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Since launching the Datsik brand, Troy Beetles continues to evolve as a solo artist all the while pushing his beloved bass music world to new lengths, both on a personal artistry level and as a genre as a whole. From bedroom producer to chart-topping artist, internationally touring act, and owner and founder of the enterprising Firepower Records, Datsik is poised to make bass music the sound of the future with his recent Down 4 My Ninjas EP (Nov. 2014 / Firepower Records) and upcoming release Smoke Bomb ft. Snoop Dogg (Nov. 2015 / Ultra Records). 

Datsik took his initial steps into global dominance in 2009 with his first official release, the Nuke ‘Em EP, which set the new precedence of the future of dubstep and bass music. Immediately following that was the Boom EP featuring Excision and the legendary Flux Pavilion as collaborators. In that same year, Datsik claimed 10 Beatport #1 releases. Additionally, he has also released massive remixes for dance music icons Skrillex, Diplo, Kaskade, and Zedd, as well as two collaborations with Bassnectar and two more with Diplo on his Express Yourself EP. He has also remixed artists from the mainstream pop world and hip-hop spheres such as Coldplay, Lil Wayne, MGMT, Linkin Park, Wu-Tang Clan, one of the biggest influences on his sound, and, most recently, Lana Del Rey.

Nonetheless, Vitamin D, his debut artist album released on Dim Mak Records in 2012, remains his gleaming trophy of work. Rightfully so, as Vitamin D was the first project to illustrate the full spectrum of Datsik’s production cannon and to give glimpses of the artist’s potential as a producer and songwriter. Vitamin D was the first major milestone of many to come in the Datsik storyline. The next chapter came in 2013 in the form of a two-part release, the Cold Blooded EP and the corresponding Let It Burn full-length album, both released on Firepower. While shorter in length, Cold Blooded packs as much a punch as big brother Let It Burn. Hand in hand, Cold Blooded and Let It Burn comprise the knockout one-two punch in Datsik’s artillery.

Datsik stands at a point of transition with his recent EP Down 4 My Ninjas. It exemplifies a more mature Datsik, both in sound and in vision, as it sees the producer taking vast steps outside of dubstep and deeper into his ever-burning fondness for hip-hop. In essence, it is his love letter to the hip-hop and bass music genres and sees a full circle for Datsik as it combines the best of both worlds. Featuring collaborations with DJ Paul of renowned Southern rap group Three 6 Mafia and the legendary KRS-One, Down 4 My Ninjas sees Datsik keeping one foot in bass and one foot in hip-hop and, for the first time ever, sees the artist pairing his original productions with bona fide, universally celebrated members of the rap world. 

With Down 4 My Ninjas in tow and a hefty supporting tour scheduled for 2015, expectations are higher than they’ve ever been for Datsik. Beetles welcomes the challenge, though. It’s what’s kept him developing since those bedroom producer days, and it’s what verifies Datsik as one of the leading figures in the bass music scene of today and tomorrow.

مونت كارلو الدولية إذاعة فرنسية ناطقة باللغة العربية تبث برامجها مباشرة من باريس إلى دول الشرق الأوسط والأدنى وإلى موريتانيا، و جيبوتي، وجنوب السودان على موجات الإف إم وعلى الموجة المتوسطة من قبرص.
 تقدم الإذاعة مواعيد إخبارية متعددة وبرامج ثقافية وترفيهية متنوعة، تعتمد في مجملها على البث المباشر و التفاعلية، و التواصل مع المستمعين. طاقمها الصحفي ومراسلوها عبر العالم يوفرون تغطية شاملة للأحداث الدولية لما يزيد عن 8 مليون مستمع أسبوعيا. إذاعة مونت كارلو الدولية هي إذاعة حرة، علمانية، منفتحة على العالم و تخاطب كل الأجيال ويمكن الاستماع إليها أيضا على الانترنت، والهواتف الذكية، والكابل، والأقمار الصناعية وعبر تطبيق مونت كارلو الدولية الجديد على المحمول.


Ivor Novello Award-winner and Mercury, Grammy, and BRIT-nominated artist Lianne La Havas unveils her new single ‘Disarray.’ The track showcases a blend of emotional depth and striking vocal delivery, set against sparse, ethereal finger-plucked electric guitar —a signature of La Havas’ style. 

“The song felt very intimate, almost like a secret just for me,” says La Havas. “It’s about vulnerability, honesty, and giving listeners a window into a moment of my life.”

Over the course of her career, La Havas has released three acclaimed albums — Is Your Love Big Enough? , Blood and her self-titled Lianne La Havas  (which won the Ivor Novello Award for Best Album). She has collaborated with leading international artists and captivated audiences worldwide with her spellbinding live performances.

Released via her own Καλό μήνα (Kalo Mina) Records. La Havas embarks on an exciting new chapter, broadening her sonic horizons while remaining rooted in vulnerability and artistry.

BUY NOW: https://soundofpolychrome.bandcamp.com/releases

General contact: vickyharrisonuk@gmail.com
Sync contact: vicky.harrison@moimoimoi.tv
label contact: lucy@hilolohi.com

This is probably your first shoe-ward gaze at East London’s Polychrome. Unless you’ve come across their nostalgic, sega-tronic dream-pop track Final Kiss which featured on fashion brand La Mania's campaign across Europe, and lead to further syncs with Vogue and Audi, giving the band an underground following in Europe.

The group is a coming together of the musical minds of Victoria Harrison from Victoria and Jacob, Oliver Price from Bronze Medallists, and long-time Lamb and Lou Rhodes collaborator/guitarist William Burnett. 

As fans of the Synthwave soundtrack of Drive, Polychrome were naturally enthralled to hear the theme music for the Netflix original series Stranger Things. After binge watching the series in-between recording sessions, on one particularly stormy night whilst mixing the album, they got offered some down-time in the studio, and recorded their own lyrical adaptation of the Stranger Things Theme, in homage to the original.

James Stapleton 5 is following