Legowelt
♫ ♫ ♫ Renegade of a New Age ♫ ♫ ♫

http://www.legowelt.org
Bandcamp:  https://legowelt.bandcamp.com

for International bookings contact: 
rene@octopus-agents.com
https://octopus-agents.com/legowelt

Other enquiries mail:  info  (AT) legowelt . org

The Sound of Tomorrow • https://soulection.com

Soulection Radio •  Sundays @ 9AM | 12PM NY | 5PM LDN on Apple Music 1  - Hosted by @JoeKay

	L PRO entered the music scene with his first record "Uncharted Regions" produced by D-Wyze in 1996. This album featured guest appearances by the Lifesavas, Cool Nutz, Destro and others. 

Ultimately, this album proved to be a well rounded album and received accolades from XXL magazines Adisa Banjoko who noted, "these cats are nice, real nice; from the opening track, Navigation to Four Oclock in the morning and No Matter, you can tell that D-Wyze and L Profound aint new to this." Banjoko continues with... "They have true skills and lace the album with a tone of positivity that doesnt come off as corny or condescending."

After the release of Uncharted Regions, Grassrootz disbanded and Dwyze travelled to California to continue his work as a producer. Co-producing the joint Spark the Underground in Long Beach, California. In the following years, L PRO experianced some personal set backs which ultimately kept him out of the studio for a time. After a while, PRO entered back into the studio with Soul P and was featured on Soul P's Simply Soul, and Soul Affect.
After this project, PRO was back in the studio to work on the biographical "Chronicles" with producer Arkitek and executive producer Rev. Shines of the Lifesavas. This record featured guest appearances from Libretto, Destro, and Syndel of Sirens Echo. 

This record proved to be a solid joint and left many wanting more from this emcee. Not long after the release of Chronicles, L PRO started his work with producer 5th Sequence. 

This was the beginning the "Vertigo". A collection of hard hitting drums, solid lyrical skills and thought provoking concepts for true Hip Hop fans. With this record being released soon, L PRO remains committed to bringing a new sound to the pacific northwest and the world. With solid collaborations with Angel, Asa, Price Tag and others....Vertigo is promising to bring what many expect from L PRO. 

Vertigo promises to give people one message from PRO. "I AM"

Bookings CANADA
grant@midnightagency.com

Bookings Rest of World
bookings@jacklndn.dance

Management
mgmt@jacklndn.dance

Promos
promos@jacklndn.dance

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


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