I really love the atmosphere this tune brings to my mind mate!! Beautiful man.

Thanks to all who have joined me here and also to those who listen to our music

Jamie

So Many Of My Favorite Recordings

I-Floating Kiss

"Balance" continues Moon and Aries’ genre-defying evolution, blending Neo Soul, Trip-hop, R&B, Electro pop soul into a dreamy, retro-futuristic composition. Jordana's evocative vocals float over hypnotic beats, a mellow guitar riff, and a soulful saxophone, creating a cinematic mood that is both introspective and transportive.  
This is the duo’s most meditative work yet — a lush invitation to explore the spaces between movement and stillness, emotion and reflection. 
"We wanted ‘Balance’ to sound like soul floating through a future skyline — sensual, spacious, and glowing with quiet intensity." – Moon and Aries 

Perfect for fans of Portishead, Morcheeba, Bonobo, and Zero 7, “Balance” showcases the duo’s unique ability to merge electronic sophistication with soulful vulnerability.

Balance

Style

2 C Degrees Loves Temperatures

Recorded in Modesto, Ca.  Featuring Gibson 335 Electric Guitar solo. Selmer Alto Saxophone solo. Fender Rhodes Electric Piano solo. Hammond B3 Electric Organ solo. Acoustic Stand-up Bass. Hammond B3 Electric Organ Rhythm with Bass Peddles. Acoustic Drum kit Full set. Percussion Nature sounds Crickets, Birds Chirping. 22" Zildjian Ride & Crash Cymbals.

Cannery Row

Sounds of Summer

Cast of Characters:
Cgmaness – @hiddenhands-760647700 – Chris – beats, acoustic and electric guitar, vocals, composition, and production
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – five string fretless bass, organ, composition, and production editing
TexMex Shaman– @texmex-shaman –Stephen– sitar, composition, and production

This was a seed that Chris came up with on his acoustic guitar, adding beats, and some subtle vocals, then shared with Josh and Stephen. They are always excited to work on Chris' songs, because he always comes up with magical tunes.
  Josh was first in line, adding his five string fretless bass, then the organ part. Stephen used Josh's chord structure to come up with his awe-inspiring, monster electric sitar part. After they both laid down their parts, Chris added the electric guitar you hear at the beginning, too. 
  The song was about twice the current length when Chris made it, but Josh chopped off the second half, as the crescendo fits right into the 2/3 slot now. This was mixed as a team effort in BandLab, too, which is a rarity, given both Stephen and Chris are expert producers. 
  This is an example of a song Chris came up with, that was taken to the next level by Josh and Stephen. We hope you enjoy listening to this as much as we enjoyed creating it.

Juxtaposed They Went (Eclectic Collective)

Pierre and Jean-Claude Bordetti productions (c) 09/2025.

Composed, arranged, performed, and produced by:
Pierre Bordetti and Jean-Claude Bordetti on drums.

Visage (Lyrics/Paroles)

J'ai aperçu son visage, mais ce n'était qu'un mirage, 
Comme un reflet dans l'orage, une illusion de passage,
Son regard m’a fait naufrage, dans un monde sans rivage,
Où l’amour n’est qu’un langage, perdu dans le vent sauvage.

Elle danse dans mes pensées, comme une ombre sans visage, 
Chaque nuit je veux l’aimer, mais je n’ai que son mirage,
Un soupir, un doux présage, puis le vide en héritage, 
Je poursuis son doux sillage, prisonnier de son image.

Visage

Written, performed, mixed and mastered by Cozmo Jethro.
Featuring my daughter, Lydia Matamoros-Lapp.
Beat by Auditory Ecstasy https://soundcloud.com/auditory-ecstasy, remixed by Cozmo Jethro.
Album art created in Image Creator by Microsoft Designer and Canva.

Hit it Dad!

Mannn another summer down.
In the Pacific Northwest we go to town.
Summer 25 revive what we does.
Next installment of the summer that was. 

It started, I DJed my first wedding.
Then DJ Real visited from Australia.
Traveled to Chicago, college visit for Lydia.
Crissy’s birthday bash ha ha aw yea!

11th wedding anniversary at a mansion.
A family member passed way too young.
All summer me and Nasty collaboration.

Now sit back relax, take a trip with us.
Me and Lydia flippin the rhymes.
Let’s relive this summer one more time.

Summer I drove my dad back and forth.
To the Bamboo Garden where we both work.
Windows rolled down.
Feel the summer breeze.
Life in the rhythm, takin it with ease.

Me and my dad got that beat on repeat.
Ridin to work in that summer heat.
Feel the vibe, feel the flow, bass so deep.
Life in the rhythm takin it with ease.

Summer started, DJed my first wedding.
Crissy’s friend Jennifer marrying Urlet.
I ran the console and played the jams.
Up in that church, we rocked it, dayam!

The next day DJ Real from Australia.
Here in the flesh, and lemme tell ya.
He traveled with his daughter to the West Coast.
Hung with us in Portland, chillin the most.

Comraderie of one of my favorite collaborators.
Was immediate and we bonded to the beat.
Then off to Chicago the very next week.
Dropped Lydia off at college 2 weeks.

Then in Chicago we stayed with great friends.
From way back when, Mike and Randee, aw yea!

Summer I drove my dad back and forth.
To the Bamboo Garden where we both work.
Windows rolled down.
Feel the summer breeze.
Life in the rhythm, takin it with ease.

Me and my dad got that beat on repeat.
Ridin to work in that summer heat.
Feel the vibe, feel the flow, bass so deep.
Life in the rhythm takin it with ease.

50 Years my wife has been live.
Had a bash at Skate Haven Farm, that’s fly.
Elle and her band, came and rocked the house.
The Hidden Gems, yo, lit it up, wow!

Our friends and fam, party on our property.
Unforgettable 50th birthday.

Whole fam went to Seattle to say goodbye,
To a family member, celebrate his life.
He was cut short at 49 years old.
Rest in peace Curtis Paris, you lived life bold.

Then came me and Crissy’s wedding anniversary.
At a mansion like g g g g Gatsby.
17000 square feet to ourselves,
Aint gonna say what happened, but dayam, welllll.

Summer I drove my dad back and forth.
To the Bamboo Garden where we both work.
Windows rolled down.
Feel the summer breeze.
Life in the rhythm, takin it with ease.

Me and my dad got that beat on repeat.
Ridin to work in that summer heat.
Feel the vibe, feel the flow, bass so deep.
Life in the rhythm takin it with ease.

So 2025 was the summer that was.
Sayin goodbye to fam.
Celebratin milestones.
Celebratin life as we all get older.
Live up every summer until it’s over!

Summer I drove my dad back and forth.
To the Bamboo Garden where we both work.
Windows rolled down.
Feel the summer breeze.
Life in the rhythm, takin it with ease.

Me and my dad got that beat on repeat.
Ridin to work in that summer heat.
Feel the vibe, feel the flow, bass so deep.
Life in the rhythm takin it with ease.

Summer 2025. Yea.
Me and Lydia getting live!

The Summer That Was 2025 (feat. Lydia) (Prod. Auditory Ecstasy)

Reactivating this. Just under a year since it first saw the light of day and redelivered the vocal line completely. Note i do sing Orange Sith's name in this however I'll leave it in there for this one. Own the moments!

This song is dedicated to our friend Karl Geraghty who passed away just over a year ago and was in my thoughts making this tune.

Life is too short to not stay connected with eachother and all too often it's funerals that bring us out of our bubbles to reconnect with eachother. This song pines the want for more face to face connections with eachother as opposed to settling for a a few messages on a screen instead!

Lyrics

Why are you rushing?
These moments pass
Many 'been forgotten
Experience says
Guilty pleasures gushing
Weakmindedness
Our price is rest
If you short change your chest

It's too fast
Our now needs your presence to pass
It won't last
Set it slow
Now ask

Old friends won't be forgotten
Your rhymes forever there
New humans begotten
Hell, we needed no prayer

Ones who've passed
You're with us
Memories like yesterday
We raced fast,
Some tripped up,
In love, weed, booze, mdma.

🧘🏻Well, we say grace
Let's race
Face to face
Let's race

We say grace
Let's race
Face to face
Let's race

🔥We say grace
Let's race
Face to face
Let's race

We say grace
Let's race
Face to face
Let's race

We say grace...

🚀Must stop the Russian!
Let's see what Kyiv says
Gaza won't be forgotten
Soon a day...
Your promised land

Guilty pleasures gushing
That's Trump's mindlessness

Be your priceless best
Look, you don't need to pray for this
You don't pay for...

💥We say grace
Let's race
Face to face
Let's race
One Human race
Embrace
Face to face
Let's race

One planet to ace 🌍🫡❤️‍🔥

The Race

Here's a flashback from my past that's still in the present moment!
 
Somehow, I just Know you'll love this one! :-D

This was the first thing to come out of my opening improvisational set at 'The Light House Pub' on Saturna Island as I let my fingers do the talkin' on December 16th 2015. 😎 

 I was playing my Kawai ES7 Digital Stage Piano, and everything just flowed!

So... my friends and Listeners, here's a taste of what can emerge 'outta the Blue' when my Muse just wants to come out n play!  😉


© Gary Courtland-Miles 2015 - 2025
℗  Gary Courtland-Miles 2015 - 2025

Azjio *

Let's go for a stroll in Madrid....  All recorded on keyboards.

Thanks as always for your generous time listening, for your comments and for your shares.

BUY JAMIE'S MUSIC

A Walk in Madrid

1971 was an important time in music, where electricity was changing the landscape and Rock, Funk, Soul and Jazz were all merging into psychedelic grooves.  Marshal stacks were often taller than the players, the players were higher than the Marshal stacks, Strats and Les Pauls were the axes of choice, Hammond B3 Organs and Fender Rhodes keyboards could compete for volume with the guitars, and the hair was even longer than the jams.   Woodstock was a recent memory, Jimi Hendrix had just passed but had moved into the funk and soul inspired Band of Gypsies period, Sly & The Family Stone was heating it up with heavy funk and soul inspired grooves, and Miles Davis had just released the seminal Bitches Brew fusion double album that literally changed music.  This was where it was at, with each of these musicians and bands being influenced by each other.  Great stuff that produced legendary sessions and recordings and pushed music forward with power, energy, groove and volume.  

1971 commemorates this time and mindset, and recreates the feel with friends from around the world who continuously exhibit this spirit, energy and hair in their playing:

Alpha Roots - djembe  Stuttgart, Germany  https://soundcloud.com/alpha-roots
Rikard From - Hammond B3 organ  Umea, Sweden  https://soundcloud.com/rikard-from
Stephen "Pinner" Lipinski - guitar  New Jersey, USA  https://soundcloud.com/pinner
Scott Nelson - guitar  Pennsylvania, USA  https://soundcloud.com/scott-nelson-364333064
Marco Oversteegen - guitar  Almere, Netherlands  https://soundcloud.com/marco-oversteegen
Justin Valente  - guitar  New Jersey, USA  https://soundcloud.com/justin-valente
Jorg Calaminus - Dusseldorf, Germany - mastering

A couple of words on each of the players:  ALPHA ROOTS - Alphio was the perfect choice to add his soulful African djembe percussion voice.  One of the most prolific and inclusive musicians here on SoundCloud, always speaking with a positive voice.  Check out his often reggae and dub inspired recordings.  RICKARD FROM - my favorite B3 player here on SoundCloud.  We haven't recorded before but wanted his beautiful sound and also wanted these other heavy cats to be introduced to his Jimmy Smith type playing.  STEPHEN "PINNER" LIPINSKI - one of the hottest jazz fusion guitarists on SoundCloud, bringing more modern Scofieldesque jazz lines and harmonies to 1971.  SCOTT NELSON - another burning jazz and fusion guitarist, Scott sound combines elements of the contemporary guitar masters - Scofield, Metheny and Martino - to create his extraordinary playing.  MARCO OVERSTEEGEN - no one on SC has a closer overall sound to Hendrix, and we needed Marco's fabulous rhythm playing and soloing to anchor this 1971 mood.  JUSTIN VALENTE - Justin's my favorite blues rock guitarist, and just had to be a part of this summit, bringing us that heavy electric sound of Jimi, The Allman Bros, Freddie King and Stevie Ray Vaughn.  

So here's 1971.  Again.

Thanks to these great players for joining me and contributing so much to 1971, and also to all the listener, for your generous time, your comments and your shares.  And a special thanks to Jorg Calaminus for taking the initiative to master the sound for us to give you this real fine mix.
  

1971 - Alpha Roots, Rikard From, Scott Nelson, Marco Oversteegen, Pinner, Justin Valente, Jamie

Boston's MasterTonyD  https://soundcloud.com/mastertonyd is the SoundCloud guy who is a master in Funk and has a Masters in Funk.  Make that a PHD.  So when MasterTonyD suggests a groove, you run with it.  We've got a real nice thing going here and hope you love it too.  Tony wrote this one and a big thumbs up too.

Follow MasterTonyD's heavy funk grooves on SC: 

Thanks for your most generous time listening, for your comments and for your shares.

Abstract  -  a Jamie Rhind and Master Tony D collab

Why don't you take in a little latin jazz as you look to the blue waters of the Caribbean...across St. John's stunning Trunk Bay...

Thanks as always for your generous time listening, for your comments and for your shares

Agua Azul

Al Schulman is the real deal, and again brings his gorgeous sensibilities to the romantic jazz ballad Alice In Wonderland.   Listen to his melody and rhythm lines here, as he floats over the famous changes, turning this into his own creation.  It's a treat to be recording again with Al, who sports a Masters in Jazz Performance from Howard University, has toured with the great Hammond Organist Charles Earland, performed with the likes of Anita Baker, Herbie Hancock and Wynton Marsalis, and studied with Pat Metheny.   When Al heard my release of this yesterday he asked if he could take a shot at it, and here's what we now have:))  Al broke out one of his custom guitars, this time a custom Telecaster that was actually made for Mike Stern - one of only two made.  Remarkable playing and sensibilities here.  

Follow Al here on SoundCloud at his own gallery:  https://soundcloud.com/alanschulman as well as a second with his talented wife Stacey Lynn Schulman, who is an exceptionally talented jazz vocalist:  https://soundcloud.com/staceyalanjazz

Here's a list of the 10 tunes we have done together so far here on SoundCloud:  https://soundcloud.com/jamie-rhind/sets/swinging-with-al-schulman

We thank you for your generous time listening, for your comments and for your shares.

Alice In Wonderland - with Al Schulman / guitar

A Positive Feeling

Jazz/Fusion keyboard player, composer and producer.  Marketing, advertising, publishing and sales career.  Originally from Chicago, where I developed a strong appreciation for the blues and classical, and moved to New York, where jazz and the fine arts are so deep.  Key musical influences include Miles Davis, Herbie Hancock, Jimi Hendrix, Joe Zawinul and Weather Report, Chick Corea and Return to Forever, John McLaughlin and the Mahivishnu Orchestra, Stanley Clarke, Scott Henderson and Tribal Tech, Jeff Beck and Jan Hammer, Mike Stern, John Scofield, Pat Metheny, Emily Remler, McCoy Tyner, Bill Evans, John Coltrane, Jimmy Smith, Joey DeFrancesco, Larry Young, Buddy Guy, Santana and Earth Wind & Fire.   Former classical clarinet and piano player.  Unless noted, my music on SoundCloud was composed, recorded and performed using only keyboards.  An avid photographer.  Many covers here are my shots.  To see my photography look for Herbiejazz on Instagram or search for Herbiejazz on Google.  And a big thumbs up to SoundCloud and the SoundCloud community, and so many friends who have joined me to create.  Thank you all.

Alice In Wonderland - with Al Schulman / guitar

Jamie Rhind

Recent comments

Geetar Dan

Rene Eduardo Calderon

Jamie Rhind

Julien Apelian

Related tracks