Itom Lab
The Real OG's - "NEYEN"
©2012

Itom Lab:  electronics, hang, didgeridoo, tabla, singing bowls, keys, flute

April King: vocals
www.mzking.com
recorded, mix, mastered: itom lab @ GalacTemple Studios - Los Angeles, CA

The Real OG's  (feat. April King)

The ceremonial instrumentation and spacious sounds of Poranguí and Liquid Bloom are tastefully reimagined by downtempo bass producer Skysia. Dripping with liquid intricacies and layered with additional soothing vocals from Rachel Kadara, “Preparing the Path (Skysia Remix)” melts the mind, heart, and body in a perfect alchemy of sonic frequencies.

Preparing the Path (Skysia Remix)

Poranguí & Liquid Bloom - Preparing the Path (Skysia Remix)

Free DL click here!

Star Portal (Featuring Jemineye Incantations)

Inspired from my live set at UNISON FEST, this is how we drop into the mystery and move our Body Temples <3

TEMPLE BASS

Turning Towards the Darkness:

Late October waning moon over Salt Lake City was my invitation to take a dive into the deeper side of my musical palette. A bass heavy wave for all those who like riding rough seas. 

Turning Toward the Darkness: SLC Redux 10*23*24

Free Download Here

Zephyrs And Toadstools

Magical night in the jungle...3 hour ecstatic dance set to enliven the soul and dance out the feels.

Big Island, Hawaii /// Garden Temple Ecstatic Dance Set 1..7..16

Aho, MitakuyeOyasin

https://anchorhill.bandcamp.com/album/heartwood

Pre-release single from the album "Heartwood," out on the winter solstice new moon, December 18th 2017, just in time for seasonal celebrations!~

Eagle Vision (Heartwood Album Single)

Living Water is a song that captures a special moment in nature, when everything is peaceful and still.
Nature, just like life, has its ever-flowing currents, flowing us from place to place.

We never stay in the same spot for too long. But throughout life, we share in these savored moments of reflection and tranquility.
These are moments where we can feel cared for and safe.

We sense the loving and nurturing power of Mother Earth.
Everything we need, we have access to.

All worries and fears are at bay.
In moments like this, there lies an important medicine.
Gratitude washes over us, and we are recharged for whatever is to come.

Lyrics

The water is clean.
The air is sweet.
Gold Light shines through the dancing leaves.
The soil is soft.
The breeze is warm.
All tucked away, safe from harm.

Natalie Lain:
natalielain.bandcamp.com/music
Instagram @natalie_lain
www.facebook.com/natalielainmusic

Key-G:
@keygmusic
www.facebook.com/keygmuzic

Lo.Renzo
lorenzochill.bandcamp.com/album/living-water
https://soundcloud.com/lo-renzo-project
https://www.facebook.com/lorenzoproject

Lo.Renzo X Natalie Lain X Key - G - Living Water (Original Mix)

The chorus of this song is sung by Tzutu Kan (a balam ajpu member), one of the teachers at Solar Sound, who is an indigenous Tz’utujil Mayan hip hop artist from Lake Atitlan, Guatemala. In the song, he is saying the names of all the indigenous tribes of Costa Rica, to call them in, honor them, thank them, and connect with them:

Tzutu’s Verse: Chorotegas Cabécares, Bribris, Ngäbe, Térrabas, Borucas, Huetares, Malekus, Kin siq'ij li a b'i iwonojel.

We have decided that all funds raised from the sales of this song will go to Tzutu’s non-profit organization which teaches music, art, and language revitalization to indigenous Mayan children in his homeland.  


A note on the School of Mayan Hip Hop:
“Within the “Caza Ajaw.” School, elements of Hip Hop are reconfigured to create
alignment between Hip-Hop culture and Mayan culture. Caza Ajaw teaches Hip-Hop as
having three elements (Rap, Painting and Music) corresponding to the three stones
traditionally used to make a hearth (or xkub’) in Mayan culture. The use of the xkub’
hearthstones recontextualizes the elements of Hip-Hop from a specifically Maya
perspective. The songs taught in the school reflect the goals of language revitalization within the Maya Movement – encouraging children to use the language among themselves, the use of
Mayan languages in new domains, and an emphasis on the connection between language
use and cultural knowledge.”

So much love and stoke went into the making of this song and this video!

Please share this video, and donate to Tzutu’s organization by purchasing the song, or making a direct donation here and note that it’s for Tzutu: paypal.me/solarsound

Make sure you check out Shakti Sound’s song as well! And check out their music production retreats at www.ShaktiSound.org !

Our next retreat will be online, April 23-25. This one will be a co-creation of Shakti Sound & Solar Sound, called One Sound:
https://www.facebook.com/events/737270980239581

When you subscribe to our mailing list we will send you audio from a music video panel with ATTYA, David Satori of Beats Antique & Dirtwire, and Mose with gems of tips from our most recent immersion. You can learn more, register and reserve your spot now before it fills up at: www.SolarSoundimmersion.com

Please like and share this song as much as you possibly can! 

Chorus:

Chorotegas Cabécares, Bribris, Ngäbe, Térrabas, Borucas, Huetares, Malekus, Kin siq'ij li a b'i iwonojel.

(The names of the indigenous tribes of Costa Rica)
credits

Production Lead: David Satori 
Additional Production: ATTYA & Mose 
Charango: Marcelo Berges 
Owl Flute: Xander Channing 
Vocals: Tzutu Kan, Darren Austin Hall, Gabriel Rima, Hulasko, Roy Levin, Daniel Tardy, Jonathan Barry, Ryan Luckey, Nial Magicfind Mosharrafa, Jasun Plaedo Wellman, Al Phalo, Ronan Harvey, Robin Liepman (Bloomurian)
Mixing/Mastering: David Satori