Slow bass impro (Download)

Znoj FM #10 (15.04.2023) Live at Radio 80000
1st hour: Sarmabot
2nd hour: Notte Infinita

Znoj FM #10 w/ Notte Infinita

After some time we are very excited to announce our new EP by French pals @atomic-moog. With amazing releases on @lowless-music, @monument-podcast & @delsinrecords we are huge fans of their music and their approach to production and feel they are a strong fit for what Appian is all about : ) On show here are warm, heavily textured cerebral journeys densely packed with analogue atmosphere and feeling, with Dub at its core. We think they have created something very special indeed.

Timeless cuts to suit all intimate dance floors.

12" Release. Artwork By Philip Mitton.

Comments & Feedback appreciated. ENJOY :

Atomic Moog - Early Birds

Koscoy - Esker (Bluecommand Re Interpretation)
Other Landforms [ST077 / Secuencias Temporales]

Produced by Socorro Izaguirre aka Koscoy
Additional Production by Mariana Cosio Tornel aka Bluecommand
Mastered by Jorge Eafhm at Secuencias Temporales Studio
Artwork by Scencist
Released by Secuencias Temporales from México City, México
Release Date : August 26th. 2024

Bluecommand (CDMX, Mexico)
https://soundcloud.com/blue_command
https://www.instagram.com/blue__command

Koscoy (CDMX, Mexico)
https://soundcloud.com/koscoy
https://www.facebook.com/KosCoy
https://www.instagram.com/koscoy

Secuencias Temporales
https://soundcloud.com/secuencias_temporales
https://www.facebook.com/secuenciastemporales
https://www.instagram.com/secuencias_temporales
https://secuenciastemporales.bandcamp.com

Oslated.
http://www.oslated.com

Other Landforms

Esker (Bluecommand Re interpretation)

Support & Buy

Koscoy - Esker (Bluecommand Re Interpretation) [Secuencias Temporales]

Neural Hypnosis w/ IUS | TO-130824

Integration EP [The Bunker New York BK048]

Sarah Wreath - Mala

PREMIERE : Marek Bartůněk - Every Planet We Visit Stays Dead  [Inzajeano's Transistor Remix]

https://platformminimal.bandcamp.com/album/the-viking-program

In the vast expanse of our cosmos, each human encounter forms a constellation—a fleeting alignment of stars illuminating the darkness of our solitude. We traverse these celestial bodies, orbiting others, drawn by the gravity of shared experiences and emotions. Yet, how often do we land upon these planets—these people—only to find barren landscapes devoid of the life we once imagined? The air is thin, and the soil yields no harvest. Every planet we visit remains dead.

This is not a physical death, nor the finality of existential cessation, but a death of potential, of growth. It is the realization that those we once thought vibrant have remained untouched by the currents of time, unchanged by the flux of experience. In these moments, we confront the stillness of their being and the immobility of their thought. The life we anticipated finding in their presence is a mirage, a projection of our desire for meaning and connection.

Roland Barthes spoke of the “death of the author,” suggesting that the interpretation of a text lies in the hands of the reader, not its creator. In the same vein, we might be complicit in these lifeless encounters. As the readers of others’ lives, we impose narratives upon them, expecting evolution, change, and enlightenment. When we find none, when the text of their existence remains unaltered, we are confronted with our disillusionment. It is we who have authored the expectation of their transformation, and it is we who must reckon with their inertia.

In his reflections on seeing, John Berger reminds us that “the relation between what we see and what we know is never settled.” When we meet those from our past, what we see is coloured by the knowledge we have since acquired—the awareness of our becoming, our transformations. We have journeyed and changed and look to others to affirm our evolution. But what if they are blind to their potential? What if the world remains flat to them and the stars are fixed in the sky?

To encounter these static souls is to confront the possibility that they are always dead. It is to acknowledge that not all who breathe are alive in the truest sense. Some are mere echoes, reverberating in the chambers of our memory, lacking substance in the present. They are the shadows on the cave wall, the ghosts of what might have been unanimated by the light of experience.

Thus, every planet we visit remains dead, not because they have failed us, but because they have remained themselves. They are the fixed points around which we orbit, measuring the progress of our voyage through the contrast of their stasis. In this realization lies the paradox of human connection: to see others is to acknowledge their limitations, and in doing so, we come to see ourselves more fully. The death we observe in others reflects the death we fear in ourselves—the death of growth, change, and the capacity to become more than we are.

To leave a planet behind, then, is not an act of abandonment but of survival. It is to recognize the necessity of moving forward and finding those rare celestial bodies where life does flourish, the soil is fertile, and the air is filled with possibility. Only in these living encounters can we continue to evolve, learn, and truly inhabit the brief span of our years.

Platform Minimal / PM002
Written and Produced by Marek Bartůněk 
Mastered by Beau at Ten Eight Seven Mastering
Artwork & Copy by Inzajeano

Release date - 16th September 2024

Marek Bartůněk
Soundcloud : @marekbartunek
Bandcamp : marekbartunek.bandcamp.com
Instagram : www.instagram.com/marekbartunek_/

Inzajeano 
Soundcloud : @https://soundcloud.com/Inzajeano
Instagram : https://www.instagram.com/inzajeano_sounds/

Platform Minimal
Soundcloud : @platform-minimal
Bandcamp : platformminimal.bandcamp.com
Instagram : www.instagram.com/platform_minimal/

The Viking Program

PREMIERE : Marek Bartůněk - Every Planet We Visit Stays Dead  [Inzajeano's Transistor Remix]

Dutch artist Stefan Vincent returns to Amsterdam-based imprint MUSAR Recordings to conclude the melancholic journey he began with the 'Pre' edition last June. This release tells an honest, raw story of embracing solemn moods and the positive, transformative impact they can have on life.

The track ‘You Know This Isn’t Going To End Well’ begins with a sense of curiosity, drawing us into its intriguing atmosphere. Melancholy underpins the whole release, and that’s the same for this track, imparting an ominous tone, yet tempered by a subtle, whimsical touch in the melody. This melody is juxtaposed against the dynamic contrast of drum and bass patterns and IDM foundations, creating this captivating interplay, full of class.

As the track progresses, it becomes increasingly hypnotic, with a steady rhythm that drives forward with subtle persistence. Like travelling down an endless street, the destination seems unclear—until suddenly, everything falls into place. One thing is certain: this journey ends well.

You Know This Isn’t Going To End Well the rest of the ‘Post Melancholy’ release will be available to buy on vinyl and digital on September 20th.
Write up by @danpeplow

@stefanvincent
@musar-recordings

www.instagram.com/stefanvincent_/
www.instagram.com/musar_recordings/

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Post Melancholy

PREMIERE: Stefan Vincent - You Know This Isn't Going To End Well [MUSAR ]

Something I whipped up in 2020 and mixedown once my skills improved. This was a lot of randomness atuned to order. 

Bad Sun (WIP)

School Spirit

In my childhood i played with action figures and with the time the lore gets bigger and bigger.today i could make a cinematic universe with this amazing story.One of the protagonists is logan and i want to give u all an example of my new album ,,Incredibles``

Logans origin

Delayed is a source of deep, minimal, and micro house, techno, ambient and beyond. Follow us for new mixes, fresh releases, and exclusive interviews with distinguished and rising artists.

Founded in Brooklyn and run by a team of music producers, DJs, and perpetual music addicts.