MamaRudeGyal MTHC is a young female hip hop artist representing many demographics across the nation. As a Multi Ethnic young mother she strives to inspire people from all walks of life, just as she's been inspired by people from all walks of life. Many of MRG's Future goals surround the betterment of the common man, for the good of our collective futures, She uses her music to give her voice strength enough to make a change in the personal lives of some, and if its meant to be, society and the world. 

While MamaRudeGyal MTHC's Most important musical Influences are Jimi Hendrix, Esthero, No Doubt, Erykah Badu, Aaliyah, Selena, Missy Elliot, Wu Tang Clan, M.I.A., Alt - J, Band Of Horses, Radiohead, Yeah Yeah Yeahs, Portishead, Quasimoto and more; She always draws upon her vast library of influences when in comes to creating music. MRG has never been a person who subscribes to a specific genre, or set thereof; opting instead for a wealth of variety. Being the former bassist and lead vocalist of a mid-pubescent heavy metal band, many of her early influences were the likes of Jimi Hendrix, Pantera, Slipknot, Slayer, Rage Against the Machine, Anti-Flag, Megadeth, Metallica, System of a Down, Barn Burner and really anything containing many Audibly pleasurable layers of technicality blended perfectly with the beautiful freedom of the creation of art, no matter the genre or demographic. 
That being said, due largely in part to her Multi Ethnic background, many of her influences are so varied that some are even polar to each other. She's been surrounded by World Music from all over since her early childhood, like Gypsy Kings, Early Shakira and the beautiful Buena Vista Social Club, various african music and Brazilian Folk, Pow Wow Music, Flamenco, Dancehall, Soca ect. She grew up listening to Bob Marley, Jay - Z, Marilyn Manson, Limp Bizkit, Korn, The Cranberries, Busta Rhymes, and when influenced by her older sister began listening to Nouvelle Vague, Metric, The Knife, Crystal Castles, Air, Broken Social Scene, Tom Waits, Ok Go, Mum, Interpol, ect. Other influences worth mentioning are K-OS, KRS-One, Angel Haze, Slum Village, A Tribe Called Quest, Major Lazor, Schoolboy Q, Die Antwoord, Status Krew, The Weeknd, Popcaan, MF Doom, Job for a Cowboy, The Black Dhalia Murder.... I COULD GO ON ALL YEAR MY FRIENDS. 


Kinnie Starr is one of Canada’s most adored and critically acclaimed underground musicians. Widely known as an artist with an original, authentic voice, Starr relies on “raw feral talent” (Globe and Mail), solid groove, and a love for wordplay whether performing folky hip-hop, heartfelt guitar songs or spoken word. She has been blazing trails since 1996 with her beat slamming recordings, outspoken race and gender politics, intelligent and edgy visual art and striking looks. 

A Juno Award winning producer (2010, Digging Roots “We Are”) and Juno nominated artist (2004, “Sun Again”), Kinnie Starr has been an active artist and role model in the Canadian arts scene for more than fifteen years, and has been a significant influence to other artists including Tegan & Sara and Nelly Furtado. She has toured extensively throughout her career including the US, Europe and Asia, and recently performed at the 2010 Vancouver Olympics. The New Yorker describes her as "edgy and enchanting". 

Starr will release her 6th album, "Kiss It", in August 2013. Entirely self produced, the record is based on sparse, fresh, electro hip hop beats created by Kinnie herself. Since hip hop tends to cater exclusively to homogenized male sexuality, Starr has chosen to base her new album on positive female sexuality. A sense of inquiry about what 'home' is dominates the album content as a reflection of our globally minded thinking. And of course, Starr's signature, sensual, singspeak rap style is the backbone of everything.


PRESS QUOTES

“…edgy and enchanting.” The New Yorker

“…raw and feral talent.” The Globe and Mail

“…never didactic, always intelligent.” The Japan Times

“...a sensual, spiritual, self-possessed original blazing her own influential trail.” The Philadelphia Record

Management:

Christian Hurst
christian@granitewish.com

Bookings:

Todd Jordan
todd@paquinentertainment.com

Ostwelve - Indigenous Hiphop out of the Coast Salish Territory now known as New Westminster BC near the Salish Seas. I rap for sovereignty, protection of matriarchy and to clear ways for future generations. Check out my site for more music: ostwelvemusic.com

'Opening The Door' EP out 16 September

Follow Little Dragon -
Spotify: https://found.ee/ld-sp
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#LittleDragon #NinjaTune #Music

Mob Bounce is Indigenous influenced Hip Hop with a fuse of EDM (Electronic Dance Music), with Traditional and Contemporary aspects. Both Travis and Craig's gripping lyricism delve into spirituality, social awareness/justice, and Mother Earth connection. Mob Bounce is a display of Hip Hop music and poetry with conviction.

Equally at home hanging from a tree branch or bouncing off concrete, Santa Cruz's Timonkey (Tim Donlou) fuses organic and synthetic elements together in order to bridge the worlds of nature and technology: "Branching patterns, mineral lattices, geological timescapes - the living earth is as much an influence on my music as King Tubby, Bernie Worrell, or Steve Reich ever were." From its roots in dub, funk and ambient music, Timonkey's sound has been evolving further into the synthetic realms of midtempo glitch. He crafts his tracks using a combination of found sounds, analog synths, live instruments, and software wizardry, all from under the shade of the ancient redwoods. Influenced by years of collaboration with the 13 Moontribe, Raindance, and Nexus crews, he brings a unique flavor to the West Coast underground. He has 7 releases out on SF's Muti Music so far: 2004's Mammals On the Brink, 2007's Cloud City EP, 2008's Cerulea, 2009's Infinite and Molecular Forest, 2010's Future Perfect, and 2011's Astral Traveler.


Singer/Songwriter/Producer & DJ
RnB/House/Funk/Disco/Soul

Contact: mailfrase(at)gmail.com
http://www.songkick.com/artists/9083774

FULL DISCOGRAPHY AVAILABLE AT
www.jatlas.bandcamp.com

Booking : thriftworksbooking@gmail.com


ZenZero can be purchased here:  www.addictech.com/p/71337

Lyrical Wisdom, Looped Melodies and Rhythm. 

Turn up your inner Freq* with Award-nominated Haida loop-poet, interdisciplinary artist & producer Ms.PAN!K. Experimental loop-pedal-driven soundscapes merge and mix vocal elements, traditional drum, guitar and percussion all overlaid with poignant lyrics to satiate and meditate on.  Haida wisdom woven with multiple genres; explores live PA and production tangling indie and folk roots with elements of hip hop, spoken word & Indigenous soul.

2019 Western Canadian Music Award Nominee for “Spiritual Artist of the Year.”

PAN!K is originally from the unceded territory of her Xaayda Ancestors on Haida Gwaii & member of the K̲aayahl 'Laanaas Clan. She lives, works, plays and writes tunes on the unceded ancestral territory of the Tla-o-qui-aht Nation.

Haaw'a /Klecko Klecko

S&#x27;kill Jaadaa Auunaa is following

S'kill Jaadaa Auunaa is following