventure, as well as to everyone who has shown support in any way possible - from those who listened to our music to those who played it, from those who shared our content to those who involved us in their activities. From the bottom of our hearts, thank you for the continuous inspiration.

We still have a lot to learn and to improve, and we hope that this anniversary only marks a foundation to build upon. A basis that will allow us to keep further exploring sonic realms and visual wonders, as well as collective organization and collaborative processes.

Let’s hope we can celebrate and dance together soon.

🕊🕊🕊

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++ TRACKLIST ++

01. GRIG & jjjacob - Antechamber
02. HeedLess & Mansa - Call Whisper
03. ASJ, Désiré, Kelvin T, Thegn & Tommy Moisi - Pumped Up Hash
04. Arj0na & Metrakit - Mov3
05. LCL Stream, Quasistate & DJ Skynet - VR Chads
06. Désiré & SNKLS - Last Plane
07. NEW FEAR & LMN3 - ORSUS
08. Gwia Ekim & indigoblue - Content Corruption
09. Sport Eyes (dj dialup & PK Is Cool) - Tkee
10. SNKLS & Soft Matter - Warm Circuits
11. VINÍ & P I T - TEMPESTADE.exe
12. Didier XCX, GRIG & pan_x - It’s Late Not Latte

++ CREDITS ++

Visuals by Gourau&Phong, GRIG & Robin Lopvet
https://www.instagram.com/gourauphong
https://www.instagram.com/griigg
https://www.instagram.com/robinlopvet

Mastering by Lorenzo Targhetta & Metrakit (Track 04)

Tracks produced by Arj0na, ASJ, Désiré, Didier XCX, DJ Skynet, GRIG, Gwia Ekim, HeedLess, indigoblue, jjjacob, Kelvin T, LCL Stream, LMN3, Mansa, Metrakit, NEW FEAR, pan_x, P I T, Quasistate, SNKLS, Soft Matter, Sport Eyes, Thegn, Tommy Moisi, & VINÍ.

DOWNLOAD / STEMS

NEW FEAR & LMN3 - ORSUS

https://band.link/burntheempire

Public Service Announcement:

Do. Not. Hyper-politicize. Every. Womxn*. Artist’s. Work.

After making her debut into the world of dark, deconstructed club music on Infinite Machine in late 2017, Ani Klang is releasing her latest hard-hitting, genre-blending EP on Russian label, Hyperboloid Records to round out a busy year of releases in 2020.

‘BURN THE EMPIRE’ is a powerful statement piece seeking to disprove the pervasive belief that womxn and queer people are primarily working and creating music to “empower others.”

After growing frustrated with commentators deeming every bold piece of womxn-made art as an “outspoken feminist act” and forcing political causes on female/non-binary compositions when none are intended, Klang has challenged this trend and created a piece of work that is emphatically not an “empowering anthem for womxn everywhere.”

Armed with frustration, pain, and a little irony, Klang has built her own empire on the outskirts of genre, and all who are open are invited. She is releasing this record with hopes to begin dismantling the notion that womxn’s music is only meant to serve as a political weapon to fight misogyny. There must be something more meaningful womxn have to say to each other besides ‘you can do it too.’

She began grappling with this idea several years ago, when she felt pressured by the underground club community to be “outspoken” to have her music heard. In a 2018 Instagram post, she explained her frustrations as follows:

“I feel like being ‘outspoken’ is almost a prerequisite for being a successful woman at anything these days.It’s not enough to just be an artist who happens to be female – you have to empower women somehow and put your political opinions at the forefront of your art to be considered ‘relevant’. To be completely honest, I find it frustrating as hell. […] I want women to feel empowered but there are so many other creative ways to do this than just talking about feminism. We should be allowed to just BE artists who make records about death, masturbation, chocolate cake, or whatever the hell we want!”

‘BURN THE EMPIRE’ journeys from 145-160 BPM and showcases punchy, fluttery, footwork-inspired kick patterns, layers of heavily manipulated industrial textures and ironically political self-recorded samples (i.e. feminist podcasts, orgasms, and ex-girlfriends crying and singing) bound together by a rave-friendly mentality. Featuring scorching remixes by formidable artists like A.Fruit, Daniel Ruane, and Pixelord, ‘BURN THE EMPIRE’ is an intense sonic excursion through the mind and body of a female artist, eager to set the underground club scene on fire.

With match in hand, Ani Klang urges listeners to fully understand the following before organizing a livid mob armed with extinguishers on her front lawn:

“I am not intending to belittle or invalidate any collective or artist whose primary premise and passion is to empower others. Rather, I am encouraging commentators and listeners to understand and appreciate our unique concepts and technological capabilities before lazily assuming our artistic motivations.

It’s time we Burn the Empire of exhausted empowerment and construct our own domain, fortified by authenticity, legitimacy and resiliency. We’re are not examples, we are exasperated, and we’re gonna burn shit.”

* ‘womxn’ inclusively refers to any female-bodied or non-binary individual, queer or an otherwise unique human who deviates from standard cisgender identities.

BURN THE EMPIRE

DIGITAL / CASSETTE

ANI KLANG - US

Эs I тry тo фall asлeep - soмeтhing бig is chasiнg мe. Soмeтhing хuge anд soмeтhing sтroнg keeпs мy eйes oн тhe waлл.

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Мегагрип

Cryfelt - Ammunition EP (FT003)
Bandcamp https://frenchtabloid.bandcamp.com/album/cryfelt-ammunition-ep
Bleep https://bleep.com/release/456370-cryfelt-ammunition

Cryfelt - Gluten

we are getting closer

for premieres msgs to our soundcloud inbox only please

[PREMIERE] CRZXCRT - BIG SQUARE BOXES (VA IRRATIONAL DRAMAS OUT JUNE 22 VIA A FLOODED NEED)

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