From the concept album ''Bad willed influence'' Spirits lie and make a new family feel guilty.

My Depression

Coal Machine

like an imaginary dream, 
 on a short journey to great heights and timelessness.

A musical instrumental with chants, voices, 
Middle Eastern strings, North African, Algerian,
 African percussion, 
synthesizers, Skiddaw stones, explosions, 
sound processing:)

The Lotus Bleue

method: layering
narration: the term CHTHULUCENE was coined by Donna J. Haraway, see https://mosayebi.arch.ethz.ch/en/thesaurus/chthulucene/ 
apart from that: listening to too much Kashmir (Led Zeppelin) lately has momentarily clouded my ability to avoid silly rhymes (as good as their music is). Sorry.  
Image: self-shot and self-gimped

poem / copyright jo richter

adopting a circular angle at interrelations
we are created by our creations
‘though you can‘t put your finger on it right now
we‘ve always been earth, co-existing with the plough

averting your eyes, alien shadows will rise
while accountants still stammer out weird alibis
there is no reason to avoid one another
the same remains different, no need to bother

recording no time cannot withhold seizures
reality leaks in through multiple fissures
good manners are naughty, abstraction's obscene
arachnoids welcome the chthulucene

chtulucene

chthulucene

a track by Marco Lucchi reworked by Susan Matthews

maggio 2023

Susan Matthews & Marco Lucchi - The One Hand Clapping

Naviar Haiku 491
morning glow
buttercups flutter
at the forest’s edge

Catherine LoFrumento lives in Connecticut with her husband and fur babies. Her poetry has been featured or is forthcoming in various journals and anthologies including: Cattails, Modern Haiku, Frogpond, bottle rockets, Chrysanthemum, Hedgerow Journal, Three Line Poetry, and Poetry Quarterly. You can find more of her work on Twitter: @Catherin03 and on Instagram: @Poetrycatt

Morning at the Forest’s Edge

Morning at the Forest’s Edge (NaviarHaiku491)

Piano and Microfreak layered improvisations.
Download for rework/remix (just tell me).

Un Momento #3 (free download for rework/remix)

Universe of Pure Joy

Xue For Flutes

Ambient Bite 577

Loreen

TRAMPELFÂD
rec.name: " pd bending "
credit: vst,pure data fragment gaussian patch
date:08-09-2023

Gaussian Random Field 2

This is to share my creations and discover yours.

Those sounds we put together and call ''music'' mean everything to me.
Regardless of the style, genre, or cultural ethnicity, 
All these kinds of sounds have always occupied a huge part of my time, attention and listening.

''Music'' has followed me and been a companion in the happiest and through some of the absolute worst moments of my life.

I have been taught in a way, by every composer, conductor and otherwise musicians, bands and performers I have admired and spent so much time listening to over the years. 

My biggest influence is Karl Heinz Stockhausen, for his textures and sonorities the experimental concept from which his creations and sounds came to life, for his approach to performing and the thoroughness of detailing and documenting his works.
 
I began creating and recording my own ambient-experimental soundscapes 10 years ago with the discovery of software synthesizers and Digital Audio workshops. 
Thanks to Soundcloud, I can now share worldwide what I do and take a plunge into this vast network of ''music''. 

I use mostly orchestral instruments, but also a vast combination of ethnic and modern instruments, including synthesizers.

I use all kinds of sacred chants, ethnic voices, choirs. 
I routinely route instruments to sound processing, where the effect is an instrument.
I often use various sound sources.

Please feel free to share your track with me, I am always eager to discover:)
I am not big at reposting tracks, I find it a bit confusing, but necessary.
What I do is if you repost one of my tracks, I will repost you. 
When I repost you, I automatically tweet you also and share your track on other social media.
That way, we both contribute to the sharing of our works!

The Lotus Bleue

irunak

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