Time Knot

Ivan James - Time Knot (Audioglider Remix)

Saturo Sounds is a collective of global DJs broadcasting live 24/7 alongside a Beatport chart-topping label and events team. Curators from around the world playing the deeper side of house and techno. We love to hear new talent and host a live chat during our DJ's shows. Catch up here and please be sure to head over to www.saturosounds.com for profiles, mixes, and more. 

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I've been listening to electronic music since I was old enough to tune into the John Peel show on Radio 1. Peel first introduced me to Chicago House, Detroit Electro and Rap. I would listen to an entire show with my finger hovering over the record button of my 'tape-recorder' close to the radio speaker just to record whatever 3 electronic imports he would play each night. I wish I'd kept those recordings.
From the moment I first heard 'Roxanne Shante' I sought out everything I could ranging from Kraftwerk, Mike Oldfield, Kurtis Mantronik, Africa Bambata, Grandmaster Flash, Gorgio Morodor, Axel-F, Jean Michel Jarre and just about anyone who used a synth to make music! With the arrival of House in the mid-late 80's the likes of Marshall Jefferson, Frankie Knuckles, Farley Jackmaster Funk, Steve Silk Hurley, Adonis and many more American underground House producers, the music had developed into a new, seriously exciting phenomena.
Music progressed at pace with House and Acid imports driving change, the UK in particular underwent an epiphany of sorts in the 80's and 90's. From Break-Dancing to New Romanticism, the music developed, finally morphing into the early genres of Acid Trance, Techno and Progressive Trance. Heavily influenced by American and underground Dutch and German artists and with the advent of clubbing and non-speaking mixing DJ's, it opened up a Pandora's box of new music, influences, sounds and styles. What that amounted to for me (and most others like me) was an ever-growing range of electronic music that was continually breaking free from pigeon-holes and mainstream pop culture. Electronic music had become the new classical music of a generation.
I can only say that electronic or computer music has evolved beautifully in the past 40 years and I love it as much now as the day I first heard John Peel play fantastic American imports.
I'm not anything more than a bedroom DJ and electronic music enthusiast. I have the greatest admiration for those who DJ publicly and seek to build a following or career from DJing, but that’s not a path I’ve tried to follow. I do love to put together great tunes, so for me using this sort of platform for sharing music is perfect for me. I do mixes both on my decks and using Ableton, as sometimes I find it easier to create a journey through that medium. 
As for making music, I’m slowly finding my way around Ableton in order to bring life to the musical ideas rolling around my head. 
Anyway, I hope you enjoy the mixes I post, please give me some feedback and if nothing else, support the artists themselves and buy their music.

Angrish

GONETCHA revient avec une nouvelle sortie.
“CALÉ COSY” est un mini album évoquant notre volonté de rester tranquille en ignorant certaines choses.
Un chant captivant, des instruments et effets énergiques, et des arrangements créatifs font résonner de nouveaux aspects de la musique de GONETCHA.
Le style coloré, subtile et novateur de GONETCHA repousse les limites habituelles.

Le titre “Pris dans l'Entonnoir” propose de mystérieuses analogies, des structures inspirantes, et un chant particulier que seul GONETCHA peut délivrer.

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GONETCHA is back with a new release.
« CALÉ COSY » is a mini album evoking our will to stay put and ignore certain things.
Captivating vocals, energetic instruments and sound effects, and creative arrangements make new aspects of GONETCHA’s music resonnate.
GONETCHA’s colorful, subtle and inovative style stretches the usual boundaries.

The song « Pris dans l'Entonnoir » shows off mysterious analogies, inspiring patterns, and particular vocals only GONETCHA can provide.

Hailing from Durham, England, Phil is resident and co-promoter for Promise. His style spans organic and progressive house, trance to techno and beyond. He's all about the melody and energy and his sets always get the pulse racing! He's been DJ’ing for over 25 years and as well as Promise you can catch him playing for parties like Progress:ON, Goodgreef and Dave Pearce’s Trance Anthems. You'll also hear him every month on Saturo Sounds with his radio show, SHADES and also on Method Radio with his new show, BLOOM. 
This year Promise had a new beginning and we expect to see lots more of Phil alongside some exciting bookings as it cements its position back on the Newcastle club scene.

Saturo Sounds
JourneyDeep Records
Krafted Underground
Re:Sound Music
Mirabilis Records
Emotional Content Recordings
Another Life Music
Astir Recordings
64k Recordings
Gruvstation
Gibbon Records
DeepDownDirty

Podcasts, Bookings, Remixes and such: AKIVA.prog@gmail.com

Latest releases:

https://www.beatport.com/artist/akiva/572633

'I cherish the sounds that we are able to create using digital, and analog machines - an extension of our human minds and imagination.'

AKIVA is a melodic house and techno producer/DJ/live act based in Los Angeles producing and curating music inspired by the progressive house scene of the early 2000s. 

Topping Beatport charts with music on underground labels such as 3rd Avenue, Arey, ARRVL, Balkan Connection, Dear Deer, Deedmusic Berlin, Gibbon Records, Hexagonal, ICONYC, JourneyDeep, Later Caked Melodic, Mystique Music, Pro B Tech, Sound Avenue, Saturo Sounds and more. 

AKIVA has shared the decks with who’s who of electronic dance music greats such as Alan Nieves, Alex O'Rion, Amber Long, Amir Telem, Anthony Pappa, AUDIOGLIDER, Cid Inc, Cream (PL), Dave Seaman, Dennis Ferrer, Desna, Francesco Lombardo, Galestian, Guzy, Hernan Cattaneo, Higgins, Ian Dillon, Jaap Lighthart, Jay Hill, Jonas Saalbach, Juheun, Juliane Wolf, Khen, Lonya, Made in Paris, Markus Saarlander, Miyagi, Modus, Pete Moss, Squire, Sonic Union, Steve Marx, Steve Parry, Technasia, Viviana Toscanini, and more. 

AKIVA started his journey through music with Jaco Pastorius. The rhythmically diverse and bass-driven fusion style, presented to him by his father and uncle's jazz records, prompted his purchase of an Ibanez bass guitar. Along with jazz, he developed a love of smooth tenor and alto saxophones and, string sounds of the violin and viola through his love of classical music. 

While he was jamming out to heavy metal and classic rock in high school, Akiva discovered electronic music on NYC's KTU station. AKIVA immediately started playing progressive and goa-psytrance songs with his friends at parties. House and techno music were still considered underground at that time. As the scene grew, both in NYC and abroad, he spent waking hours adding to his music collection and refining his production skills. 

AKIVA brings passion from all of his beloved musical genres, world music, and the classical inspirations of old school techno and house, focusing on the ethereal and deep melodies found across the world today.

Huge fan of electronic music and mixing, from ambient to breaks.