The song "Be Alright" seems to convey a message of finding solace and comfort in the presence of someone you care about. The lyrics suggest that even though memories can sometimes overwhelm, being alone can amplify those emotions. However, in this moment, the narrator desires to let their guard down and allow this person into their life.

The chorus implies that by singing a song that resonates with the narrator's desires and filling the night laughter and cheer, they can find assurance that everything will indeed be alright. It suggests that the power of music and companionship can bring about a sense of hope and security.

The mention of tomorrow not being too far away and the fading of fear indicates that with the support of this person, the past becomes less significant and the future holds promise. The closer this person gets, the more they assure the narrator that everything will be okay.

Overall, "Be Alright" seems to be a song about seeking comfort, finding strength in the presence of loved ones, and embracing the belief that no matter the challenges faced, everything will ultimately be alright.

Be Alright

Sealed Soundscapes

Cold Tide

Navigate the nexus of mind and time collective
You shall find that when we combined a brand new directive 
Navigate the nexus inner most objective
The freedom that directs us
The reason that Eden reject us

Let the negativity slide over like sea tides onto rock
Collectively it gathers batters bodies into shock
Respectively most people have had quite a lot
But can't correctly adjust just too hard to shake it off
You couldn't make it up
They took all you hold dear and started making off
Break me off a piece of the feast
What's the baking cost?
Did you not make enough?
Take it up another notch
My Rhymes leave you whipped like butterscotch 
Fry that microchip when You just a bot 
Kush in tbe pot rolling Zoot smoke the fucking lot
Good will hunting confronting 
The problem..
Where you cunts been
Call your husband 
Bludgeoned by the so called masculine toxicity 
Scribes in your proximity 
Airdrops into the lost city
Of Shang Ri La
Mind projection cross dimensions 
My rhyme intentions are 
The right perception takes you far
Flight direction or fight inspection expecting a rising of the bar
Yall stay limbo 
Ducking way bellow Elbows drag the floor
We stretch from atmosphere to seabed floor 
The scope is so, 
vast in form, mask the fall or grab the bull by the horns 
A metaphor 
A metric score on repeat have we met before?
Settling storm, prayers of warmth said at dawn
Travels on breezes meet trees in Ecuador 
Ever soar higher/
No elevator door
Go back before Younger-Dryas 
My tongue is tireless 
My thoughts reach yours 
We was already wireless 
He who endures more
Doesn't seek its prizes
Or hide from wiseness 
Retired like Concord 
Snake eyes on fixed dice
Treading that thin ice
Like twice before
Walking the breadline with a deadline on this life keep score
Get mine and get yours
Bed time and next dawn
To the next war
Navigate the nexus raw

Navigate the nexus of mind and time collective
You shall find that when we combined a brand new directive 
Navigate the nexus inner most objective
The freedom that directs us
The reason that Eden reject us

In the contour of mind and mental
A detour from pure essential 
E.T.A on your potential 
Way too late may the Lord be gentle
Cos in the great debate hate intentional 
On a spate where the weight is stencilled 
Cos you couldn't take this underhand with eight of your tentacles 
If you a warcraft octopus 
Got a omnibus that isn't obvious 
But you will find your body needs it like phosphorus 
I'm spinning blades like the rotary dial on helicopters
Fell to doctors when they all played Harold Shipman 
With your children Vaccinations given
If you didn't listen then what's up?
Wash up them hands pharma got big plans 
Dwindled have the farmers lands
And Tesco is where is harvest lands
An army advance unseen 
Cloak and dagger grey this matter as been 
read between the lines and fine print
Say goodbye to steak and enjoy your fried mince
The vile Prince as got his defiled mitts
Fingerprints in your diets list
Requirements 
Dire is the quietness 
On who owns all for he his acquiring it
The benefactor and his entitlement 
Better I search for enlightenment 
Taking my own advice again 
If its a war of mice and men
nitrogen and hydrogen 
Breath me in oxygen 
Leave me in.......  free to spin
The fortune wheel the fortunate feel
The fortune teller read my prints
Further to fathom into the phantom mist

Beat and lyrics, produced written and performed by Codex Scrolls 
Scribes of Avalon 2024

Navigate the nexus by Codex Scrolls

Music and Painting by Paulina Gomis
Human architecture. The portrait of your sacred geometric being. Being is perfect in its human essence. this portrait is of my friend Beppe. With love.

They are the portrait of the essence. Telepathic divination to balance and stabilize the human structure in all its beauty. With the blessing of love.

PROD. BY P.G FOR BEPPE

Magia Nera

Bath Time Prod. Freebaseprod

Ton regard éclaire le monde de ta sagesse,
Tu portes en toi la vie, la passion, l'amour,
Tu es le pilier sur lequel repose le jour,
Que ton chemin soit parsemé de bonheur et de succès.

4 Woman We Are

Since many of you (and even myself) were impressed with how well the organ turned out last time, I decided to feature it on this track. A jazz standard from the 50s, and dedicated to...my one and only love! This is my tribute to Philly's organ great Jimmy Smith!

My One and Only Love

Deltumbra Phantasm (Loopable)

1971 was an important time in music, where electricity was changing the landscape and Rock, Funk, Soul and Jazz were all merging into psychedelic grooves.  Marshal stacks were often taller than the players, the players were higher than the Marshal stacks, Strats and Les Pauls were the axes of choice, Hammond B3 Organs and Fender Rhodes keyboards could compete for volume with the guitars, and the hair was even longer than the jams.   Woodstock was a recent memory, Jimi Hendrix had just passed but had moved into the funk and soul inspired Band of Gypsies period, Sly & The Family Stone was heating it up with heavy funk and soul inspired grooves, and Miles Davis had just released the seminal Bitches Brew fusion double album that literally changed music.  This was where it was at, with each of these musicians and bands being influenced by each other.  Great stuff that produced legendary sessions and recordings and pushed music forward with power, energy, groove and volume.  

1971 commemorates this time and mindset, and recreates the feel with friends from around the world who continuously exhibit this spirit, energy and hair in their playing:

Alpha Roots - djembe  Stuttgart, Germany  https://soundcloud.com/alpha-roots
Rikard From - Hammond B3 organ  Umea, Sweden  https://soundcloud.com/rikard-from
Stephen "Pinner" Lipinski - guitar  New Jersey, USA  https://soundcloud.com/pinner
Scott Nelson - guitar  Pennsylvania, USA  https://soundcloud.com/scott-nelson-364333064
Marco Oversteegen - guitar  Almere, Netherlands  https://soundcloud.com/marco-oversteegen
Justin Valente  - guitar  New Jersey, USA  https://soundcloud.com/justin-valente
Jorg Calaminus - Dusseldorf, Germany - mastering

A couple of words on each of the players:  ALPHA ROOTS - Alphio was the perfect choice to add his soulful African djembe percussion voice.  One of the most prolific and inclusive musicians here on SoundCloud, always speaking with a positive voice.  Check out his often reggae and dub inspired recordings.  RICKARD FROM - my favorite B3 player here on SoundCloud.  We haven't recorded before but wanted his beautiful sound and also wanted these other heavy cats to be introduced to his Jimmy Smith type playing.  STEPHEN "PINNER" LIPINSKI - one of the hottest jazz fusion guitarists on SoundCloud, bringing more modern Scofieldesque jazz lines and harmonies to 1971.  SCOTT NELSON - another burning jazz and fusion guitarist, Scott sound combines elements of the contemporary guitar masters - Scofield, Metheny and Martino - to create his extraordinary playing.  MARCO OVERSTEEGEN - no one on SC has a closer overall sound to Hendrix, and we needed Marco's fabulous rhythm playing and soloing to anchor this 1971 mood.  JUSTIN VALENTE - Justin's my favorite blues rock guitarist, and just had to be a part of this summit, bringing us that heavy electric sound of Jimi, The Allman Bros, Freddie King and Stevie Ray Vaughn.  

So here's 1971.  Again.

Thanks to these great players for joining me and contributing so much to 1971, and also to all the listener, for your generous time, your comments and your shares.  And a special thanks to Jorg Calaminus for taking the initiative to master the sound for us to give you this real fine mix.
  

1971 - Alpha Roots, Rikard From, Scott Nelson, Marco Oversteegen, Pinner, Justin Valente, Jamie

Don't Leave Me Alone

Jazz/Fusion keyboard player, composer and producer.  Marketing, advertising, publishing and sales career.  Originally from Chicago, where I developed a strong appreciation for the blues and classical, and moved to New York, where jazz and the fine arts are so deep.  Key musical influences include Miles Davis, Herbie Hancock, Jimi Hendrix, Joe Zawinul and Weather Report, Chick Corea and Return to Forever, John McLaughlin and the Mahivishnu Orchestra, Stanley Clarke, Scott Henderson and Tribal Tech, Jeff Beck and Jan Hammer, Mike Stern, John Scofield, Pat Metheny, Emily Remler, McCoy Tyner, Bill Evans, John Coltrane, Jimmy Smith, Joey DeFrancesco, Larry Young, Buddy Guy, Santana and Earth Wind & Fire.   Former classical clarinet and piano player.  Unless noted, my music on SoundCloud was composed, recorded and performed using only keyboards.  An avid photographer.  Many covers here are my shots.  To see my photography look for Herbiejazz on Instagram or search for Herbiejazz on Google.  And a big thumbs up to SoundCloud and the SoundCloud community, and so many friends who have joined me to create.  Thank you all.

1971 - Alpha Roots, Rikard From, Scott Nelson, Marco Oversteegen, Pinner, Justin Valente, Jamie

Jamie Rhind