Check out my other projects:
https://soundcloud.com/vetica_music (House/Techno Producer)
https://soundcloud.com/nightprotocol (Live Synthwave Band)
https://soundcloud.com/entendrevt (Live Hip Hop/Soul Band)

I have always been and always will be obsessed with music. Whether I'm playing the piano, producing a song, or DJ'ing a club, nothing else makes me feel so alive. I've been honored to play clubs throughout North America, hold residencies in Burlington VT, and to tour the country as the touring DJ for pop singer Neon Hitch. 

DJVU has been the first step in my journey as an electronic music producer; see my latest projects for my latest work, and thank you for sharing it with me.

E-mail: djvuvt@gmail.com
Website: https://matthewbinginot.com/djvu.html
Facebook: www.facebook.com/djvuvt

Booking & Management: info@lazyflow.fr

BIO: For French producer and DJ Lazy Flow, dancing is not at all a trivial matter. It is a demanding art, which sows beautiful madness in the genre, connects all styles of dance-floor history, and is a one-way flight to a future that perfectly reflects what is becoming of his generation. As a lover of the Ballroom scene as much as a passionate proponent of Shatta, the icon Gala and Baile Funk, he toys masterfully with the sounds of the African Continent, the US East Coast, South America, England and the West Indies, all-the-while speaking to a gender fluid, diverse youth, doing so in the most universal, compelling language: that of energy.

Lazy Flow’s DJ sets are celebrations, collective catharsis, led by dancers who follow him everywhere and push their bodies to the limit to do justice to his music.

His secret is perfect mastery of rhythms inherited from the pioneers of House, the icons of Ballroom (to which he upholds law of the land like no one else), the jerking of Baile Funk, Afro, UK Bass, Bouyon, and Jersey Club. This technical virtuosity, combined with hard daily work in the studio, gives his performances something tantalizing, rare, both demanding and unifying.

As a true, blue boy of his generation, he is inhabited by curiosity, by this incandescent passion which makes his path perfectly unique. His audience knows it, they follow him, celebrate him in France and around the world, and exponentially grow in figures, fill the gaps, and do away with excess in front of his turntables, with which he alone knows how to converse so well.

A set by Lazy Flow is utterly electrifying, familiar, easy to follow, and wonderfully confusing.

His productions, little grails that DJ’s trade to enlighten the dancefloor, are not to be outdone. His edits of hits, or his own finds, are incredibly modern deconstructions, and his compositions never let go, like his pieces produced with/for Yamê, Marina Satti, Vladimir Cauchemar, Pongo, Meryl, Maureen, Disiz, Féfé, Jarreau Vandal, Kiddy Smile,… All the feelings are merged, and the dance must never stop.

Lazy Flow’s latest EP, Paris Bouillon Club, conceived and crafted when clubs around the world had to shut down due to the pandemic, encapsulates his influences and his journey. As eclectic, bold and open-minded as its creator, it’s infused with Baile Funk, Afro-Trap and Vogue beats. Lazy Flow’s productions are enhanced by stunning vocal performances from Congolese singer Popaul Amisi, English-Japanese performer Shala, and European ballroom scene legend Matyouz. The EP is also a tribute to LA CREOLE, the feverish Parisian party Lazy Flow was a resident for the last five years.

Lately, Lazy Flow has put together The Lazy Flow Show, along with a powerful MC and two limitless dancers. This unique live experiment, inclusive, festive and educational, is the perfect extrapolation of a universe like no other and It’s taking over more and more festivals across Europe.

It’s always when you feel like nothing is happening in music that unique and unexpected phenomena appear, black swans, as if from nowhere. Lazy Flow is one of them. Don't miss out.

By Ariel Wizman

Rosenheim, Germany's production duo Chris De Luca and Michael Fakesch have an unforgettably unique and recognizable sound. First found on a compilation of their remixes entitled Additional Productions (1999), then on their Appetite for Disctruction (April 2000) full-length debut, Funkstörung's unrivaled vocal-splicing, groove-shredding, taste-proliferating style is equally strong on Vice Versa - their second compilation of remixes to date.

Dosing each of their remixes with an injection of electronic noise, digital soul, and cinematic ambience, Funkstörung are purveyors of futuristic form. Boasting original tracks by A Guy Called Gerald, Jean Michel Jarre, Nils Patter Molvaer, and other internationally known producers, Vice Versa is a hip-hop inflected blend of jazz, electro, and drum'n'bass, brought full-circle by Funkstörung's masterful studio wizardry.

Rare production talents make Funkstörung one of dance music's most in-demand remix outfits out there. Having contributed remixes for artists like Björk, Wu-Tang Clan, and the East Flatbush Project, Funkstörung has always defied musical boundaries by crossing and blending genres to create something entirely their own. On Vice Versa, De Luca and Fakesch seduce their listeners into a near-catatonic, alluringly-hypnotic pleasure state - truly a Funkstörung trademark.

Rev. Yolanda is a singer/songwriter/trans-femme genderqueer performance artist and interfaith minister, originally from Muscle Shoals Alabama- The Hit Recording Capital Of The World. Rev. Yolanda and husband Rev. Glen Ganaway are the founders of the monthly “spiritual happening”

Church With A 2 Drink Minimum.

Rev. Yolanda's ministry and body of musical work has been captured on film by Avaiya Media

with the movie "Rev. Yolanda's Old Time Gospel Hour" (available on Amazon), and has been honored with induction into the The GLBT Hall Of Fame, the Blues Hall of Fame, and two MAC Awards.

(MAC-Manhattan Association of Cabarets and Clubs).

. Rev. Yolanda is currently working on a full length, autobiographical musical theater piece entitled

"The Church Of The Alien Love Child Presents: The Passion of Rev. Yolanda".

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