Today’s musical feature comes in the form of Aussie, Sean La’Brooy and a track from his forthcoming release, ‘There’s Always Next Year’. Sean runs the stellar imprint, Analogue Attic with Alex Albrecht, and both are no strangers to us at Delayed. Their releases have always garnered our support whether through nuanced ambient musings, or their housier ambitions.

140 to the Pin falls under the latter as Sean has created quite a nice little number that tickles quite a few different auditory feelings. The song begins with a solitary saxophone played by Greg Carleton, its tone pure and warm, playing a simple and soothing melody. The notes, carefully chosen to evoke a sense of serenity, like ripples forming on a calm pond. As the song progresses, the saxophone's melody is accompanied by a catchy drum sequence, but delicately so. Building and building we go into the main body of the track where the groovy bass line undulates as the saxophone flashes in and out behind a catchy melody.

140 to the Pin, and the rest of Sean’s ‘There’s Always Next Year’ will be released on the 25th of August. 
Write up by @huedj

@analogueattic

https://www.instagram.com/sean__labrooy/
https://www.instagram.com/analogue_attic/

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There's Always Next Year

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PREMIERE: Sean La'Brooy - 140 to the Pin (ft. Greg Carleton) [Analogue Attic]

Delayed is a source of deep, minimal, and micro house, techno, ambient and beyond. Follow us for new mixes, fresh releases, and exclusive interviews with distinguished and rising artists.

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musician Anton - INCOMIDE seentax_x (aka racingpoltergeist)(eexlufs)

( Co-founder:  Visioner Records, )

(Samenwerking: flac.udm)

Alles in Einem II Eines in Allem.
I like words & music. 
Ein Herz für Banger.
Ist doch alles nur Spaaaaaaß.

-Music allows you to become unpredictable. 

Remix + bookings + all other enquiries hit me at: berntforlife@gmail.com
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The BERNT project and pseudonym was born from tragedy, as the artist escaped his flat in Paris where his best friend had taken the life of his other best friend. Both were his flatmates, and the pair were hiding a relationship due to one of the friends hiding their sexuality, driven to being so secretive for fear of judgement from their family.
Dealing with immense trauma and grief, BERNT immersed himself in his music – a process that redefined his perspective of love, friendship and loss. It was through his escape from his hometown, La Rochelle in France, to L.A., that the name that would later define his project came into being.