Salvador Torré is a composer and multidisciplinary artist. Composition Professor at the National Conservatory of Music of Mexico. He has a doctorate in Sorbonne University-Paris-VIII. 

All through the Paris of 1980s  Salvador Torré study with practically all the European composers active at that time, Messiaen, Xenakis, Ligeti, Stockhausen, Berio, Boulez, Ferneyough, Grisey, Murail, Taïra, Betsy Jolas , Sergio Ortega, Group of the GRM, IRCAM, Superior Conservatory of Paris, etc.

In 1998 he is invited as a resident professor for one year at Montreal Conservatory of Music in Canada.

As a composer, he has won awards around the world, we can cite the 1st. Composition Prize awarded, performed and recorded by The London Schubert Players in London England for the work "Clouds".

Salvador Torre's works have been performed among other places, in the United States (New York, San Francisco, San Diego) in London (Royal School of Music) in Paris (Georges Pompidou Center) in Germany (Darmstadt Festival) Canada, Japan, Finland, Romania, Slovenia, Chile, etc. and in the most prestigious festivals in Mexico. 
His works have been recorded through more than fifteen CDs. 

He is professor at the National Conservatory of Music of Mexico from 1990 to date and since 1997 a member of the prestigious distinction that his country gives him, the National System of Art Creators.

Berlin-based British composer
www.rebeccasaunders.net

Jonathan Thompson is a Mexican-American oboist, recitalist, and college lecturer in Dallas. He completed is DMA at the University of North Texas. He is formerly a lecturer at Northwestern University, teaching the Double Reeds Techniques Class for Bienen's Music Education Department. He has performed with the Civic Orchestra of Chicago, the La Crosse Symphony Orchestra, the South Bend Symphony Orchestra, the Chicago Composers Orchestra, and the Wisconsin Philharmonic.

He is the oboist for Fonema Consort, a contemporary chamber music group based in Chicago, Illinois. 

Jonathan attended Northwestern University, where he graduated in 2011 with department honors. He studied with Michael Henoch and Scott Hostetler. He stayed at Northwestern to complete his masters degree where he was awarded the School of Music Eckestein Scholarship. Upon graduation in 2013, he became the first recipient of the Ray Still Award.

Walter Zimmermann
(b. April 15, 1949, Schwabach, Mittelfranken).
German composer of stage, orchestral, chamber, choral, vocal, piano, and electro-acoustic works that have been successfully performed and recorded across Europe.
Prof. Zimmermann learned piano, violin and oboe at an early age and began composing at age twelve. He attended the Fürth Gymnasium, where he studied piano with Ernst Gröschel. From 1968-70, he was pianist in the Ars Nova ensemble in Nuremberg and studied composition with Werner Heider. From 1970-73, he studied with Mauricio Kagel (at the Kölner Kurse für Neue Musik) and at the Institute of Sonology in Utrecht (with O.E. Laske) and the Jaap Kunst Center of Ethnology in Amsterdam.
In 1974, Zimmermann began his stay in the USA, first in Hamilton, New York to study computer music, and then around the States to have conversations with 23 American composers (which were published in the book Desert Plants). In 1976, he recorded folk music in the Siva Oasis, in a ghetto in Pittsburgh, an Indian reservation in Montana, and in the Fürth hinterlands. In 1977, he opened his Beginner Studios in Cologne and gave regular concerts of new music until 1984. In 1992, he and Stefan Schädler organized the Anarchic Harmony Festival in Frankfurt to honor John Cage on his 80th birthday.
He has received numerous awards, including the Förderpreis from the city of Cologne (1980), First Prize at Ensemblia in Mönchengladbach (1981), a scholarship to stay at the Villa Massimo in Rome (1987), the distinguished Prix Italia for his Die Blinden (1988), and the Schneider-Schott Preis (1989).
He has taught composition at the Liège Conservatoire (1980-84) and in Karlsruhe (1990-92) and has been Professor für Komposition at the Hochschule der Künste in Berlin since 1993; he has also lectured at Darmstadt (1982, 1984) and at the Royal Conservatory in Den Haag (1988). He has written the books Desert Plants (1976), Insel Musik (1981) and Morton Feldman Essays (1985).

Vocalist Nina Dante is a soloist, chamber musician, and improvisor. She specializes in experimental/explorative music.

Iván Sparrow is following