Management: nicole.richyahmed@gmail.com

Bookings: Will@nge-booking.com

USA Bookings: rs@thebullittagency.com

Electronic music lovers know Dimitri and Mike Thivaios as the monolithic brotherly duo "Dimitri Vegas and Like Mike". The brothers are superstars in the electronic music scene that earned the adoration of crowds around the globe. From becoming the first-ever duo to win the World #1 DJ's crown at the prestigious DJ Mag Top 100 DJs Poll in 2015 and 2019, the twosome has continued to stand firm and stay in the top 5 positions in the Poll since 2014.

Collecting more Gold and Platinum records than they can count, Dimitri and Mike have won the hearts of icons across genres collaborating with heavyweight hitters like David Guetta, Daddy Yankee, Natti Natasha, Gucci Mane, Snoop Dogg, Martin Garrix, Diplo, Swedish House Mafia, Steve Aoki, Armin Van Buuren, Afrojack, Ne-Yo, Wiz Khalifa and many more. An invite from Disney Records led the brothers to work with Hans Zimmer on a big room flavour of the film's lead score 'He's a Pirate' for the fifth instalment of the Pirates of the Caribbean movie franchise Dead Men Tell No Tales. They also created the theme for Mortal Kombat 11, the latest instalment of the iconic video game series.

After a stellar rise in the scene for many years, their monumental single 'The Hum' starring Jean Claude Van Damme and Charlie Sheen in the music video scaled new heights. Netting the #1 spot in their native Belgium, the single went platinum, with the music video receiving over 200 million views online. The brothers repeated their magic touch on the Ne-Yo collaboration 'Higher Place', which spent ten weeks atop the Belgian singles chart and secured the #1 Billboard Dance Chart spot. They claimed the #1 spot again with the release of their Diplo collaboration 'Hey Baby' and then again when 'Selfish' featuring Era Istrefi secured the #1 position on the Billboard Dance Chart. Their summer 2017 single 'Complicated', with David Guetta and Kiiara, became one of the year's biggest hits with over 165 million streams on Spotify and 88 million YouTube views. The duo joined forces with W&W on 'Crowd Control', the sonic representation of their iconic dance move. Their involvement on the All-Star collaboration 'Instagram', which included David Guetta, Afro Bros, Daddy Yankee and Natti Natasha, gifted the scene with one of the biggest songs of the summer in 2019 and which currently sits at more than 280 million streams on Spotify. In 2020 they released this monster hit Do It! together with Kimberly Loaiza and Azteck. The single has received more than 235 million TikTok views and over 80 million total streams.

The launch of their yearly homecoming arena concert in 2013 was another example of their enduring appeal. Nearly a decade later and after 25 sold-out concerts, welcoming more than 500,000 fans, Dimitri and Mike had firmly brought the madness of the biggest annual arena show to Antwerp's Sportpaleis. However, it's their position as the ambassadors of the worldwide phenomenon Tomorrowland which has seen them grow to an unprecedented level of stature, playing their part in the incredible rise of the world-famous Belgian festival.

Dimitri and Mike are locking up more than 30 million fans on social media, combined with billions of music streams and video views. In the meantime, they tour the world, selling out stadiums and arenas with immersive live performances. From iconic clubs like Amnesia, Green Valley, Ministry of Sound and Ushuaïa Ibiza, where the duo holds a summer residency in partnership with Tomorrowland, to festival mainstages such as Airbeat One, Balaton Sound, Creamfields, EDC Las Vegas, Lollapalooza, Parookaville, Soundstorm, World Club Dome, Tomorrowland, Untold and many more.

With a globe-trotting tour schedule while running one of the most iconic record labels in the scene and producing some of the biggest electronic records of the past decade, Dimitri Vegas & Like Mike have proved that together, they have what it takes to dominate the scene as they persistently strive to give their global fan base the best experience and memories feasible.

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

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