Winter has a way of slowing things down. Certain comforts stand out in the quiet of these colder months—a warm drink in hand, the familiar weight of a well-worn sweater, and a mix that carries the depth and warmth of something tangible, something analog. That very sensation defines the work of our next guest in the “Delayed with…” series: Velvia, a multidisciplinary artist from Paris whose love for analog textures runs through his photography and music. Whether capturing light on film or digging through his ever-expanding collection of records, his approach is driven by a deep appreciation for detail, process, and the imperfections that make things feel alive.

Marking a special milestone, Velvia takes the reins for the 150th edition of the series, guiding us through the submerged world of dubby house and techno, where atmosphere dictates movement and groove follows instinctively. The transitions unfold with an understated elegance, weaving together sounds that resist rigid categorization. Somewhere between structure and spontaneity, this mix lingers in the undefined spaces, embracing the beauty of subtle shifts and evolving textures.

Much like the film stock he takes his name from, Velvia’s work is all about depth, contrast, and a heightened sense of reality. This mix is no different. It doesn’t just fill the room; it sharpens the details, deepens the shadows, and brings the moment into focus.

https://soundcloud.com/velvia50
https://www.instagram.com/alexandremkfilm/


write up by @gilleswasserman

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Delayed with... Velvia

Delayed is a source of deep, minimal, and micro house, techno, ambient and beyond. Follow us for new mixes, fresh releases, and exclusive interviews with distinguished and rising artists.

Founded in Brooklyn and run by a team of music producers, DJs, and perpetual music addicts.

All reposts are mixes that I have actually listened to myself.

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Is what it is....

One Love~





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“Music produces a kind of pleasure which human nature cannot do without.”
― Confucius

Hello to everyone, I'm just a music listener since I was born "1974"!!! Without music the world is wishy-washy.
I've done voice in a punk band called "Breakdown Brain" here on my land, but since invented Techno,
I follow the style with nails and teeths, thanks to Speedy J, Oscar Mulero, Chris Liebing, Plastikman, Ken Ishii, Emmanuel Top, Anthony Child, Fumiya Tanaka, Richard D. James, Autechre, OrbitalJeff Mills, Chris Knowles and all the Liberators, Guy McAffer, CJ Bolland, Green Velvet, UR, Laurent Hô, Miss Djax, N-Son-X, Daz Saund, A.Paul, DJPepo, D.A.V.E. The Drummer, FSOL, Hardfloor, Acid Junkies, Mário Roque, Jesus del Campo...
and many more...! You know what I'm talkin about!
I don't know why I never got into production and DJing, maybe one day (it's a project) ...
Thank you all for your work and good luck to everyone! Good job SoundCloud!
"LET THE MUSIC TAKE CONTROL!!!"
Thank you guys for the TECHNO I've been hearing here at SoundCloud and around the world with you ALL!!!

Booking: chris@moodfamily.net

Tijn Driessen is what we call a born musician. Since 2013 he has been working as a session musician with roots in improvised music. But there’s a certain energy on the dancefloor that called for his attention. After moving to Ghent in 2018, Tijn has been surrounding himself with an increasing number of electronic music devices. He started producing his own tracks and has been combining his skills on the piano with electronic beats. For his first solo releases he found Moodfamily label (Ghent) as a partner in crime. By now he also released on Ritual Recordings (Paris), Minds Alike (Miami) and WZW Records. Tijn Driessen his sound is still evolving, but bookers abroad start noticing him. After regular performances in Funke (Ghent) en Broei (Ghent), he was invited to play Klunkerkranich and to be the support act of Stavroz. Lately, he is also adding vinyl and a more hybrid approach to his DJ sets.

Tijn Driessen loves improvisation. When he plays live, he’is the conductor of his own electronic orchestra. He’ll be tweaking drum computers, rearranging songs or just downgrading them to 1 loop. It’s all about (de)construction, feeling a vibe and diving into the rabbit hole. His live setup forces him to improvise on the spot. Nobody knows where we will end up, including Tijn.
Tijn will always try to create a cosy warmth and a loving atmosphere. He’s not afraid to switch it up or throw in some vocals or a guilty pleasure. Behind the decks there are even less restrictions. “Not too much prep please, I’m throwing a curveball.” In short, Tijn needs to feel free.