Remma is a DJ and founder of the DIY station ITMOTR Radio, which has played a significant role in shaping the music culture of the outer Eastern corner of the Netherlands. Remma has played at institutions such as Dekmantel, Garage Noord and had multiple appearances at De School, where he was selected to play one of the final sets at the legendary ‘Het Einde’ closing party. 

For MNMT 458 the young virtuoso shows skills and finesse behind the decks like that of a seasoned veteran, weaving together obscurities from by-gone eras with the freshest cuts into one seamless trip. No big hits, nothing obvious, just pure heads-down hypnotism.

Follow:
https://soundcloud.com/remma0
https://www.instagram.com/_____remma/
https://hetarchief.deschoolamsterdam.nl/sets/14-01-2024_sunday_het-einde_remma_de-club/


MNMT 458 : Remma

Our next artist is based in France, Lastvuska is the co-curator of the Outrebleu event and podcast series and a resident of the HORS-SOL collective. He blends organic, deep, and experimental sounds to create immersive sets. As usual, this podcast begins with an ambient track before flowing into a selection of deep, drum & bass, and halftime tracks. Please welcome @lastvuska-1 

AF117 Lastvuska

Sarah Wreath has spent years moving through different corners of electronic music, sharpening her craft in deliberate yet effortless ways. Ambient, sound baths, live sets, techno, halftime—she doesn’t just dabble; she inhabits these spaces fully, shaping them with a deep understanding of sound and rhythm. Her range is what sets her apart, allowing her to move between intimate, meditative settings and full-throttle dance floors without missing a step.

Last year was a big one. Her debut album on The Bunker NY hit the right people in the right way, opening doors that led to a standout set at The Bunker party in Brooklyn alongside Nobu, Patrick Russell, and Doltz, a tour through Japan, and a string of upcoming EPs—including one for the legendary Sandwell District, set to drop in just a few weeks.

This time last year, we featured Sarah in our Sundays Are For… series with a beautifully haunting set. Today, she flips the perspective. Her Delayed with… mix isn’t just about atmosphere—it’s about movement. The sound is weighty but fluid, shifting between tightly wound rhythms and wide-open space. There’s a physicality to it, driven by thick, rolling low-end and textures that hover between sharp and submerged. It’s techno built for full immersion, the kind that keeps pulling you in without ever demanding too much.

Sarah Wreath is one of those artists who make techno feel limitless. And if this mix is any indication, she’s only just getting started.

https://soundcloud.com/sarahwreath
https://www.instagram.com/sarahhwreath

Photo by: https://www.instagram.com/kenneth.scott1/

Text by @gilleswasserman

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Delayed with... Sarah Wreath

Fresh off the release of her excellent debut album ‘Percussive reverie’, we welcome Aerae for MNMT 462. Aerae's music is shaped by the organic and unpredictable forces of the natural world. In the hands of the rising French artist, techno, downtempo and drum & bass are molded into unrecognizable forms, where evolving textures lock into enveloping and ritualistic grooves. 

Tune in now for a deep trip diving into the psychedelic pulse of Aerae's sound. As the mix descends into the abyss of sonic sorcery and tribalistic hypnotism, you just might lose yourself, or your grip on reality - but for a mix this good it’s a price worth paying. 

Follow:

https://soundcloud.com/aeraemusic
https://www.instagram.com/_aerae__

Monument x Carbon

Carbon is a new music platform designed by and for fans of electronic music. Carbon's goal is to provide a more convenient platform to discover new and relevant content while improving revenues artists and labels can earn from streaming. Visit: https://urlr.me/mNtbwu


MNMT 462 : Aerae

Utrecht's Vand delivers an elegant mix comprised entirely of unreleased work from the artist and ISOTOOP curator (including several yet-unearthed collaborations with close contemporaries & label favorites) alongside selections from his recently released Trialism EP. Vand's mix envelops as it unfolds, an eidetic, dawn-hued journey of carefully kinetic sound, showcasing a true craftsman in top form and offering a captivating glimpse at the future to come. Thanks Viktor!

@vandmusic

Artwork by Angelina Nikolayeva.

Sure Thing Mix 138: Vand

Ten years of On Board Music—it speaks for itself. We’ve been collaborating with them almost since the beginning, watching them grow steadily while staying true to their values—thoughtful curation, long-term relationships, and a real commitment to the artists they work with. Reaching a decade in this industry without compromising is something worth celebrating.

For their anniversary compilation, they brought together a group of artists who reflect that spirit. Among them is Jin Synth, whose track Self Navigation adds a spacious, introspective layer to the release. We first met Jin at Mostra Festival a few years ago and have been following her work since—whether through her releases, her live performances, or the way she approaches sound as something deeply hands-on. She also contributed a guest mix to our series, offering another glimpse into her precise, layered style.

In this conversation with Theresa Bäumel, Jin shares more about her background in sound art, her process of building custom instruments, and how she stays grounded in a constantly shifting scene.

Read the interview: https://www.delayed.nyc/delayed-blog/artist-of-the-moment-jin-synth

https://www.jinsynth.com
https://soundcloud.com/jinsynth
https://www.instagram.com/jinsynth/

Buy the "On Board 10" compilation: https://onboardmusic.bandcamp.com/album/on-board-10

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Contact us: 
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Interview + Tracklist

Delayed with... Jin Synth

We’re two weeks away from Mostra 2025. Final prep is in full swing, and over here at Delayed, we’re marking the moment with a special one. A two-hour recording from ABSIS—Mostra resident, local legend, and someone who’s been quietly shaping his own corner of the scene for years.

This one’s from Gare Porto, aka the Portuguese tunnel—one of those rare venues where the setting does half the work. ABSIS played alongside Nico and André Cascais for one of the recent Extramostra nights, and what came out of it is something else. A deep, locked-in ride that doesn’t bother with the usual build-and-drop patterns. It’s not about reaching some peak moment—it’s about staying in the zone and letting things unfold naturally. This set is pure spiral techno—deep, hypnotic, and tunnel-vision tight. It moves with that kind of quiet intensity that sneaks up on you. No flash, no filler. Just steady pressure and perfectly measured pacing. Like being pulled along some underground Iberian rail line, eyes closed, body moving on instinct. ABSIS keeps full control from start to finish, guiding the whole thing with an ease that only comes from time and taste.

You can feel the room in the recording—the acoustics of the tunnel, the crowd syncing up, that low-end weight that holds everything together. It’s a full-on experience, even in playback. There’s something about this set that sticks with you. The way it just moves—no big drama, no gimmicks, just pure direction and control. It’s the kind of mix that makes you wish you were there… and also kind of convinces you that you were.

ABSIS doesn’t overstate anything. He doesn’t have to. He locks into a mood and stays there, pulling everyone in with him. And if this set from Gare Porto is any sign of what’s coming—then that closing slot at Vall d’Hebron is going to be serious.

Hold tight. Mostra’s almost here.


https://soundcloud.com/absismusic
https://soundcloud.com/mostrabcn
https://www.instagram.com/absis_music/
https://www.instagram.com/mostrabcn/

write up by @gilleswasserman

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Mostra tickets

Delayed x Mostra: ABSIS

Berlin’s Refracted has been a name dear to us for some time, having contributed a remix to our inaugural label release nearly six years ago. The Paral·lel co-curator and resident has cultivated a devoted following over the years for his uncompromising vision developed through a remarkable catalog of releases for label such as Silent Season, Bitta, Sublunar and his own Mind Express. For our series Refracted contributes a mix true to his signature style, crystalline and patiently layered with unwavering intent, drawing across decades and genres to invite us into a divine state of mind. Thanks Alex!

@refracted-music

Artwork by Mei Oele - Boser Tritt.

Sure Thing Mix 140: Refracted

Tongues of Concrete is a cinematic industrial techno journey through rusted ruins, decaying systems, and mechanical sorrow. Each track pulses like a broken signal from a forgotten future, echoing with melodic tension and haunting beauty.

Blending raw industrial textures, deep rhythmic drive, and epic ambient atmospheres, this EP tells the story of a post-human world where machines remember more than we’d dare.

For lovers of dystopian soundscapes, cold emotions, and techno that breathes like iron lungs.

All tracks written in rust.



Unit Nine Is Counting

This is an Unofficial Mix by me. It won't be released or be available for download. 
 https://carlcraig.net/home

At Les (Christian Smith's Hypnotica Remix) (Main Doors 2025 Mix)

Cerulean (Single)

Cerulean (Central Vortex Mix)

Delayed is a source of deep, minimal, and micro house, techno, ambient and beyond. Follow us for new mixes, fresh releases, and exclusive interviews with distinguished and rising artists.

Founded in Brooklyn and run by a team of music producers, DJs, and perpetual music addicts.