right up my piazzzzaaa

₊‧°.⚬⁺ Brother from another Vsan drops an hour of stripped back dubby b-sides from the sunny side of Valencia₊‧°.⚬⁺₊‧.✮

Vsan

My closing set Recorded LIVE -
in - 'Sammy String's' (Room 3) 
on - Sunday Night 07-07-2024 12:15 - 2:00am
at - Freerotation Festival,
Baskerville Hall Hotel, Clyro Court, Hay-on-Wye, Hereford, UK.

Photograph by Calandra Balfour @Calandra
Audio mixdown by Charlie Tear https://www.instagram.com/arcmixlondon/

www.facebook.com/AlicksDowney
www.instagram.com/alyxdowney
https://www.mixcloud.com/Alexmorph/
www.residentadvisor.net/dj/alexdowney
@alex-downey
Interview: www.untitled909.com/alex-downey

Freerotation 2024

Alex Downey Live at Freerotation 2024

@n1kol, aka Chris Nicholls has grown into an integral part of MASS. Since meeting him in 2016 following a random Facebook message, we connected and have no doubt formed a lifelong friendship. 

After featuring on MASS‘s first vinyl last year, his sound began to attract attention leading to a full EP on O.C.D Records with Gavin Herlihy as 'Body Copy'.

Now flourishing as a solo artist with several EPs in the pipeline, plus his downtempo live project Between Dreams with Dan, years of quietly crafting his sound is finally coming to fruition. 

This podcast is a special one for us and we’re proud to present Nikol's first electronic podcast, inviting us into his world of sound.

MASS 41 | Nikol

Words by Ceci (@ccl-url): 

"Special thanks to Steevio & Suzybee & all the volunteers, workers & dancers 💙

This is my recording from Friday night Room 2, 12:30-2am, my first time being at the mythical Free Rotation. Playing one of the first sets & seeing the room, decor and the big bad subs of Room 2, years of fantastical lore and reality melded, I wanted to keep it sexy, wonky, trippy— imagining a psychic electric swamp and how one would levitate thru it... to the sky. No bpm trickery this time. Out to the heavenly bodies of the universe! ;)

Mastered by Wordcolour"


i <3

ani/live Fifty Six: CCL @ Freerotation

Melina Serser live from Outburst on Saturday afternoon at Houghton 2024.

Recorded at Houghton - Melina Serser (2024)

Continuing to share memories from the Can You Jigit? Archives.. a sunday evening masterclass. Something to keep the tired feet moving, the soul breathing while also tickling the mind. One of our favorite moments of the weekend, where we could also let loose. In safe hands, with dear Vera.

Can You Jigit? Archives 002 - Vera

૮ ˶ᵔ ᵕ ᵔ˶ აtwotech૮ ˶ᵔ ᵕ ᵔ˶ ა

@notteinfinita

For cheeky Q&A... please visit our website ~~~~> pipipi.life <~~~~~~

Notte Infinita - 22˚

༄.° twisted techhh for your listening pleasure 

https://www.instagram.com/deep_creep



pi pi pi with deep creep @ The Lot Radio 06-30-2025

"roughly techno"

Reach out through mammo.works@gmail.com for DJ enquiries.

(66m06s)

recorded live at good work in a backyard on a lovely saturday in brooklyn

Loidis @ Good Work - 12 July 2025

Part four of RA.999: the sound of shared history, courtesy of two legends of minimal house in full flow.

A lot can happen in 20 years. Especially in dance music, where movements rise, collide and dissolve at dizzying speed. It takes conviction, dynamism and a formidable record collection to stay the course.

That’s why Margaret Dygas and Sonja Moonear have remained such enduring underground favourites. Step into one of their sets, solo or side by side, and an assured calm takes over the floor. You're in the sleekest, safest hands imaginable.

Recorded live at fabric's 25th birthday, their RA.999 captures that feeling perfectly. High-tempo, irresistibly groovy and full of quiet authority, it marks a return to the series for both: Moonear with RA.520, and Dygas with the fourth-ever RA Podcast all the way back in 2006.

They also gave rare interviews, reflecting on a deep musical connection that began in 2007, the legacy of minimal and lessons from a life spent in DJ booths the world over. 

"I felt excited and lucky to be invited so early in what I now see as a much longer journey," wrote Dygas. "Music holds memories in its frequencies, and the right track can transport you instantly to a past version of yourself. That’s powerful. That’s the kind of power I respect." Amen.

@moonear
@margaret

Read the full interview at ra.co/podcast/1008

RA.999 Sonja Moonear & Margaret Dygas

A downtempo collective from Brussels focused on slower tempos and laidback grooves.

Crevette Records w/ Slowriders @ Kiosk Radio 04.08.2025

The mastermind behind Basic Channel, Hard Wax and Rhythm & Sound doesn't do mixes. For RA.1000, he made an exception.

Trace Mark Ernestus's path, and you trace the evolution of electronic sound itself. The timeline of contemporary Berlin is unimaginable without him. At first, that meant Hard Wax, the crucial hub that shaped the early era of the city's techno revolution. Carl Craig once said it plainly: "Mark was ground zero."

From there, Ernestus never stopped. There's the birth of dub techno and the near-flawless catalogue that followed through Basic Channel and Rhythm & Sound. There's his immersion in Senegalese mbalax with Ndagga Rhythm Force. Lately, that means Open Ground the Wuppertal bunker that's letting people hear music as never before.

As part three of RA.1000, Ernestus has kindly supplied his first studio DJ mix. As you might expect, it's technically immaculate, but more than that, it feels like a substantial and generous conduit to one of the world's most vital genres.

Amapiano remains underexplored in music media. Publications like our own are still learning to keep pace with the South African sound's global pull, animating millions across the globe. 

You'll hear the range and richness of the genre across the near two-hour mix, from the gothic, percussive stomp of Caltetonic's "Bambela"  to the devotional glow of GemValleyMusiq's "Something Spiritual."

Through all of this, Ernestus has remained understated. He lets the music speak for him, with a quiet honesty that lies in decades of opening doors—creating the conditions for new sounds and scenes to flourish and carry the culture forward.

@opengroundclub @hardwax 

Find the tracklist and interview at ra.co/podcast/1011. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Mark Ernestus

Andrew Weatherall's first official posthumous mix. The only b2b DJ Harvey ever agreed to. Six hours at Trouw. This one's special.

When mulling which direction to go in for RA's 1000th mix celebrations, many options came to mind. Some shadowy character 2-stepping around the fringe of our collective consciousness? An impossible-level IDM icon?

All tempting. But, ultimately, we are a DJ-forward publication and this is a DJ mix series. It felt truer to the history of the RA Podcast to release deep vault material from a time when the world of niche records felt different, tighter, more discrete.

The fourth-longest mix in the series' history is an unrepeatable marathon set recorded in 2012 at a superclub that no longer exists. 2012, incidentally, is farther away from 2025 than 2012 was from 2000... if we have to clock it, so do you.

It's the coming together of one British icon who passed away in 2020, and another whose time on the road has scaled back considerably as of late. DJ Harvey agreed to exactly one b2b set in his life: this one, with Andrew Weatherall.

The night took place at Trouw, an Amsterdam club already considered legendary before it shuttered its doors in the opening hours of 2015, as part of an RA series anchored around start-to-close combinations. Harvey was at the peak of an irresistible career second act, which dovetailed with a disco revival that dominated clubs for years. Weatherall, with infinite brownie points stockpiled from the '90s, remained everyone's favourite debonair psychonaut. 

What follows is 385 scintillating minutes of arpeggiated chug and slow-cresting climaxes: a moment when the resting heart rate of dance floors plunged lower than any comparable point in the 21st century. A masterclass, entirely self-contained in audio form.

If you've got time to spare, a fun side game is sussing out who plays what. A disco-dub cover of Echo & the Bunnymen? Smart money's on Weatherall. Exuberant EQ'ing of The Isley Brothers? Gotta be Harvey. As for the low 'n slow, lightly spangled house that was all the rage in the early 2010s (think Maxxi Soundsystem, Disco Bloodbath, Rub & Tug, C.O.M.B.I. and Full Pupp), it's anyone's guess. 127 BPM feels practically like an F1 car.

When we kicked off our RA.1000 campaign, we outlined a few goals: tick off a handful of long-awaited dream guests, honour architects who shaped the world around us and deliver recordings you truly can't hear anywhere else. Full send.

DJing and the mythmaking around it has undergone a quantum leap since 2012, let alone 2006, 1996 or 1989. For those of us who were kicking around in the former, there's a creeping melancholy that our prime is fast becoming a matter of historical record. The killing moon really did come too soon. 

Where will electronic music, DJ sets or any of this be in 2044? Hard to say. Best not to overthink that one. Instead, we want to say thanks to all contributors on the series so far. Now enjoy luxuriating in the company of two of the greatest to ever do it, together, for the first and last time.⁠ – Gabriel Szatan (Editor, RA)

@andrew-weatherall

Read the interview with DJ Harvey and Andrew Weatherall's family at https://ra.co/podcast/1016. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 DJ Harvey & Andrew Weatherall

"The warm-up slot has always been a setting that feels natural to me.
I have been a resident at Phonotheque since my years living in Uruguay up until 2017 (and I still proudly hold that residency today). Back then, playing on rotation across all time slots gave me the chance to experiment and grow as an artist. Later, in 2019, after moving to Europe, I also became a resident at Cartulis, and this ongoing rotation of slots has continued to this day in both residencies.

Playing at a club like Fold is both a luxury and a rare comfort, something that makes everything flow more easily and enjoyably.
This set is a memory of a very special night, recorded on January 28th, 2023. I opened the night, followed by Radioactive Man, Nicolas Lutz, Unai Trotti, Vass, and Walrus." Z@p


Z@p // Cartulis Live Series 010

The German minimal DJ returns to the spotlight with two hours of artfully subtle house and techno.

There's an old German proverb that goes "Der stete Tropfen höhlt den Stein." Literally, it means a constant dripping wears away the stone, but the point isn't about force but patience: slow, steady repetition can leave the deepest mark. It's an apt metaphor for the career of Kosta Athanassiadis, better known as XDB.

Active since the early '90s, first as a DJ and then producer by the decade's end, Athanassiadis has built a career less on hype than persistence. His catalogue spans labels like Dial, Metrolux and Echocord, alongside a steady trickle of EPs and remixes that have quietly cemented his reputation as one of minimal house and techno's undersung heroes.

That patience carries into his sound and production ethos. Where many of his peers embraced software upgrades and new workflows, Athanassiadis has long stuck to Cubase, a handful of trusty instruments and 30-year-old speakers he claims to have run "hundreds of thousands of tunes" through. He also still prefers to use inexpensive, straightforward gear—what matters, he insists, is not the tools but the feel. The result is a sound that’s stripped back, direct and enduring.

Lately, Athanassiadis has found himself back in focus. With minimal enjoying fresh attention, his calendar has filled, and with it a run of back-to-back sets—most often alongside PLO Man, a regular sparring partner this year. True to form, though, you won't find that his style has changed much. Over 30 years after his first gig, you can rest assured you'll still find him playing with patience, carving out long arcs rather than sharp peaks.

His RA Mix captures him in a reflective mood. Running just over two hours, RA.1003 is a hushed yet absorbing affair, moving seamlessly from the delicate atmospherics of Valentino Mora and Caldera to the machine funk of Robert Hood, Solid Gold Playaz and Marcellus Pittman. There are left turns folded into XDB's patient narrative arc, too: John Carpenter's brooding scores here, DJ Sprinkles' melancholic work with Will Long on "Acid Trax N (Acid Dog)" there.

It's the sound of a DJ who has been quietly chiseling away for three decades, and who understands the value of persistence as much as restraint.

@xdb

Find the tracklist and interview at ra.co/podcast/1021

RA.1003 XDB

Loidis at Waking Life 2025

Classy, off-kilter selections from one of house and techno's best-kept secrets.

Download: https://www.xlr8r.com/podcasts/2018/02/podcast-530-evan-baggs/

@evan-baggs

Download

XLR8R Podcast 530: Evan Baggs

An hour of minimal pumpers, electro-tinged workouts, and oddball techno excursions. I sorely miss dance floors at the moment and I think it's pretty evident across this mix. 

Recorded with 2x Technics SL-1200 + Xone 42 Mixer 

~

Mary Mix - # 2

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brusselssssss sprout

after studying visual arts, creative centipede
ailsa cavers aka islas slowly drifted 
towards a growing interest in sound. 
islas began crafting long, throbbing
sets that bring together delay
pedals, ASMR, spoken word,
movie scores, and ambient
sounds, playing with the
friction that exists when one
record meets another, with the
joy that erupts when sounds
come together to create the
previously unheard. having
participated in the creation of
belgian dance music label BASIC
MOVES, and the PLANET collective, 
islas propels
dance-oriented sets,
all the while conserving a
passion for sampled and loopy
vocals, wonky percussion,
intoxicating breaks, and bird
sounds.
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ailsa.cavers@gmail.com

12/12: crevette records x nowadays instore 
21/12: exquisite warps, kiosk radio