Our search for extraterrestrial life assumes alien life based on water and carbon, but could there be biochemistries based on other substances?
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Credits:
Ammonia-Based Lifeforms
Episode 404, July 20, 2023
Written, Produced & Narrated by:
Isaac Arthur

Editors:
David McFarlane
Edward Wright
Joshua Deily
Lukas Konecny

Ammonia-Based Lifeforms (Narration Only)

Eons from now the last stars will be born, living trillions of years before they too fade out, and in the gathering darkness will come the final sunset on the last planet.

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Credits:
The Last Planet August
Episode 407, August 10, 2023
Written, Produced & Narrated by:
Isaac Arthur

Editors:
David McFarlane
Lukas Konecny

The Last Planet (Narration Only)

To celebrate 750,000 subscribers we're taking a look at the benefits and disadvantages of settling and terraforming planets vs constructing megastructure space habitats

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Planets vs Megastructures
Science & Futurism with Isaac Arthur
Episode 406b, August 6, 2023
Written, Produced & Narrated by Isaac Arthur

Planets vs Megastructures (Narration Only) - SFIA 750,000 Subscriber Special Edition

To celebrate 750,000 subscribers we're taking a look at the benefits and disadvantages of settling and terraforming planets vs constructing megastructure space habitats

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Credits:
Planets vs Megastructures
Science & Futurism with Isaac Arthur
Episode 406b, August 6, 2023
Written, Produced & Narrated by Isaac Arthur

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Epidemic Sound http://epidemicsound.com/creator

We often dream of a future out in the galaxy, exploring and settling  strange new worlds under the light of alien suns, but what would living in space truly be like?
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Credits:
Living in Space
Science & Futurism with Isaac Arthur
Episode 411, September 7, 2023
Written, Produced & Narrated by Isaac Arthur

Editors:
Briana Brownell
Merv Johnson
Shaun Moss
Donagh Broderick
David McFarlane
Konstantin Sokerin

Living In Space (Narration Only)

Disquiet Junto Project 0608: Nature-to-Text
The Assignment: Using a speech-to-text tool, turn a field recording into instructions for a composition.

This project is perhaps more experimental than ordinary, simply because it may not work for everyone. Apologies in advance. As someone, I think Brian Eno, once said, “It’s only experimental music if there’s a chance it can fail.”

Step 1: When one uses speech-to-text tools, such as those now commonly included in word processing software, often those tools will mistakenly interpret ordinary, non-verbal sound as garbled words, or otherwise try to characterize the sound, such as with bracketed phrases like “[deep breath]” or “[background chatter].” One potential way to achieve the result is to upload the audio to YouTube and then apply automated captions. Check out your options. There is likely to be discussion of this topic on places where the Junto occurs, such as the llllllll.co 2 BBS and the Junto Slack.

Step 2: Record some non-verbal audio, perhaps a field recording of the sound on the street, or down a hallway. It’s recommended to do the recording somewhere where there is likely to be variation.

Step 3: Submit a segment of the audio to a speech-to-text tool. Or perhaps multiple tools, to see the results.

Step 4: Assuming Step 3 yields a series of descriptions, then compose a piece of music that treats that sequence as a kind of score. That is, make music that achieves the result described by the speech-to-text tool’s results. Perhaps you could use someone else’s. Here, for example, is a sequence that I ended up with recently: “[ambient noise] [ambient noise] [indistinct chatter] [indistinct chatter] [background noise] [indistinct chatter] [ambient noise].”

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0608” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0608” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co 2:

https://llllllll.co/t/disquiet-junto-project-0608-nature-to-text/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

The Last Planet (Narration Only)

Isaac Arthur

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