A rendition of an improvised performance of this piece, which includes motion-reactive visuals.  

The performance itself is mostly improvised, with certain movements triggering certain sounds.  The sounds themselves are almost all derived from nature, yet clearly electronic - whale songs, wood scratches, gurgles, and even Hatsune Miku replicating the human voice.

PAREIDOLATRY [v0.9]

Live Recording
Ensemble Kollektiv @ MaerzMusik, March 2024.

Teeth

may 2024; constructed from computer improvisations, march - april.

and a break in superflat tensile ||

Youtube video of the performance: https://www.youtube.com/watch?v=YUf5Ca6_wk0

commissioned by Ensemble Proton Bern as a part of Protonwerk No. 13

live recording of premiere 23. April 2024 - Dampfzentrale Bern

Ensemble Proton Bern 

Conductor- Gregory Charette
Alto flute, piccolo - Bettina Berger 
Oboe - Martin Bliggenstorfer 
Basset horn, contrabass clarinet - Richard Elliot Haynes
Bassoon, Contrabassoon - Elise Jacoberger 
Harp - Vera Schnider 
Piano - Coco Schwarz
Violin - Maximilian Haft 
Cello - Jan-Filip Ťupa

Recording and mixing - Joël Cormier

Program note: 
“Stained light” is a part of an ongoing attempt in my work to uncover sensations and emotions from my own childhood. It can be both nostalgic and dark, as I try to remember how sensitive I felt to everything as a child – to the weather, to the energy of people around me, to the sounds of the world. In the piece, I try to create fragile spaces in which small details can affect the whole system, uncovering layers of sweetness or of darkness. There is something always under the surface, like a hidden song, half-remembered, heard from a distance.

Stained light | for ensemble proton bern (2023-24)

premiere of 'let it pass, let it pass...' (2023-24) for cello and ensemble.

Performed by,
Urban Megušar (violoncello)
.abeceda contemporary music ensemble
Tilen Draksler (conductor)

Bled Festival Hall, June 28 2024
commissioned by Urban Megušar and .abeceda

let it pass, let it pass... (2023-24) - for cello and ensemble

11°11'50.8"N 74°06'05.8"W @ 20:47

commissioned and performed by Blaurenz Duo
Rebecca Blau - flute
Rebecca Lawrence - double bass 
electronics – Isaac Roth Blumfield

live recording at Theater Pavillion, Lucerne, Switzerland on July 8, 2024

recording - Fernando Manassero
mix - Isaac Roth Blumfield

Half life | for amplified alto flute and double bass (2024)

live recording (please use good headphones with the capacity for low frequencies)

for ensemble and electronics, composed in 2023 for the annual .abeceda ensemble contemporary music festival.

with many thanks to my dear friends and collaborators:
Urška Rihtaršič, harp
Oskar Longyka, violin
Domen Kuznar, viola
Urban Megušar, cello
Tilen Lebar, alto sax
Tilen Draksler, conductor

WOLF | .abeceda ensemble (2023)

performed and written for Mikołaj Rytowski for the ATTACCA Festival 2024; premiered on June 1 at Druckereihalle im Ackermannshof, Basel, Switzerland

recording: Robin Michel
mixed by Isaac Roth Blumfield

The electronics for this work were recorded in part at the SWR Experimentalstudio in Freiburg, Germany with assistance from sound engineers Thomas Hummel and Luis Miehlich

link to binaural version (for listening with headphones): https://soundcloud.com/isaacrothblumfield/strange-symmetry-for-percussion-and-ambisonic-live-electronics-2024-binaural-version-use-headphones

strange symmetry | for percussion and ambisonic live electronics (2024) – stereo version

for ensemble mosaik
Khachatur Kanajan, violin
Mathis Mayr, cello
Alexey Potapov, electric guitar 
Adam Weisman, percussion
Christian Vogel, clarinets 


"in disoriented gardens, invasive wax eats flowers" for ensemble takes place within an imagined ecosystem, whose disoriented internal logic functions in a dream-like, irrational manner, creating an environment where events grow to absurd proportions, creating imbalanced, juxtaposed situations.
Contradiction is welcome and necessary to the well-being of this environment. Decaying material interacts with ripeness, mechanisms interact with organic matter. Interaction between seemingly contradictory material carves paves the way for strangeness, ambiguity, and humor.
Throughout the work, listeners zoom in on this environment and out again, as it grows and changes. At times, they witness the entire environment functioning in equilibrium, and at other moments, the ungainly growth of a singular being. In imagining this errant ecosystem, I reflect on the irrationality and playfulness of the environment that surrounds us.
- Lauren Siess

artwork - "Asparagus," Suzan Pitt

in disoriented gardens, invasive wax eats flowers - for ensemble mosaik

Title: burrow
Year: 2025
Performers: Russell Greenberg (percussion), James May (electronics)

burrow [improvising percussion and electronics]

James is a composer, improviser, writer, and photographer.

burrow [improvising percussion and electronics]

James May

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