Those were the days my friend, we thought they'd never end

..love this kind of free spirit in your music..

wow ! what an amazing live jam, great musicianship and flow, beautiful !

Scott Nelson is the consummate musician, creating a wide variety of styles including fusion, jazz, funk, blues, latin and more.  We've loved playing with each other and this playlist of more than forty recordings together represents some of my very favorite music on SoundCloud.  Scott plays serious guitar, bass, keyboards and creates music at such a consistently high level.
Follow Scott here at https://soundcloud.com/scott-nelson-364333064

Thanks Scott, and thanks to all for your generous time listening, for your comments and for your shares

Stylin' with Scott Nelson

Hands

Introduction in English:

In my late 30s, I still suffered from frequent anxiety and panic attacks. During this time, I had a recurring nightmare: I am lying in my bed at night. Some dark, strange figure comes into my room. It slowly comes closer to me. Before it reaches me, I wake up screaming and drenched in sweat.  
One day my female psychoanalyst encouraged me to relive this dream with her company. Like a fairy godmother, she now sat in my imagination at the edge of my bed and held my hand. Thus I succeeded in letting the dark figure come closer. And at some point the strange being stood in front of me and I could look him directly in the face. And suddenly it became clear to me that it is the death which stands beside me; which probably always stood beside me and also always will stand beside me: My eternal companion. 
Since these sessions, panic attacks and anxiety attacks occur very rarely. And when they do come, I now know that it is basically my residual fear of finitude, of having to die, and finally of death. And from this realization, I can feel all the more in all my depths the legendary sentence of Sigmund Freud: "If you want to live well, prepare yourself early for death". The song "Finitude" was written against the background of these experiences It is in French, because for me this language comes closest to such existential themes.

Lyrics in English (for those, who don`t speak French):

Finitude

I have no time 
Finitude
Stands in my door
And speaks to me:

Come on go 

Don't stand still
Let no more time pass

The clock is ticking away 
Your shadow wins
Decay haunts you
Pain and anguish

But you are not alone 
The duty to die
Is the bond 

That unites us 
Whether rich or poor 
Wise or foolish

Death doesn't care
He takes us to himself

Finitude
I am ready
Look at you
You move closer to me

Till you're all there with me 

Look around me 
Many backs already crooked
The rollator goes ahead
Straight to the cemetery gate

The lifting only lasts 
Until the next tower clock

Then it comes out

That we melt 
We blow in the wind
Nothing of us remains 
Death rubs its hands

But do not forget
The duty to die 
Is the bond

That unites us 
Whether rich or poor 
Wise or foolish

Death does not care
He takes us to himself

Finitude
I am ready
Look at you
You move closer to me

Till you're all with me 
Until you are
Until you are 
Untill you are
Completely with me

Texte en français:

Finitude

Je n'ai pas le temps 
La finitude
Est à ma porte
Et me parle:

Allez, vas-y 
Ne t'arrête pas
Ne laisse plus passer le temps

L'horloge s'écoule 
Ton ombre gagne
Le déclin te hante
Douleur et tourment

Mais tu n'es pas seul 
Le devoir de mourir
Est le lien 

Qui nous unit 
Riche ou pauvre 
Intelligents ou idiots

La mort c'est pareil
Elle nous fait venir

Finitude
Je suis prêt
Je te regarde
Tu te rapproches de moi

Jusqu'à ce que tu sois 
Tout à fait avec moi 

Je regarde autour de moi 
Beaucoup de dos déjà courbés
Le rollateur va devant
Directement à la porte du cimetière

Le lifting ne dure que 
Jusqu'à la prochaine horloge de la tour

Puis il se révèle

Que nous passons 
Emportés par le vent
Qu'il ne reste rien de nous 
Que la mort se frotte les mains

Mais n'oublie pas
Le devoir de mourir 
Est le lien

Qui nous unit 
Riche ou pauvre 
Intelligents ou idiots

La mort c'est pareil
Elle nous fait venir

Finitude
Je suis prêt
Je te regarde
Tu te rapproches de moi

Jusqu'à ce que tu sois 
Tout à fait avec moi
Jusqu'à ce que tu sois
Jusqu'à ce que tu sois 
Jusqu'à ce que tu sois
Tout à fait avec moi

Finitude

Promises

No Prayers For November (featuring Tom Waits)

https://nowyyorg9.wixsite.com/seasional-optimist/music-7  
Album Interactive Experience 
nowyyorg 2024

Collector Of Lost Causes

Another Foundation track. It was the bass synth that inspired the track, it made me think of an anti-gravity engine... 
The "machine gun" guitar is a Fender Telecaster bi-amped to give that meaty punch. The warbling guitar is a Deusenberg Paloma with a vibrato pedal, reverse delay and fuzz box put through a plexi amp.

The Edge

Nice day in the garden, yeeeaaar 
Cool Saxwork from my Friend Joerxworx
https://soundcloud.com/joerxworx

Lunatics 156  Sunny Day in the Garden / Joerxworx & Ratzzz

1) Composed by Johann G. Ebeling (1637-1676)
Soprano & Tenor unison Duo.

2) Composed by Jacob Van Eyck  (1590-1657)
(Soprano Recorder & Fx solo).

 AI image art.


All my heart this night rejoices / Preludium of Voorspel.

R-The Lady who Loved Insects

Mamba Swing

1971 was an important time in music, where electricity was changing the landscape and Rock, Funk, Soul and Jazz were all merging into psychedelic grooves.  Marshal stacks were often taller than the players, the players were higher than the Marshal stacks, Strats and Les Pauls were the axes of choice, Hammond B3 Organs and Fender Rhodes keyboards could compete for volume with the guitars, and the hair was even longer than the jams.   Woodstock was a recent memory, Jimi Hendrix had just passed but had moved into the funk and soul inspired Band of Gypsies period, Sly & The Family Stone was heating it up with heavy funk and soul inspired grooves, and Miles Davis had just released the seminal Bitches Brew fusion double album that literally changed music.  This was where it was at, with each of these musicians and bands being influenced by each other.  Great stuff that produced legendary sessions and recordings and pushed music forward with power, energy, groove and volume.  

1971 commemorates this time and mindset, and recreates the feel with friends from around the world who continuously exhibit this spirit, energy and hair in their playing:

Alpha Roots - djembe  Stuttgart, Germany  https://soundcloud.com/alpha-roots
Rikard From - Hammond B3 organ  Umea, Sweden  https://soundcloud.com/rikard-from
Stephen "Pinner" Lipinski - guitar  New Jersey, USA  https://soundcloud.com/pinner
Scott Nelson - guitar  Pennsylvania, USA  https://soundcloud.com/scott-nelson-364333064
Marco Oversteegen - guitar  Almere, Netherlands  https://soundcloud.com/marco-oversteegen
Justin Valente  - guitar  New Jersey, USA  https://soundcloud.com/justin-valente
Jorg Calaminus - Dusseldorf, Germany - mastering

A couple of words on each of the players:  ALPHA ROOTS - Alphio was the perfect choice to add his soulful African djembe percussion voice.  One of the most prolific and inclusive musicians here on SoundCloud, always speaking with a positive voice.  Check out his often reggae and dub inspired recordings.  RICKARD FROM - my favorite B3 player here on SoundCloud.  We haven't recorded before but wanted his beautiful sound and also wanted these other heavy cats to be introduced to his Jimmy Smith type playing.  STEPHEN "PINNER" LIPINSKI - one of the hottest jazz fusion guitarists on SoundCloud, bringing more modern Scofieldesque jazz lines and harmonies to 1971.  SCOTT NELSON - another burning jazz and fusion guitarist, Scott sound combines elements of the contemporary guitar masters - Scofield, Metheny and Martino - to create his extraordinary playing.  MARCO OVERSTEEGEN - no one on SC has a closer overall sound to Hendrix, and we needed Marco's fabulous rhythm playing and soloing to anchor this 1971 mood.  JUSTIN VALENTE - Justin's my favorite blues rock guitarist, and just had to be a part of this summit, bringing us that heavy electric sound of Jimi, The Allman Bros, Freddie King and Stevie Ray Vaughn.  

So here's 1971.  Again.

Thanks to these great players for joining me and contributing so much to 1971, and also to all the listener, for your generous time, your comments and your shares.  And a special thanks to Jorg Calaminus for taking the initiative to master the sound for us to give you this real fine mix.
  

1971 - Alpha Roots, Rikard From, Scott Nelson, Marco Oversteegen, Pinner, Justin Valente, Jamie

Here's our take on the seminal Maiden Voyage, written and first recorded by Herbie Hancock in the early '60s, and recorded and performed again by so many jazz musicians since.  One of the all time classics in the repertoire.  Joining us on this tune are two of my very favorite jazz guitarists on SoundCloud, Stephan Lipinski and Scott Nelson, and the very fine bass player from the Netherlands, Kenneth Bruce.  Pinner takes the first solo, Scott the second and the tasty rhythm playing, and Kenneth anchors the grooving bass.  What a treat to be able to showcase Herbie's work so beautifully.

Stephan "Pinner" Lipinski - guitar solo (first)https://soundcloud.com/pinner
Scott Nelson - rhythm guitar and guitar solo (second)https://soundcloud.com/scott-nelson-364333064
Kenneth Bruce - bass https://soundcloud.com/ezay-music-productions

We thank you so much again for your generous time listening, for your comments and for your shares.

Maiden Voyage - with Stephan "Pinner" Lipinski & Scott Nelson / guitars and Kenneth Bruce / bass

Blue Circle is a 12 bar blues with a modern, descending chromatic twist on the 9th and 10th bars.  The fabulous Scott Nelson and I have teamed up to create this original music.  Scott's guitar is haunting, going from subtle to explosive, as he expertly navigates these contemporary blues.  My approach to the tune was more introspective, in the style of the young Herbie Hancock in the '60s with Miles Davis's seminal quintet.  So great to have Scott's musicality again on this recording.  You can check out his extensive gallery of jazz and fusion: https://soundcloud.com/scott-nelson-364333064

Thanks so much for your generous time listening, for your comments and feedback, and for your shares.

Blue Circle - with Scott Nelson / guitar

Ba Ba De Bop is what SoundCloud is all about.  A pure collaboration among serious musicians.  Joining me for the first time with a real clear trumpet voice is Andrew "Styrmonix" Styrmo, doing his Miles thing here.   Andrew's also adding some hip vocals, in fact creating the name of the tune, Ba Ba De Bop.  You will hear that in the tune in fun places.  His trumpet -- beautiful tone, cool chromatic playing, and drawing tension with every other note.  Stephan "Pinner" Lipinski holds down one of two serious guitar lines, driving the tune with an infectious wah rhythm track, and also some downright nasty nasty soloing, finding that perfect space between the bass, trumpet and his wah.  And once again, we've got Scott Nelson taking a big guitar solo in the middle section, providing a huge sound and such masterful playing.   This one combines so much of what I love in fusion and also in SoundCloud.  The opportunity to express oneself with other similar minded musicians from around the world.  Pretty cool !  We hope you dig it - stick with it through the end for some funky playing:

Styrmonix:  trumpet and voice
Stephan "Pinner" Lipinski:  guitar
Scott Nelson:  guitar solo

Thanks as always for your generous time listening, for your comments and for your shares

Ba Ba De Bap - with Stephan "Pinner" Lipinski and Scott Nelson / guitars and Styrmonix / trumpet

Here's a fun one we've created as a tribute to the great Joe Zawinul, keyboard player with Weather Report, Weather Update, the Zawinul Syndicate and pianist with Cannonball Adderly.  Joe wrote Mercy Mercy Mercy in the 60s, but this tune brings in his 70's - 90's influence, where he used sounds and synthesizers, world class jazz musicians, and brought his undeniable influence to the world of electric jazz fusion.  

Joining us here are 3 of my favorite SoundCloud fusion players, Scott Nelson  https://soundcloud.com/scott-nelson-364333064 with his amazing guitar playing, Mirko Borach  https://soundcloud.com/stringburner with his slap funk bass mastery and now Athens' Themis Nikoloudis https://soundcloud.com/themis-nikoloudis on electric violin, who lights it up with a fabulous sound and exploration of rhythm, patterns and modes.   So great to have him join us here, and we're looking forward to working with him more soon.    These guys all deserve applause for their beautiful playing and spirit.  And while we are at it, let's raise a toast to Joe Zawinul with Cup of Joe...

The photo here is of the Alps, as Joe Zawinul was from Austria.

Thanks for your generous time listening, for your comments and for your shares.

Cup of Joe - with Scott Nelson / guitar, Themis Nikoloudis / violin, Mirko Borach / bass

Jazz/Fusion keyboard player, composer and producer.  Marketing, advertising, publishing and sales career.  Originally from Chicago, where I developed a strong appreciation for the blues and classical, and moved to New York, where jazz and the fine arts are so deep.  Key musical influences include Miles Davis, Herbie Hancock, Jimi Hendrix, Joe Zawinul and Weather Report, Chick Corea and Return to Forever, John McLaughlin and the Mahivishnu Orchestra, Stanley Clarke, Scott Henderson and Tribal Tech, Jeff Beck and Jan Hammer, Mike Stern, John Scofield, Pat Metheny, Emily Remler, McCoy Tyner, Bill Evans, John Coltrane, Jimmy Smith, Joey DeFrancesco, Larry Young, Buddy Guy, Santana and Earth Wind & Fire.   Former classical clarinet and piano player.  Unless noted, my music on SoundCloud was composed, recorded and performed using only keyboards.  An avid photographer.  Many covers here are my shots.  To see my photography look for Herbiejazz on Instagram or search for Herbiejazz on Google.  And a big thumbs up to SoundCloud and the SoundCloud community, and so many friends who have joined me to create.  Thank you all.

1971 - Alpha Roots, Rikard From, Scott Nelson, Marco Oversteegen, Pinner, Justin Valente, Jamie

Jamie Rhind

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