"FIRE" VIDEO OUT NOW ON YOUTUBE -----> https://www.youtube.com/watch?v=0Vd-aGTmTdY

seaweed chains, hold me down 
Tear my skin, claw my heart 
I can feel, I can feel, the water, fill my lungs

Emptiness vastness, everlasting darkness 
anchor me, to the sand, underneath

this body is mine no longer 
scales creep up all over (x2)

seaweed chains let me go, fins for wrists, cold blood 
I can feel, I can feel the air fill my gills

emptiness, vastness, everlasting darkness 
welcome me, to my home, underneath

this body is mine no longer 
scales creep up all over (x2)

Hope you like it, keep following us on the web!

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Ocean

Cliche 56: Red Axes - Ballad of The Ice LP (April 28th, 2014 - vinyl + CD + digital)

Check the video for Papa Sooma: http://youtu.be/svXZCOQobhc

mp3: http://www.official.fm/playlists/tTHL
itunes: https://itunes.apple.com/us/album/ballad-of-the-ice/id847325595
vinyl: http://www.juno.co.uk/products/red-axes-ballad-of-the-ice/528596-01/
CD: http://www.juno.co.uk/products/red-axes-ballad-of-the-ice/528598-01/

Follow Red Axes
https://soundcloud.com/derrickvegasint
https://www.facebook.com/redaxesmusic

Follow I'm a Cliché
http://soundcloud.com/imacliche
http://www.imacliche.com
https://www.facebook.com/pages/IM-A-CLICHE/138670535421
http://twitter.com/imaclichelabel

Red Axes is Niv Arzi and Dori Sadovnik, two young men who have always lived in Tel-Aviv and have been making music together since the noughties. Ballad of the Ice is their debut album. Their artistic travels have taken them from the rock scene to the dancefloors, and to creating an album. More than a summary, this LP is an invitation to discover a singular musical identity: a ballad of the ice, a song as light as love and cold as a tunnel, springy as a dance step and deep as nostalgia.

Originally, the two young men were part of the band Red Cotton. Their musical obsessions were very distinct and have never really left them since: post-punk, new-wave, synth-pop, gothic rock, italo-disco and all the other styles with double-barrelled names that flourished in the underground of the western world at the turn of the 70s and 80s. They were barely born then, and Israel was hardly a promised land for these musical trends. Nonetheless, today the people who love these styles, at the forefront of which Cosmo Vitelli, founder of the label I’m a Cliché who signed them, recognise Red Axes’ talent for creating tracks that are not only impeccably referenced but also terribly current, in their production and in their intentions.

In 2009, house and techno made a noisy entrance into their lives. They were DJs by then and Tel Aviv was all hedonism and crazy parties. Red Cotton was over and Red Axes began. In 2012, I’m a Cliché introduced them into a community of people who enjoyed what the musical press could refer to as ‘cold-rave’. Four EPs were released on the French label that discovered sharp acts such as Yuksek, Azari & III and Simian Mobile Disco. Add to these a bunch of edits that went spinning on everyone’s turntables, remixes and originals that attracted labels such as Kill the JD, Throne of Blood, Correspondant, Clouded Vision, Relish and others – these built Red Axes’ reputation as the makers of solid dancefloor tools. Meanwhile, being resident DJs of the Bootleg in Tel Aviv gave them the ability to play versatile, broaden their scope, improve their way of thinking the music. It also allowed them to rub shoulders with some of their favourite DJs, from Ivan Smagghe and Jennifer Cardini to the Cómeme crew. These established DJs quickly became major supporters.

But Red Axes didn’t get lost in a loop of never-ending clubbing. The extent of their research is evident on the album. Apart from beautiful vocals by Abrão, a member of various Brazilian punk bands of the 80s, Arzi and Sadovnik handled all the instruments and machines. The influence of the types of music they love – which aren’t limited to the ones we just referred to – is inevitably present, but translates in unexpected ways. There’s a lot of maturity in these songs, memories, hashed-out feelings. This music could emanate from much older men; it brings on a certain saudade. But it’s never heavy and doesn’t rely on dusty clichés: Red Axes are very current and love to have fun above all else. They tread on ice with a certain elegance, ice that mustn’t crack or melt.

After ‘Head Like Glass’, a pure cold-wave intro, Red Axes take us on a repetitive stroll of light percussion with ‘Kicks Out of You’. Then comes the rock track ‘Watkins’, followed by a brass dub ‘Only a Clown Can Catch an Axe’. The poignant ‘Papa Sooma’ feels like it’s coming out of an old cassette player, and ‘Road to the Hills’ is all intimate house feelings. ‘Neon’ will make you clap your hands on the stage of an urban western, while ‘Candy’ is a toe-tapping Mancunian devil. ‘Bela Lugosi’s Dead’, a Bauhaus cover, adds a layer of groove in the bat cave, and finally, ‘Dreams Like a Tale’ closes the album in a psychedelic mist.

All info request: promo@imacliche.com

www.facebook.com/pages/IM-A-CLICHE/138670535421
www.imacliche.com

official video

Red Axes ft Abrão- Papa Sooma (OUT NOW - from debut album Ballad of the Ice)

 ❤ FREE DOWNLOAD →http://j.mp/PB-Lusine_freedownload

° On vous attend le 24 février à L'Olympia... :)
réservations > http://j.mp/isaac-delusion_OLYMPIA

Pandora's Box : a remix by the great LUSINE (Ghostly International)
> http://ghostly.com/artists/lusine


Isaac Delusion LP - remixs

❤ ~ follow us 

Isaac Delusion — Pandora's Box (LUSINE remix)

Replonger

https://itunes.apple.com/fr/album/vents-contraires-ep/id998531547

Perpète

Vibrations from deep space

Trentemøller is a wizard and should need no further introduction.

This incredible remix he did of Efterkang's song Raincoats was part of a remix swop, where Efterklang remixed his song Tide in return. Attached to the swop was a also an artwork contest, where the winner's artwork would be used for the iTunes release of this remix swop. You can watch all the winners and submitted artworks at: http://www.flickr.com/photos/artworkcontest/

The original version of Efterklang's Raincoats can be found on their third album 'Magic Chairs' (2010, 4AD & Rumraket).

The original version of Trentemøller's song Tide, can be found on his album 'Into The Great Wide Yonder' - http://www.anderstrentemoller.com/

Raincoats (Trentemøller Remix)

https://www.youtube.com/watch?v=yHx_AngdXQo
https://www.youtube.com/watch?v=vKj1YI1tuKk
 
 Quand mon ami Helmaud ( https://soundcloud.com/h-e-l-m-a-u-d ) m’a fait écouter son morceau de piano; une improvisation bien sentie et pleine de belles choses, je n’ai pas pu la laisser filer. J’ai donc entreprit le même travail ; j’ai mis le morceau, j’ai allumé mes machines et j’ai joué. Il me donne l’impression d’une histoire amoureuse, de la découverte à la passion. 

 Ce morceau est la tentative d'un accident maîtrisé, la recherche d'une coïncidence. Différents mouvements s'amorcent, cherchent à se comprendre et se retenir. Viennent les premiers accords. C'est l'étreinte. Les codes n'existent plus, la communication est insatisfaite... Un souffle cinglant arrive 


 When my friend Helmaud( https://soundcloud.com/h-e-l-m-a-u-d )made me listen to his piano piece; a heartfelt improvisation, full of beautiful things, I couldn't let it go. So I approached his work the same way he composed it : I launched the track, turned my machines on, and started to play. It gives me the impression of a love story, from discovery to passion

Oppose

New mini album LNLNN out now on @atomnation
Stream / Purchase: atomnationrec.lnk.to/LNLNN

Gidge - Lit

Catalogue Number: MKG009
Release date: Oct 15, 2009 

Marketing Music


Landscapes

remix of sandro perri

out on phonica special editions

The Drums (Tom Croose's Good Vibrations)

I/^
_____________________________________________________

Oppose

ISABELLE