Booking/Management: butch@ensoul.de

Butch: A DJ’s DJ, A Producer’s Producer, A Electronic Music Chameleon

Some DJs chase trends. Butch sets them. With two decades in electronic music, he moves effortlessly between house, techno, and everything in between. From closing Circoloco at DC-10 to extended sets at Robert Johnson, his sound is always evolving.

Born in Mainz with Turkish roots, Butch hustled his way into the scene, earning multiple Best Producer awards and working with legends like Ricardo Villalobos, Armand van Helden, Cassius, Maceo Plex, and Keinemusik. His releases on Innervisions, Running Back, Defected, Rekids, Diynamic, and Cuttin’ Headz have shaped the underground.

2025 is set to be massive, with his remix of Duck Sauce’s “Falling In Love” already dominating dancefloors and more releases on the way. Butch doesn’t follow rules—he just makes music that moves people.

premiere & repost requests: 
info@techno-bible.com

Techno Bible started as an online blog which now boasts over 600,000 followers worldwide. 

On Soundcloud we look to bring you a spectrum of different styles of music ranging from Techno to Tech House to Deep & Minimal.

BOOKINGS: cedricfunkydeps@gmail.com
FACEBOOK: http://www.facebook.com/funkydeps
BANDCAMP: http://funkydeps.bandcamp.com
INSTAGRAM: cedric funkydeps

Biography:

Dj Cédric Funkydeps was born in France. Passionate about music since then. Loving mixing technics and influencing the clubbers. Funkydeps decided to buy his first turntables at the age of 17 . He then started to play from 2004 onwards.

To say a few: Motown, Salsoul , Philadelphia International, West End, Prelude as well as Joey Negro, Dimitri From Paris, Red Greg, Larry Levan, Danny Krivit are on his favourite list of labels and Producers.

My passion for disco and funk pushed me to start re-editing some classic tunes since 2015





As one of the longest standing independent record labels in the US, Nervous Records has built its reputation through a willingness to take chances on new sounds and new producers. Nervous was the first American label to sign and release tracks from such dance industry luminaries as Armand Van Helden, Paul Van Dyk and Nuyorican Soul. This spirit has enabled Nervous to build a catalogue of hits that spans the complete range of underground dance and hip hop genres.

The label was famous almost immediately when it started back in 1991 because of its eye-catching, very distinctive cartoon character logo. In addition the first three releases were produced by Roger S., Kenny Dope, and Todd Terry respectively, representing the three best house producers of that time. By 1992 Nervous was featured in magazines like Billboard, DJ Magazine (cover story), Mixmag, and ID, hailed by all as the “Sound of New York nitelife.”

Nervous’ first major dance release came in 1992, with “Feel Like Singing” by Sandy B. Nervous decided at that point to focus its energy on expanding the label’s musical field. The label’s first step outside the house music arena was with the Brooklyn, NY-based rap group, Black Moon, whose single “Who Got The Props” virtually put Brooklyn back on the map as a center of hip hop. At the same time, the label decided to alter the Nervous character for this release, giving it specific hip hop characteristics, and calling the hip hop label Wreck Records. Massive success followed with the Wreck imprint, as hits soon followed by Smif-N-Wessun, and Funkmaster Flex.

Nervous decided to continue to expand its musical boundries in 1993 by signing Mad Lion, which would be the first reggae artist on the Weeded imprint. Once again, there was huge success as Mad Lion’s single “Take It Easy” sold over 250,000 units.

Meanwhile, the Nervous merchandise continued to produce massive sales numbers as it established itself as one of the most favored t-shirts for the youth cultures of America, Japan, and many European countries.

In 1994, the label decided it was time to move into the electronic genre, and started an imprint called Sorted. The first artist on that label was Josh Wink, who went by the artist name Winx. While Winx’s debut release was a critical success although not a major seller, Winx’s follow-up release “Don’t Laugh” became the American dance community’s most talked about single, and ended up selling several hundred thousand units worlwide. Subsequently Nervous released Winx’s debut album, “Left Above The Clouds.” This album was one of the first “electronica” albums to be released, and lead to Josh Wink being signed to Sony as an artist. Nervous also released an album by two Long Island based dj’s, DJ Micro and Vicious Vic. The album, entitled “Progress Into Our Future,” since became a seminal album for the crew of Long Island dj’s that currently dominate clubs with their hard trance sound.

In 1996, Nervous virtually single-handedly created a garage house music revival by releasing the debut solo artist album by house music legend Byron Stingily. Byron was formerly the lead singer of gold-selling group Ten City. His second single on Nervous, “Get Up,” went to number one on dance charts around the world, including the Billboard Magazine club chart in America.. For his album, “The Purist,” Nervous assembled an all-star cast of legendary House producers, including Frankie Knuckles, Masters At Work, David Morales, Basement Boys, Maurice Joshua and MK.

As the musical trends continued to evolve in the late 90’s, Nervous continued to create new imprints to remain at the cutting edge of all independent labels. Nervous Dog was created to accommodate the emerging harder-edged house sound of New York; Strapped was the home for uptempo, club oriented hip hop Party tracks; and Nervous Chill released the down tempo, jazzy grooves that are always in vogue in the newest restaurants.

The label also has had many successful tours over the years. One of the biggest was in 2,000, when the Nervous tour was sponsored by Playboy Magazine and KAMEL cigarettes, and featured DJ’s Jackie Christie, Razor-n-Guido and DJ Escape, along With PA’s by Nervous artists Byron Stingily, Charlotte And Kim English. In addition, Nervous created what became one of the Winter Music Conference’s most original Parties, the Nervous After-hours breakfast at Denny’s, which featured an International list of dj’s entertaining conference attendees at 5:00 AM while they ate their grand slam Denny’s breakfast.

In 2000 and 2001, the energy tribal sound dominated the US club and Nervous gave America’s club-goers four of the its most dominant anthems, “Skin” by Charlotte, “Ssst…Listen” by Jonah, “Unspeakable Joy” by Kim English and Dive In The Pool by Barry Harris featuring Pepper Meshay. During this same time, the label has also created many successful compilation series, among them “Hip Hop Independent’s Day,” and “Future Progressive,” and “Club Nervous.

As the hits grew in number, so did the value of the catalogue for sampling purposes. Nervous songs have been sampled in major hits by Mariah Carey, New Edition, Coolio, Flip Squad, Basement Jax, George Michael, Soulsearcher and more..

In 2006 Nervous gave the US one of the biggest dance radio records with What A Feeling by Peter Luts & Dominico, a track which won the 2007 WMC award for Best Euro Dance track. In addition, Nervous delivered the most memorable US underground track of the year with Ralph Falcon – I Need Someone, which was also number one club record of 2007 according to Billboard Magazine.

In 2008 Nervous had two of the top five most played records of the year at dance radio, with Bellatrax feat. Sophia May/I Can’t Help Myself and Every Word by Ercola featuring Daniella, and ended the year as the two most played label at dance radio in the USA according to Billboard Magazine.

Nervous has also made a strong foray into the compilation market, building a roster with some of the most credible house music. The past twelve months has seen full length cd’s from Oscar G, Ralph Falcon, Funkagenda, Mark Brown, Behrouz, Chris Lake, Starkillers & Austin Leeds, DJ Theo, Exacta and Marlon D. Second half of 2009 will see releases from Danny Krivit, Frankie Knuckles, Tom Stephan, Peter Bailey and Richie Santana and Anane (produced by Louie Vega. 

In the grand tradition of Nervous launching sub-labels to embrace the next sounds to take over Nitelife ... In 2011 we launched Nurvous Records.  With the Indie Dance / Nu-Disco sound that has erupted from England and is now barreling towards full speed in America, one of our primary goals is to provide innovative homegrown style; and bringing back emotion to the music, squashing the over-commercialized big-room invasion.

Born & bred in Leeds, Paul Murray was brought up on a healthy diet of acid house parties, illegal raves and the legendary Hacienda in Manchester.

In 1993 Paul was offered an exclusive Friday night residency at 'UpYerRonson' The Music Factory, Leeds where he gained his stripes as a leading House DJ playing alongside and gaining recognition from the likes of Sasha, Graeme Park, Paul Oakenfold, Frankie Knuckles, Tony Humphries, M-People & Sister Sledge to name just a few. He held the residency for 6 fun filled years of madness & wicked parties. Ask him now what was the highlight of his 6 years at 'UpYerRonson' and he'll tell you that every Friday was different and having clubbers actually coming to check his sets out rather than the so called 'big name' DJs was a compliment and testament to the talent & ability he has to create a vibe only that man Muzzcroft could do.

In 1996, his unique style and amazing talent got him his first summer residency at Amnesia, Ibiza where his sets on the terrace alongside Brandon Block were legendary and rocked the crowds week in week out. From his residency at Amnesia came offers to guest DJ at some of the Islands biggest clubs including Pacha, Es Paradis & Manumission and saw him regularly fly out to Majorca to play for Club Cream at their weekly night at BCM. Paul also hosted the pre-club parties at Cafe Mambo playing with some of the industries biggest DJs including Roger Sanchez, DJ Sneak & Erick Morillo. 

At the end of his first full season in Ibiza in 1996, Javi the owner of Cafe Mambos offered him to return next summer and become the new season resident DJ. Paul reluctantly tuned the offer down due to work commitments back in the UK but has continued to grace the magical white Isle and guested at clubs and bars from 1997-2000 where he played at some amazing one off parties.

Paul recently brought the UpYerRonson parties out of retirement for a series of one off parties. 
In August 2014 he put on a special party at The Faversham, Leeds to commemorate the 20th Anniversary of the residency UYR held at The Pleasure Rooms between 1994-1996. 
August 2015 was the 21st Anniversary of UpYerRonson's sold out party they put on at Space, Ibiza in 1995. So to celebrate that amazing day, they put on an all day / all night terrace party and set about recreating the infamous Space Terrace on the outside area of Mint Warehouse, Leeds. The party was such a success that it's been placed up there with one of the best they've ever done. 
UpYerRonson ARE BACK and now throw 2 annual Day & Night Terrace Parties a year (end of May bank holiday Saturday & end of August bank holiday Saturday) from 2pm-2am at Mint Warehouse, Leeds and an annual Christmas Blowout Party on Mad Friday at Mint Club, Leeds.

In December 2016, UpYerronson decided to celebrate the 21st Anniversary of their Pleasure Rooms residency by taking over the original venue (now called Bar Soba)and transformed it back into The Pleasure Rooms for one night only! They even recreated the raised mezzanine floor where the DJs had to climb up a ladder to get to. Paul said "Being up there was quite surreal looking down on the crowd below thinking that we would never of thought that 21 years later, we'd be up here again playing music to the UpYerRonson crowd!"

For bookings and general enquiries contact:
email: djpaulmurray@hotmail.com
www.facebook.com/djpaulmurray

DJ Bookings > ali@warmagency.com

Initially established in 2003 at The Eagle in London’s Vauxhall, Horse Meat Disco has evolved into a powerful force in queer and club culture as a whole, while staying local to its original home, each and every Sunday. Co-founded by James Hillard and Jim Stanton, and encompassing residents Severino and Luke Howard, the crew continue to maintain not only the weekly Sunday party, but a number of residencies in cities across the world, alongside a kaleidoscope of club appearances, festival dates and specially curated mixes.

Taking inspiration from a diverse, counter-cultural history of clubs and DJs, as well as from the sprawling, ever-expanding musical collections of it's resident crew, the sound of HMD is impossible to place. Nonetheless their style is undeniable, as is a popper-scented air of sheer authenticity. Rooted in hedonism, rhythm, freedom and emotion, a Horse Meat Disco set reinforces everything invigorating about disco, as comfortable as shattering old-school mirror ball cliches as basking in their light.

A typical HMD set blends classics, italo disco, house, oddities and punk funk, to conjure their initial spirit of “a queer party for everyone”, including, but not limited to, “Homos and Heteros, club kids, bears, fashionistas, naturists, guerilla drag queens and ladies who munch.” They have made appearances on every notable club scene in the modern world, as well as those beyond, and have long been a key fixture at festivals including Glastonbury, Bestival and Festival No.6.

Outside of the club, the Horse Meat Disco train rolls across the airwaves on Rinse FM, where the crew hold down a weekly residency every Sunday afternoon, serving as a pre and post-club Sunday lunch accompaniment, often delving into the more soulful shades of their sublime taste, often encompassing rave groove, gospel and whatever they can’t get away with on the dancefloor (which, as the years have proven, isn’t much). A series of expertly curated and acclaimed compilations for reissue label Strut helped further cement HMD’s formidable but communal reputation as disco masterminds, spreading their sound and many enviable obscurities into front rooms and record bags across the world. Their latest, ‘Meat Me Down the Disco’, was released on Z Records in 2017.

After decades of crate digging, globetrotting and partying, the HMD story continues apace. 2017 also saw the crew record their long-awaited contribution to BBC Radio 1’s ‘Essential Mix’, as well as their first joint foray into production, ‘Waiting For You To Call’, featuring Roy Inc., and released on their own, self-titled imprint. They are currently working on new music to be released with Glitterbox, with the new single ‘Let’s Go Dancing’ released in December 2018.

This is the Dimitri From Paris official Soundcloud page. The purpose of this page is to act as a showreel for my skill as an artist, producer, remixer or editor. 
Please note that due to the host's strict copyright policies NO DOWNLOADS will be possible unless I have a written authorisation from copyright holders.

JackDougie123 is following