Bobby Donny Soundsystem - Pool Shapes(Preview)

@massiande in da house!

Aterral:
IG: www.instagram.com/_aterral_
FB: www.facebook.com/aterralrecords

Massiande:
IG: www.instagram.com/massiandehousemusic

Aterral on Spotify

Aterral Mix 71 - Massiande

linktr.ee/scissorandthread
www.facebook.com/Frank.and.Tony 
www.facebook.com/scissor.and.thread.nyc/ 
www.instagram.com/scissorandthread/ 
www.youtube.com/user/ScissorAndThread

More about the world has changed than not in the decade since dance production dyad Frank & Tony released their last full-length record, 2014’s You Go Girl. Despite, or perhaps in spite of, this shifting landscape, house music has managed to stay fundamentally reliable (either a bug or its greatest feature, depending on who you ask). Where previously, Frank & Tony have been celebrated for their contemplative, studious approach to the genre, with 2024’s Ethos, the Brooklyn/Biarritz-based duo return amidst metastatic cultural upheaval to prove out those scholarly credentials — with an album that serves to remind listeners why dancefloors and liberatory politics consistently share the language of movements and revolutions. 
"House music has always been an expression of political desire as it often was the only safe space for communities to come together in ways that society at large disallowed,” Harris enthuses. “The same energy in the ‘90s could be found in parts of the punk & hardcore scene. Countercultures exist to create temporary autonomous zones of desire outside of dominant narratives that are roadblocks to creation. We have always been inspired by these countercultural movements and the Frank & Tony project is deeply influenced by it."
Though the project originates from the relationship between house legends Francis Harris and Anthony Collins, the titular Frank & Tony were born of a fictional, happenstance meeting inspired by Harris’s experiences in the more liminal, amorphous dance and punk scenes of the late ‘90s/early 2000s (as exemplified in the early works of photographer Anouk Schneider, whose photographs feature on the duo’s first releases). In a world beyond dialectic, where bodies are simultaneously revered and decentered, Frank & Tony connect for one night on an imaginary dancefloor, vowing to make work together in the future; however, having exchanged no information, and with classic club kid garb obscuring any common identifying characteristics, they turn to the internet in hopes of reconnecting for a collaboration.
This origin myth hones in on the crucial history of the dancefloor as a stage whereupon individuals, regardless of background, enact political and socioeconomic desire to scale, highlighting such locations as the tertiary factor present in intimate relationships of all kinds, brought about when two individuals unite and produce that mysterious third thing that was never really possible without blurring the lines of identity so that collaborative creation can happen. 

In practice, it sounds like the record needed by fans of the genre, full of the lightness and space in rooms full of fellow revelators. “We’re only able to make house music because of the vast legacy of producers from New York, Detroit and Chicago who laid the foundation for what we do today,” Collins divulges. “In many ways it can never really live up to that legacy as our art is born out of privilege rather than necessity to create spaces of political desire in the face of marginalization. So what does this mean? We take that legacy very seriously and we want our stamp on this history to resonate with current and future generations as a bridge to the real history behind it."

Undoubtedly, Ethos is tremendously influenced by the multitude of projects originating from, and supported by, the duo and their label in the decade since You Go Girl– releasing records from a vast diversity of artists (including Nadia Khan, Gry, Villete, Darand Land, Alex Albrecht, Dj Sprinkles and CCL), and Harris becoming curatorial voice of Brooklyn’s premiere venue for audiophiles, Public Records, where he continues to amplify work across a global diaspora (and where the duo maintain a residency of wide praise).

Ethos

Drift (with DJ Aakmael)

Frank & Tony - Drift (with DJ Aakmael)

Stranger Than Fiction: Underground Remixes

And I Took That Personally (Get Even Remix)

Mr Bongo proudly presents the debut album from Tasmania-born, Melbourne-based, Finn Rees. Gliding across a swirling palette of saturated hues, Dawn Is A Melody feels vintage yet vibrant, new but familiar at the same time. A spiritual, deep and textured jazz record, tipping its hat to greats from the past, capturing memories and reformulating them into new ideas with the help of some of Melbourne’s finest talent.

Expert keys player for the likes of 30/70 and Elle Shimada, alongside one-half of Close Counters, this debut LP was Finn’s conscious departure from the realm of groove-based jazz. Instead, Dawn Is A Melody places the piano and arrangements centre stage, giving Finn and his fellow Melbourne crew freedom to explore the spaces in between, new emotions and alternate soundscapes.

In Finn’s own words: “My intention with Dawn Is A Melody was to create a world; a microcosm of colour. Something rich and beautiful that allowed the melodies and compositions to reach their full potential. It was driven by hope, curiosity and the search for beauty and reassurance in this ever-changing world. The emotion behind the music is really about the journey of life, growing up and changing, as well as my relationship with Tasmania’s natural landscapes where I grew up, a part of the world that is incredibly unique and beautiful.”

The album arcs between opening, middle and end. Beginning with the optimism of ‘Looking Up’ and ‘Lagoon’, the former a celestial, string and harp marbled slice of positivity, the latter a spiritual journey of exuberance and hope, Finn’s fingers dancing across the ‘70s Yamaha grand piano. From there the songs blossom outwards with the cinematic soulful journey of ‘It’s Behind Me Now’ and Brazilian-inspired ‘Expansion’, as the divine ‘Crossing’ signals a transition to a new realm. The energy is transformed from the rich cosmic textures to a more intimate and personal feeling with ‘Ablaze’, ‘Between Spaces’ and ‘As It Passes’ which blissfully fades down to simply piano and strings to close out the record.

Recorded at Rolling Stock in Collingwood, Melbourne, Henry Jenkins was drafted in as recording and mix engineer, his minimal vintage mic setups giving a live aesthetic and warmth to the arrangements. Lucky Pereira and Blakely McLean Davies form the rock-solid rhythm section, with a hand-picked line-up of other Melbourne talent on display, including Cheryl Durongpitikul on tenor sax, Siwei Wong on harp, Audrey Powne on trumpet and Allysha Joy on vocals to name only a few.

Plotting a course from Alice Coltrane, through Herbie Hancock, to Arthur Verocai, this is a debut nourished by the past but firmly made in the present. A record unable to be age-stamped, casting ambiguity as to when, what era and by whom it has been crafted. Like a vintage lens capturing a current scene, Dawn Is A Melody is warm and familiar yet focused on the here now.

Finn Rees - Horizons

We're happy to host BRISA as the next guest of our famous Apparel Radio Show. Based in Fukuoka Japan, DJ/producer BRISA started his career in 1997 after being strongly influenced by acid jazz and house music in the 1990s. He started producing his own music in 2004 and has since released music worldwide, including in Japan, the UK, the US, Germany, France, and Italy.

Link:
@brisamusic

Tracklist

Radio Show #256: BRISA

Sparkling Worldwild

Hong-je

Bliss

Free Download

Justin Timberlake - Like I Love you (MIAMO XOXO Edit)

Chaos in the CBD 'Invisible Spectrum' feat. Isaac Aesili

Isaac Aesili is a Māori musician, DJ, and music producer from Aotearoa, New Zealand, based in Bangkok. DJs such as Bill Brewster, Gilles Peterson, Benji B, Jamz Supernova, and Shy One have supported his music. Isaac is a member of the Lord Echo band playing trumpet and percussion; his horns feature in many collaborations, including ‘Midnight in Peckham’ by Chaos in the CBD (Rhythm Section) and ‘Layer’ by Julien Dyne (Wonderful Noise/BBE). His music styles span soul, deep house, and electronica, mixed with elements of jazz, hip-hop, reggae, Brazilian, Latino, Afro, and Asia-Pacific influences. Isaac is a featured artist on the title track of Chaos in the CBD’s new album, ‘A Deeper Life’. His most recent release consists of a series of four instrumental albums, which include unreleased instrumental versions and selected instrumentals from projects produced between 2009 and 2020, such as Funkommunity, Sorceress, Karlmarx, Latinaotearoa, and his solo material.