My sincerest gratitude to Nick R. Davies for his amazing skills as a writer and novelist.

We left late in the night with all the other kids from the street.  It felt exciting and strange. Strange because Mama was scared and Tato wasn't with us. Mama said he needed to stay to make us safe like all the other fathers. She kept holding me into her and rubbing my back. The bus was cold and noisy, some of the children crying, some singing and shouting. We left Brovary in the pitch dark and once the bus quietened a little I looked out of the window for cars and lights,  but there were few. I counted bridges. I remember five but I was sleepy and couldn't be sure. Our journey seemed to last forever. Each time we stopped I would ask Mama whether we were close,  but I don't think she knew. She was checking her phone a lot, but I think Tato must have been busy. I talked to my doll when Mama wouldn't talk to me anymore.

We arrived in Lublin in the early morning.  It was snowing and there was a big crowd of people.  They gave us food and blankets. I couldn't understand what they were saying. I had a hot chocolate and cake before we were taken to a hotel.

When I heard Mama on the phone and then crying, I was frightened. She went to cry on her own in the bathroom and I was sad I couldn't help. I left the hotel and walked for miles. I found a bridge. There were only four more to find before I could get back to Tato. I started calling for him. Over and over and over..with each step into the dark cold night.

When Mama and her friends found me, I was still calling for Tato.  I told Mama there were only four more bridges. No dear, she said, crying and shaking..there were many more you didn't see..there are too many bridges to see Tato. Too many bridges now and for a long time.

29/March/2022

Too Many Bridges MAY GOD BLESS THE UKRAINIAN PEOPLE Text by Nick R. Davies

Terrible bass player with shifty equipment

I am a singer songwriter producer from the North West in the  UK.....I love Jazz and Soul...in fact  all music brings me joy!, My music has had mainstream play on The BBC music app  on The Sun Lounge  show with Adam Dunning and BBC introducing  in Manchester with “ Roesh”  Jazz FM Curved Radio in Australia  and  KJazz radio UK . Please go over and  listen to my music on  Spotify.    I have been very lucky to have collaborated with some very talented musicians and singers, and a special thanks to all of them because I have learnt so much and I am still learning.Please check out my recent interviews with Meryana Tamera on Radiosparx!

Hello
I like jazz and music of the instrument of the fusion.
The music that I uploaded here is own composition.
I am interested in commercial music.
They make music, but, using DAW, the basics regard real-time recording as important recently.
Pond5 (high resolution): https://www.pond5.com/artist/enogoo787281
subscription: Apple music / You Tube music / TOWER RECDRDS MUSIC 

My daughter's quote...






























"Angels talking through your music....."

I hope you will enjoy listening......

Thank you for your time here....

This is what I did.
Fast asleep now
Time was our only enemy 
Be good
Nick

https://progettosonoro.bandcamp.com/follow_me
progettosonoro è Marco Mascia, accumulatore seriale (e parallelo) di strumenti musicali e oggetti sonori e (non)musicista. Dal 2007 fa parte (con Manuel Lain) del duo Le Pecorecaramellate che ha all'attivo un Cd (Una botte e via! edito da Sesto Esercizio Records) e ha partecipato (Cagliari, 10 Ottobre 2015, Nuovo Panificio) al Multiversal EXP-OFF. 
Il 1 Maggio 2016, sempre al al Nuovo Panificio, ha partecipato, con la Roaring Pianolas Orchestra, alla perfomance live "pianoltre"

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

Some kind of music in my head! ). And I can't do anything about it. 

You can listen to my songs here:
https://youtube.com/@athanasiusis?si=J7rEgyHuvmYzWFrV

I didn't choose this obsession it was chosen for me unknowingly.
Lucky me no regrets.

Too Many Bridges MAY GOD BLESS THE UKRAINIAN PEOPLE Text by Nick R. Davies

J.Rivas