Ars Progressiva

Aula Regis (At the King’s Hall) is a majestic journey that weaves regal orchestration with deep, modern textures. Rooted in an Anatolian theme, it echoes the solemn splendor of ancient royal ceremonies through sweeping strings and resonant bass, while subtle electronics bridge the past and present — a timeless soundscape of myth and legacy.

Aula Regis (King’s Hall)

Lamentum Nymphae is a reimagining of Monteverdi’s Lamento della Ninfa, blending the delicate beauty of Baroque expression with modern sonic textures. This piece pays tribute to Monteverdi’s emotional depth and the pivotal shift his work marked—from the structured elegance of the Renaissance to the intimate, human storytelling of the Baroque.

Lamentum Nymphae (Baroque)

Motus” and Violin Concerto in F minor, RV 297 “Winter” are distant cousins — both born from the same language of notes, yet worlds apart in character. And yet, in Latin, Motus means movement, flow — like water that carries both the familiar and the unknown. In this piece, I invite you on a musical journey where these seemingly different worlds drift together, merging into something unexpected. It’s not an easy path to imagine at first, but one that reveals its coherence through motion, persistence, and sound.

Motus

Prometheus (Nucleus Durus) is a techno composition rooted in the interplay between myth and machinery. The title references Prometheus, bearer of forbidden fire, and Nucleus Durus—Latin for “hard core” or “solid center”—evoking both primal energy and cerebral intensity. Together, they shape a soundscape that is forceful yet reflective, exploring the tension between creation and resistance through rhythm and resonance.

Prometheus  (Nucleus Durus)

Fragments (Cello Reverie) —
Haunting synths thread through the soulful voice of the cello, crafting a soundscape both distant and intimate. The cello’s warmth deepens the ache of longing, while a subtle touch of Vivaldi lends a timeless, classical soul to the search for something forever out of reach.

Shaped by the echoes of memory—the aftermath of conflict, the imprint of betrayal, a cherished moment slipping into shadow—it speaks to what is lost yet refuses to be forgotten, lingering in the folds of time.

Blending spectral synth textures with deep atmospheric layers, Fragments draws the listener into a realm where nostalgia and raw emotion intertwine, leaving traces long after the final note fades.

f r a g m e n t s (Cello Reverie)

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Pulse In Time Tunes Agency is a contemporary music house founded by Ioannis Alexander Konstas, blending classical orchestration with modern sound. With a signature style combining strings, electronic textures, and ambient layers, the agency crafts music that is both timeless and forward-looking.

Ars Progressiva

Pulse In Time Tunes

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